The 100 Most Famous Post Impressionism Paintings

1888Oil on canvas81 × 65 cmKröller-Müller Museum, Otterlo

Created during a period of intense creativity for Van Gogh, this painting reflects his fascination with Japanese prints and their use of bold outlines and flattened perspective. It also foreshadows the expressive power of 20th-century art movements like Fauvism and Expressionism.

Look forstarry skyartificial lightingcafé terrace

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1908Oil on canvas180 × 220 cmHermitage Museum, Saint Petersburg

Instead of striving for photographic realism, Matisse prioritizes the expressive power of color and simplified forms. Originally titled “Harmony in Blue,” the artist deliberately altered the background to red, demonstrating his commitment to exploring the emotional impact of color itself.

Look forwallpaper patternwoman peeling an orangestill life arrangementbold color use (red)

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1897Oil on canvas139.1 × 374.6 cmMuseum of Fine Arts, Boston

Rejecting the fleeting impressions of light favored by earlier Impressionists, he employed Synthetism – a technique prioritizing subjective experience and symbolic meaning over realistic representation. This painting reflects Gauguin's deep fascination with non-Western cultures, particularly that of Polynesia. The inclusion of a Tahitian idol hints at the spiritual beliefs of the region and Gauguin’s own exploration of alternative philosophies.

Look forflattened aestheticnon-traditional composition (reads right to left)symbolic figures representing different stages of lifepolynesian religious imagery

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1886Oil on canvas32 × 25 cmVan Gogh Museum, Amsterdam

Vincent van Gogh’s “Skull with Burning Cigarette” (1886) is a strikingly intimate and unconventional work from his early period, offering a glimpse into the artist's developing style and fascination with existential themes. This small-scale oil study presents a direct confrontation with mortality, rendered not with traditional solemnity, but with a surprising touch of dark humor and defiant realism.

Look fordefiancedark humorsymbolism of mortality

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1897Oil on canvas129.5 × 200.7 cmMOMA - Museum of Modern Art, New York City

Created during the Post-Impressionist era, this painting reflects a growing interest in subjective experience and symbolic representation. Rousseau’s work emerged alongside movements like Symbolism and early Fauvism, challenging established artistic norms.

Look forpowerdreamlike atmosphereflattened perspectivevibrant colors

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1888Oil on canvas91 × 71 cmBayerische Staatsgemaldesammlungen, Munich

Van Gogh moves beyond merely representing reality; he uses vibrant color and expressive brushwork to convey his subjective experience. This series of sunflower paintings was created during a particularly hopeful period for Van Gogh, as he prepared his “Yellow House” in Arles to become a haven for artists.

Look forvibrant colorsthick brushstrokeswilting flowers

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1893Oil on canvas97 × 130 cmMusée d'Orsay, Paris

This technique foreshadowed many aspects of Cubism, earning Cézanne recognition as “the father of us all” by artists like Picasso and Matisse. The simple setting – a modest table, a bottle of wine, and worn clothing – speaks volumes about the hardships and realities of working-class life in late 19th-century France.

Look forgeometric formsearthy tonesquiet contemplationsomber mood

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1885Oil on canvas82 × 114 cmVan Gogh Museum, Amsterdam

Van Gogh intended to convey the honest toil and simple dignity of these laborers, whose hands that reach for the food have also tilled the earth. This early work showcases Van Gogh's evolving style, characterized by thick impasto brushstrokes and a rich, textured palette of dark earthy tones —deep blues, greens, browns, and blacks.

Look forintense focus on figures' faces and expressionsdark, earthy tonesbold, expressive linesthick, visible brushstrokes

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1891Oil on canvasMusée d'Orsay, Paris

Gauguin sought refuge from what he perceived as the decadence of European civilization, traveling to Tahiti in search of a more authentic and “primitive” way of life. This work reflects his fascination with Polynesian culture, though it’s important to acknowledge that his interpretation was filtered through a Western lens.

Look forflattened formsbold colorssimplified shapesdirect gaze of one figure

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1911Oil on canvas140 × 95 cmPushkin State Museum, Moscow

Painted in 1911, "Goldfish" exemplifies Matisse's Post-Impressionist style, characterized by bold colors and expressive brushstrokes. This piece is part of a series that includes other notable works like "Goldfish and Sculpture" and "Studio with Goldfish," all of which highlight Matisse's unique ability to blend color, form, and emotion.

Look forlush greenerypatterned wallpapercircular compositionvibrant red fish

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1884Oil on canvas201 × 301.5 cmNational Gallery, London

The composition is balanced with a horizontal orientation, featuring figures scattered across the foreground and middle ground. "Bañistas en Asnieres" exemplifies Seurat's Post-Impressionist style, characterized by its emphasis on color, expressive brushwork, and a departure from strict realism.

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1888Oil on canvas72 × 92 cmYale University Art Gallery, New Haven

The jarring contrast between these warm tones and cooler greens and blues creates a visual tension that mirrors the psychological state Van Gogh sought to convey. Created during a period of intense creativity and personal struggle for Van Gogh, this artwork reflects his fascination with capturing the essence of everyday life while simultaneously revealing its underlying anxieties.

Look forsymbolic isolationintense colorsdistorted perspectivebilliard table

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1898–1905Oil on canvas210.5 × 250.8 cmPhiladelphia Museum of Art

The painting presents thirteen nude female figures arranged in a woodland setting, seemingly lost in quiet contemplation near a body of water. Unlike traditional depictions of bathers steeped in mythological narrative, Cézanne’s women are archetypal, devoid of individualizing features, and exist not in the landscape but as part of it.

Look fordappled lightflattened perspectivenude figureswoodland setting

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1911Oil on canvas110 × 110 cm

Rejecting the constraints of academic tradition, Klimt and his fellow Secessionists sought to create a “total work of art,” integrating all artistic disciplines. Born in 1862 near Vienna, Austria, Gustav Klimt (1862-1918) rose to prominence as a rebellious force within the Austrian art scene.

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1889Oil on canvas91 × 73 cmBuffalo AKG Art Museum

Far removed from traditional religious iconography, it is a powerful statement of spiritual questioning and emotional distance, marking a significant departure within Post- Impressionist painting. At its core, the work depicts Jesus Christ on the cross, yet Gauguin deliberately subverts expectations. The figure’s yellowish-green skin tone and elongated form immediately challenge conventional portrayals of Christ's suffering.

Look forbreton figuressymbolic landscapeyellowish-green skin tone of Christ

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1888Oil on canvas72 × 92 cmVan Gogh Museum, Amsterdam

This technique wasn't merely stylistic; it was integral to Van Gogh’s desire to express his inner turmoil and passion through paint. Notably, the painting showcases “The Yellow House,” where Van Gogh hoped to establish an artist’s colony with Paul Gauguin. The swirling sky echoes the turbulence within Van Gogh’s own mind, while the illuminated buildings suggest hope and warmth amidst darkness.

Look forswirling blue skylamppostcobblestone streetyellow buildings

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1923Oil on canvas90 × 116 cmCentre Pompidou, Paris

Executed with Valadon’s signature expressive brushwork, this painting exemplifies Post-Impressionism’s emphasis on subjective vision and emotional resonance. Unlike the smooth finishes favored by earlier artists, Valadon embraces visible strokes and a textured surface, lending a tactile quality to the work. Valadon, herself a former model for artists like Renoir and Toulouse-Lautrec, subverts the traditional male gaze.

Look foropen bookfloral motifsbold colorsexpressive brushstrokes

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1895Oil on canvas62 × 79 cmArt Institute of Chicago

This vibrant composition features a basket brimming with apples and pears, accompanied by bread rolls on a plate and a dark bottle. Cézanne's work bridges the gap between Impressionism and Cubism, characterized by bold brushstrokes and a focus on geometric forms. From living rooms to offices, "Basket of Apples" is a versatile piece that can enhance any decor style.

Look fordynamic composition with fruits, bread, and a bottlevibrant contrast between warm fruits and cool backgroundbold colors and loose brushstrokes

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1888Oil on canvas72 × 90 cmVan Gogh Museum, Amsterdam

This painting is a quintessential example of Van Gogh's distinctive Post-Impressionist style. The two chairs – one yellow, one green – are often interpreted as representing Van Gogh himself and a hoped-for companion, most likely Paul Gauguin. Even within his self-created sanctuary, Van Gogh couldn’t fully escape his inner demons. 72 x 90 cm Date: 1888

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1904Oil on canvas60 × 73 cmPushkin State Museum, Moscow

Cézanne’s genius lay not in replicating reality but in distilling its essence. Artists like Henri Matisse and Pablo Picasso were deeply inspired by Cézanne's work, adopting his use of flattened planes of color and simplified forms in their own paintings. However, fellow artists such as Camille Pissarro and art dealer Ambroise Vollard recognized his genius and championed his work.

Look formountain rangetrees

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1908–1910Oil on canvas70 × 99 cmKunstmuseum Den Haag, The Hague

Initially rooted in the Impressionistic traditions of his Dutch homeland – landscapes imbued with the soft light and atmospheric perspective of the Hague School – “Avond” marks a decisive turn toward a purely geometric language, foreshadowing his later development of Neoplasticism. Classifying “Avond (Evening): The Red Tree” as purely Post-Impressionist feels somewhat reductive.

Look forred treeblue background

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1890Oil on canvas50 × 103 cmVan Gogh Museum, Amsterdam

A striking pathway cuts through the expanse, drawing the viewer’s eye towards an ambiguous horizon. Wheatfield with Crows exemplifies Van Gogh’s signature Post-Impressionist style. While recent scholarship suggests Tree Roots was likely his last painting, Wheatfield with Crows remains powerfully linked to his emotional state at the time.

Look forturbulent skycrowswheat fieldpathway

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1888Oil paint or pastels100 × 155 cmMetropolitan Museum of Art, New York

This technique, known as chromoluminarism, allows the viewer's eye to blend the colors optically, resulting in a luminous and shimmering effect. During this period, Seurat was at the forefront of the Post- Impressionist movement, pioneering techniques that would influence generations of artists. As an investment, "Circus Sideshow" is a valuable addition to any collection.

Look forvibrant color palette with warm tonesuse of pointillist technique for textured effect

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1892Oil on canvas73 × 92 cmBarnes Foundation, Philadelphia

While influenced by the Impressionists’ focus on capturing fleeting moments of light and color, Cézanne moved beyond mere observation, delving into the formal elements of his subject. It suggests that Cézanne was never entirely satisfied with his representation of Mont Sainte-Victoire, constantly striving to capture its elusive essence.

Look forbrushstrokescolor

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1899Pen and brush and ink, watercolor and pencilHastings Museum Art Gallery

This work of art is an excellent example of Picasso's early style, which was heavily influenced by his experiences and exposure to various artistic movements during his time in Barcelona. Els Quatre Gats (The Four Cats) was a café located in Barcelona, Spain, that served as a gathering place for artists and intellectuals.

About this painting

1889Oil on canvas40 × 31 cmArt Institute of Chicago

This oil on canvas painting, measuring 40 x 31 cm, is a quintessential example of Post-Impressionism, characterized by bold colors and expressive brushwork. Van Gogh’s self-portraits are renowned for their emotional depth and introspection. Van Gogh’s work was influenced by various artistic movements, including Impressionism and Expressionism.

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1905Oil on canvas

Emerging in the early 20th century, Fauvism (“wild beasts” in French) shocked the art world with its radical use of color. It was first exhibited at the Salon d'Automne in 1905, where it provoked outrage and ridicule from critics, yet simultaneously ignited a revolution in modern art.

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1889Oil on panel24 × 15 cmFine Arts Museums of San Francisco

Measuring just 24 x 15 cm, this intimate painting—currently housed at the Fine Arts Museums of San Francisco —packs an enormous visual punch, offering a unique perspective on one of the world's most recognizable landmarks. Seurat was at the forefront of artistic innovation, rejecting the spontaneity of Impressionism in favor of a more scientific and calculated approach to painting.

Look forpointillist techniqueatmospheric perspective

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1909Oil on cardboard50 × 65 cm

The painting features a central table draped with a red-and-white checkered cloth, surrounded by various dishes and utensils. This period was marked by his involvement with the Der Blaue Reiter group, which emphasized spiritual and emotional resonance in art.

Look fortwo open doorways revealing glimpses of adjacent areasdynamic brushwork and loose, expressive strokescentral table with a red-and-white checkered clothlarge wooden cabinet adorned with various objects

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1894Oil on canvas59 × 72 cmWhitney Museum of American Art, New York

The painting features a simple yet evocative arrangement of objects: a large jug, a bowl of fruit, and a draped curtain. In "Curtain, Jug and Fruit," he employs loose, expressive brushwork that conveys a sense of spontaneity and movement.

Look foreveryday objects arranged casuallyvibrant yet muted color paletteloose brushwork

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1901Oil on canvas82 × 66 cmPushkin State Museum, Moscow

The composition is balanced with the figure positioned slightly off-center to the right, creating a sense of space on the left side. "Sabartes" showcases Picasso's distinctive Post-Impressionist style, characterized by bold outlines, flat planes of color, and expressive brushstrokes. Created in 1901, "Sabartes" reflects Picasso's early exploration of themes such as solitude, introspection, and melancholy.

Look forthick expressive brushstrokescontemplative expressionmuted palette

About this painting

1890Oil on canvas (presumed)39 × 31 cm

While rooted in observation, the painting prioritizes conveying feeling through bold color choices and dynamic brushwork. Flowers in Van Gogh's oeuvre frequently represent fragility, fleeting beauty, or remembrance.

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1905Oil on canvas72 × 59 cmMOMA - Museum of Modern Art, New York City

Despite its departure from realism, Matisse’s technique remains rooted in Impressionism's foundational principles. The artist skillfully utilizes color to sculpt form, subtly defining shapes through variations in hue and saturation—a technique that anticipates developments in Abstract Expressionism decades later.

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1892Oil on canvas101 × 77 cmKunstmuseum Basel

Gauguin's paintings, while celebrating Tahitian culture, are also imbued with a sense of melancholy and a poignant awareness of the loss that accompanied Western contact. Artists like Pablo Picasso and Henri Matisse, deeply impacted by Gauguin’s work, would later build upon his revolutionary techniques and ideas.

Look forsymbolic figures

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1886Oil on canvasPhiladelphia Museum of Art

This evocative painting transports viewers to a moonlit forest brimming with an alluring sense of mystery and quiet melancholy – a scene that feels both familiar and utterly dreamlike. Rejecting formal artistic training, he forged his own unique style characterized by bold, unmodulated colors, flattened forms, and an unconventional approach to perspective.

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45 × 33 cm

About this painting

1890Oil on canvas35.2 × 46.2 cmHermitage Museum, Saint Petersburg

The painting features a table set with various fruits, including apples, oranges, and lemons, arranged in a harmonious composition. " Still Life with Apples " is not only a beautiful piece of art but also an important milestone in the development of modern art. Still life with Apples Paul Cézanne: A pioneering French Post-Impressionist artist.

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1888Oil on canvas73 × 92 cmMusée d'Orsay, Paris

The composition is balanced by the horizon line, dividing the painting into two main sections: the sky above and the water below. Van Gogh's Post-Impressionist style is evident in the expressive use of color and bold brushwork. The painting was first exhibited in 1889 at the annual exhibition of the Société des Artistes Indépendants in Paris.

Look forexpressive brushworkreflections in the watertwo figures standing by the riverluminous stars and lights

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1888Oil on canvas64 × 54 cmThe Norton Simon Museum of Art, Pasadena

This artwork is a quintessential example of Post-Impressionism, moving beyond the mere depiction of light and form to convey emotional experience. Arriving in Arles in 1888, Van Gogh sought to establish an artistic community inspired by the vibrant light and simple beauty of the southern French countryside.

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1890Oil on canvas69 × 91.5 cmOrsay Museum, Paris

Unlike Impressionism's focus on fleeting light effects, Synthetism prioritizes flattened planes of color and simplified forms, creating an illusionistic space that feels both stylized and emotionally resonant. The painting arrived at a pivotal moment in art history —the waning days of Impressionism and the burgeoning excitement surrounding Symbolism —marking Gauguin’s decisive break from academic conventions.

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1916Oil on canvas

Known in its original language as Le Retour de pêche au Croisic, the piece captures a specific maritime scene. This work originates from a period in the artist's life spent in the coastal regions of France. Adjacent to this signature, the work is dated 16.

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1922Oil on canvas73 × 92 cmEredità Bardini Museum

Simultaneously, Matisse absorbed Cézanne’s influence in his use of simplified geometric forms and planar surfaces, evident in the woman's torso and the subtle layering of textures within the painting. The early 20th century witnessed a seismic shift in artistic sensibilities—a rejection of academic formalism in favor of experimentation and innovation.

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1888Oil on canvas73 × 60 cmDallas Museum of Art

The composition is anchored by a large tree that dominates the background, creating a vertical axis that draws the eye upward. Eragny-sur-Epte, where the artwork is set, was a place of solace for Pissarro, offering him inspiration and a retreat from urban life.

Look forvibrant color palette with earthy tonesthick, textured brushstrokeslarge central treefigures engaged in apple picking

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1888Oil on canvas91 × 72 cmPhiladelphia Museum of Art

This Post-Impressionist still life showcases a bouquet of sunflowers arranged in a simple vase, exuding warmth, vitality, and an unmistakable sense of joy. Van Gogh's distinctive style is on full display in this artwork. The painting is characterized by its bold colors, thick impasto technique, and expressive brushstrokes, which create a textured surface that seems to pulse with energy.

Look forthick paint applicationvibrant colorsdynamic composition

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1905Oil on canvas99 × 100 cmMetropolitan Museum of Art, New York City

Picasso's distinctive style shines through in this painting, characterized by bold, contrasting colors and thick, expressive brushstrokes. The guitarist in the background represents Frédéric Gérard, the owner of the Lapin Agile cabaret. The painting was created just a few years after the tragic suicide of his friend Casagemas, an event that marked the beginning of Picasso's Blue Period.

Look forgermaine Pichot depicted as the woman in orange dressfrédéric Gérard depicted as the guitaristself-portrait as a harlequin

About this painting

1893Oil on canvasKröller-Müller Museum, Otterlo

At first glance, the viewer is greeted by the commanding presence of two dark, verdant cypress trees that pierce the sky like silent sentinels. These towering forms, rendered with a geometric precision that hints at Signac’s architectural sensibilities, anchor a composition that feels both grounded in the earth and ethereal in its atmosphere.

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1918–1927Oil on canvasPhiladelphia Museum of Art

The painting, executed in oil on canvas, immediately draws the viewer into its complex world through bold color choices and fragmented forms. Duchamp’s style here is a precursor to his later explorations in Cubism and Surrealism. Created during a period of radical experimentation in art, Paradise reflects Duchamp's rejection of traditional academic painting.

Look foradameve

About this painting

1904Oil on canvas73 × 92 cmMOMA - Museum of Modern Art, New York City

Executed in the hallmark style of Post-Impressionism, this painting showcases bold, expressive brushwork and a vibrant color palette. During this era, Post-Impressionist painters like Cézanne sought to move beyond the fleeting impressions of Impressionism, emphasizing structure, volume, and underlying geometric forms.

Look fortextured brushworkbold formsvibrant colors

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1891Oil on canvas90 × 130 cmChrysler Museum of Art, Norfolk

The central figure in this artwork is a reclining human-like form with an animal head, possibly a lion. Created during Gauguin's time in Tahiti, this artwork reflects his fascination with the island's culture and natural beauty.

Look forvibrant colorsdreamlike atmospherereclining human-like figure with an animal head

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1924Oil

The sun dips low toward the horizon, casting a warm, heavy glow across the Breton coastline. Two figures walk along the edge of the sand, their silhouettes softening as the light fades.

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1889Oil on canvas71 × 93 cmJ. Paul Getty Museum, Los Angeles

Rejecting the strict realism of earlier movements, he employed expressive brushwork and heightened color to convey emotion and subjective experience. Traditionally, irises represent faith, hope, wisdom, courage, and admiration; within the context of Van Gogh’s life at Saint-Rémy, they can also be interpreted as symbols of resilience and finding beauty even in confinement.

Look foremotional intensitypathwayswirling brushstrokesvibrant blues

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1903Oil on canvas59 × 59 cmLenbachhaus, Munich

The composition beautifully balances the figure of Münter with the surrounding landscape, creating a harmonious blend of human creativity and natural beauty. Painted in 1903, this work predates the official formation of Der Blaue Reiter (The Blue Rider), the influential art movement co-founded by Kandinsky and Münter.

Look forexpressive brushwork creating texture and movementvibrant color palette with earthy tones and bright accents

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1905Oil on canvas99 × 100 cmMetropolitan Museum of Art, New York City

This oil on canvas (99 x 100 cm) captures a fleeting moment inside the legendary Le Lapin Agile cabaret, a haven for artists, writers, and musicians in Montmartre. “At ‘Lapin Agile’” marks a pivotal moment in Picasso’s artistic development, firmly situated within his Rose Period (1904-1906).

Look forself-portrait (possibly)le Lapin Agile cabaretharlequin figure

About this painting

1922Oil on canvas

Despite its categorization within Surrealism, “Olive Trees” retains traces of Impressionistic influences. Painted during Dalí’s formative years in Paris alongside Pablo Picasso, “Olive Trees” reflects the broader artistic currents of the time. In Mediterranean culture, olives represent longevity, peace, and fertility—values that align with Dalí’s preoccupation with mortality and regeneration.

About this painting

1905Oil on canvas81 × 101 cmNational Gallery of Art, Washington

This painting encapsulates Cézanne’s revolutionary approach to representation, moving beyond mere imitation towards an exploration of underlying structure and subjective perception. The artwork presents a classic still life arrangement: apples and peaches resting on a wooden table, accompanied by subtle drapery. Post-Impressionism Key Features: Planes of color, deliberate brushstrokes, geometric forms.

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1888Oil on canvas92 × 73 cm

Painted during Van Gogh's prolific period in Arles, France, this artwork exemplifies his Post-Impressionist approach. Unlike the Impressionists who focused on capturing fleeting moments of light, Van Gogh infused his work with emotional intensity and bold, expressive brushstrokes.

Look forbold, expressive linesthick, impasto brushstrokescontrast between warm and cool colorsvibrant and dynamic representation

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Oil on canvas on board

The work depicts a Parisian street scene, focusing on the urban landscape and the activity surrounding a theater. This specific composition captures a moment of city life within a metropolitan setting. He remained active in his craft until his death in 1969. The work is categorized within the Post-Impressionist style.

About this painting

1902Oil on canvas61 × 50 cmPhiladelphia Museum of Art

Marcel Duchamp, a pioneer of conceptual art, is renowned for his innovative and thought-provoking works. Duchamp's Landscape at Blainville reflects his early fascination with capturing natural beauty. Duchamp’s technique in Landscape at Blainville demonstrates his skill in capturing light and texture, drawing the viewer into the serene world he has created. Experience the tranquility of Marcel Duchamp's 'Landscape at Blainville' with AllPaintingsStore.com.

About this painting

1908Ink72 × 47 cmGemeentemuseum den Haag, The Hague

Post-Impressionism arose as a reaction against Impressionists' preoccupation with capturing fleeting moments of light and color. Artists like Cézanne, Gauguin, and Van Gogh sought to express emotions and ideas through art—a conscious rejection of Impressionistic objectivity. For more information on Piet Mondrian and his contributions to modern abstract art, visit Piet Mondrian at AllPaintingsStore.

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1891Oil on canvas113.7 × 87.6 cmMetropolitan Museum of Art, New York

Driven by disillusionment with Parisian society, Gauguin sought refuge in Tahiti, believing its untamed beauty and vibrant culture held the key to a more genuine way of life. First exhibited in Paris in 1893, “Ia Orana Maria” immediately sparked conversation and controversy. “Ia Orana Maria” delves into universal themes of faith and belief.

Look formountainous backgroundapparition of Maryjesus as Tahitianstahitian women

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1920Oil on canvas

Created in 1920, this work reflects the post-World War I era’s exploration of human emotion and identity. The influence of Impressionism and Post-Impressionism is evident in the vibrant palette and textured surface, while the emphasis on emotional resonance aligns with the broader modernist movement.

Look forvivid interplay of color, texture, and linerich textured surfaceabstract and figurative blend

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1901Oil on canvasArtsDot.com

The painting presents a deceptively simple scene: a skull rests upon a draped white cloth on a table, surrounded by an assortment of fruits – apples, pears, and oranges. The skull, centrally positioned and holding an apple in its skeletal hand, immediately draws the viewer's attention. Still Life with Skull is a quintessential example of Cézanne’s Post- Impressionistic style.

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1888Oil on canvas73 × 93 cmKröller-Müller Museum, Otterlo

Unlike Impressionists who focused on fleeting moments of light, Van Gogh utilized bold colors and expressive brushwork to convey his emotional response to the scene. During his time in Arles, Van Gogh sought refuge and inspiration in the rural landscape, hoping to establish an artist's colony.

Look forrural scenevibrant colorstextured brushstrokes

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1907Oil paint69 × 105 cm

The composition centers on a woman reclining within the confines of a bed. The woman’s hand is visible in the lower portion of the scene, making contact with her child. Painted in 1907, this work reflects the stylistic evolution of Nicolas Tarkhoff following his time in Paris.

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1920Oil76 × 107 cm

Created about 1920, the painting captures a specific moment of military aftermath in the Middle East. Carline's career, which concluded with his death in 1929, was defined by this intersection of technical skill and the lived experience of aerial combat. The scene captures the aftermath of a destroyed Turkish aerodrome at Rayak, Lebanon, in 1919.

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1894Oil on canvas72.4 × 90.5 cmMetropolitan Museum of Art, New York

Farm in Brittany, painted by Paul Gauguin in 1894, is a quintessential example of Post-Impressionism. This beautiful oil on canvas painting is housed at the Metropolitan Museum of Art in New York, United States. During the late 19th century, artists like Gauguin and Van Gogh sought to break away from traditional Impressionism.

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1888Oil on canvas75 × 93 cmPushkin State Museum, Moscow

This oil on burlap canvas, now residing within the Pushkin State Museum in Moscow, offers a rare glimpse into the artist's intensely personal vision – a vision forged from observation, emotion, and an almost palpable yearning for belonging. Furthermore, Van Gogh’s artistic development during this period was significantly shaped by Japanese woodblock prints (Ukiyo-e).

Look forhorsegrapesworkers

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1879Oil on canvas53.5 × 72.4 cmNational Gallery, London

Paul Cezanne was a French artist, often considered the father of modern art. Cezanne's innovative approach to painting laid the groundwork for many 20th-century artistic styles, including Fauvism, Cubism, and Expressionism. Mountains in Provence near L'Estaque, painted around 1870-1871, is a remarkable example of Cezanne's early work and his transition from Impressionism to Post-Impressionism.

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1912Oil on canvasPushkin Museum

Matisse’s foray into Fauvism wasn’t merely stylistic experimentation; it was a reaction against the prevailing Impressionist preoccupation with capturing fleeting moments of light. Rejecting naturalistic representation, Matisse embraced pure color—unmixed pigments applied directly to the canvas—creating an audacious visual experience that prioritized feeling over observation.

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1890Oil on canvas81 × 65 cmOhara Museum of Art, Kurashiki

Measuring 81 x 65 cm, it's a quintessential example of his mature style – a pivotal moment bridging Impressionism and the burgeoning Cubist movement. Cézanne wasn't interested in merely reproducing what he saw; he sought to understand and reconstruct the underlying structure of nature. Born and largely based in Aix-en-Provence, France, Cézanne held a lifelong fascination with his native landscape.

Look forthick impastoloose brushstrokesflattened perspectivevibrant colors

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1890Oil on canvas67 × 56 cm

Dr. Gachet, who was also an artist, became a close friend and confidant to Van Gogh during this time, providing both medical care and emotional support. Van Gogh wrote about the painting, describing Dr. Gachet's expression as "sad but gentle, yet clear and intelligent," highlighting his desire to portray not just the physical likeness but also the soul of his subject.

Look forvivid color paletteswirling background patternsfoxglove plant on the tablebold brushstrokes

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1896Oil67 × 54 cmMusée d'Orsay, Paris

The scene unfolds with a deceptive simplicity, presenting a woman seated on the floor, her back turned to the viewer in a gesture that suggests both vulnerability and a sacred sense of privacy. There is no grand theatricality here, only the quiet, unvarnished reality of a domestic moment.

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1909Oil on canvas75 × 97 cmHermitage Museum, Saint Petersburg

Wassily Kandinsky, a Russian painter and art theorist, is renowned for his pivotal role in the development of abstract art. Winter Landscape depicts a serene winter scene featuring a house in the middle of a snowy field, surrounded by trees. Winter Landscape was painted during Kandinsky's time in Munich, where he was part of the influential art group Der Blaue Reiter.

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1898Oil on canvas140 × 91 cmMusée d'Orsay, Paris

Instead, he employs a Synthetist approach—a technique pioneered by Cézanne and championed by Gauguin himself—that prioritizes flattened planes of color and simplified forms over meticulous detail. Born Eugène Henri Paul Gauguin in Paris in 1848, Gauguin experienced a formative childhood in Peru before returning to France due to financial difficulties stemming from his unsuccessful stockbroker career.

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1877Oil on canvas (presumed)46 × 38 cmVirginia Museum of Fine Arts, Richmond

Cézanne deliberately moves away from the fleeting impressions favored by his Impressionist contemporaries. It’s a snapshot of bourgeois life in late 19th-century France, meticulously observed and translated onto canvas.

Look fortextured surfacemuted color paletteformal compositiondistinctive brushwork

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1907Oil24 × 33 cmCentre Pompidou, Paris

“Park von Saint-Cloud, Waldlichtung” was created during a period of significant artistic ferment in Europe. The late 19th and early 20th centuries witnessed the rise of movements like Impressionism, Post-Impressionism, and Symbolism – all of which challenged traditional notions of representation and explored new ways of expressing subjective experience.

Look forforest landscape

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1888Oil32 × 35 cmKröller-Müller Museum, Otterlo

"Willows at Sunset" was created during Van Gogh's time in Arles, France, a period marked by intense creativity and experimentation. "Willows at Sunset" is a powerful and evocative representation of a landscape, capturing the beauty and complexity of the natural world through bold colors, expressive brushwork, and a deep sense of emotion.

Look fordynamic composition with radiating linesthick impasto texturesbold colors and expressive brushwork

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1892Oil on canvasMetropolitan Museum of Art, New York

This painting represents a pivotal moment in his career, marking a decisive shift away from the constraints of Impressionism and toward a bolder, more subjective style. Artists such as Pablo Picasso and Henri Matisse were deeply inspired by his work, adopting elements of his style to create their own groundbreaking art.

Look forsynthetist style

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1893Oil on canvas46.3 × 56.5 cmMOMA - Museum of Modern Art, New York City

The composition is a masterclass in the Post-Impressionist approach to space. Moving away from the fleeting, bright impressions of his contemporaries, he embraced a more grounded, tonal harmony influenced by the elegant simplicity of Japanese woodblock prints.

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22 × 30 cm

About this painting

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1914PaintingSoares dos Reis National Museum, Porto

His formal training began in Lisbon, where he attended the Academia de Belas Artes between 1896 and 1905. In 1905, he moved to Paris to further his education, studying under Jean-Paul Laurens at the Julian Academy. In 1916, he produced a depiction of Portuguese life titled In revolt, which utilized colorful arcs to capture the essence of the era.

About this painting

1890

About this painting

1904Oil on canvas72 × 58 cmIsabella Stewart Gardner Museum

Alongside André Derain, Matisse spearheaded this revolutionary art movement which lasted from 1905 to 1908. Other notable artworks by Henri Matisse include “Odalisque” (1917), “Fatma (II)” (1912), and “Still Life with Lemon” (1917). Consider visiting these resources: Henri Matisse The Terrace, St. Tropez | Isabella Stewart Gardner Museum

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1878Oil on canvas52 × 56 cmNorton Simon Museum, Pasadena

The significance of The Pond of the Jas de Bouffan extends far beyond its aesthetic qualities. While seemingly a straightforward depiction of a rural landscape, The Pond of the Jas de Bouffan is rich in symbolic meaning.

Look forgeometric formscolor

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1889Oil on canvas95 × 73 cmNational Gallery, London

The style is characterized by bold colors, expressive brushwork, and a departure from realistic representation. Van Gogh's depiction captures their vibrant energy and natural beauty, evoking feelings of joy and admiration for nature's splendor.

Look fordynamic compositionexpressive brushworkvibrant yellowsoranges

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1899

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1900Oil on canvas

This oil on canvas, measuring 58 x 71 cm, captures a fleeting moment along the Seine, transforming an everyday scene into a symphony of color and form. The painting’s influence can be seen in the works of later artists, including Picasso and Braque, who were both deeply inspired by Matisse's innovative approach.

Look fordynamic brushstrokesbold colors

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1888Oil on canvas72.2 × 91 cmScottish National Gallery, Edinburgh

Gauguin, a restless spirit driven by a desire to escape European conventions, had already begun to dismantle established artistic norms, seeking inspiration in the art of Japan and the raw energy of his own experiences – particularly those spent in Tahiti. However, Gauguin doesn’t offer a straightforward narrative illustration.

Look fordistorted shapesbold color

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1889Oil on canvas92 × 73 cmMinneapolis Institute of Art

The painting depicts a serene rural landscape dominated by twisted olive trees under a radiant yellow sky. The foreground features undulating terrain with patches of grass and earthy tones, while the middle ground showcases gnarled olive trees with lush foliage.

Look forswirling yellow skywarm color palettetwisted olive trees

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