Famous paintings · Abstract Expressionism
1929 – 1995
The most famous Abstract Expressionism paintings are Jackson Pollock's Number 1, 1949 (1950), Willem de Kooning's Woman I (1950–1952), Jackson Pollock's Autumn Rhythm. Number 30, 1950 (1947–1950), Paul Klee's To Parnassus (1932, Kunstmuseum Bern) and Mark Rothko's No.1 (n.d.). The list runs to 100 paintings by 25 artists, from 1929 to 1995, each with the collection that holds it today.
The ranking
Ranked by how widely each painting is known. The artist, the date, the size of the original, the museum that holds it today — and one detail to look for.
Jackson PollockAbstract Expressionism
1950Paint on canvas240 × 120 cm
Rejecting traditional easel painting, Pollock laid his canvases directly on the floor, allowing him to approach the work from all sides. This radical shift in perspective is fundamental to understanding the piece – it’s not a window onto another world, but an arena where the act of creation is the subject matter. Emerging in post-World War II America, Abstract Expressionism reflected a cultural shift towards individualism and existential questioning. Pollock’s work, in particular, broke free from European artistic traditions, establishing New York as a new center for avant-garde art.
Look forsplattersall-over compositionlayering of paintinterwoven lines
Willem de KooningAbstract Expressionism
1950–1952Oil on canvas147 × 192 cm
De Kooning was a leading figure in this movement, often dubbed the “New York School,” which shifted the center of the art world from Paris to America. “Woman I” remains one of the most significant and influential paintings of the 20th century.
Look forvibrant color palettedistorted formenergetic brushwork
Jackson PollockAbstract Expressionism
1947–1950Oil and enamel paint on canvas (likely)
Created during Pollock’s most celebrated “drip period” (1947-1950), this artwork exemplifies his revolutionary technique. Despite its seemingly chaotic appearance, "Autumn Rhythm" reveals a sophisticated control over color and composition. Emerging in the post-World War II era, Abstract Expressionism reflected a broader cultural shift – a rejection of traditional values and an exploration of inner experience.
Look fordripped linesall-over compositionearthy color palettetextural depth
Paul KleeAbstract Expressionism
1932Tempera126 × 100 cmKunstmuseum Bern
Central to the composition is a luminous orange circle, reminiscent of a sun or moon, symbolizing energy, enlightenment, and the passage of time. Paul Klee, the artist behind this piece, was a pioneering figure at the Bauhaus school, renowned for his innovative use of color and form.
Look forsun/moonmountain/pyramidarchway/portalgeometric shapes
Mark RothkoAbstract Expressionism
Oil on canvas
The artwork's rich palette of warm tones —deep reds, oranges, and yellows—blends seamlessly with cooler shades of green, blue, and white. Artists like Mark Rothko and Barnett Newman pioneered this style, focusing on emotional content and spontaneous creation over representational accuracy.
Look forbold, vibrant colorsfluid shapesdynamic composition
Jasper JohnsAbstract Expressionism
1959Oil on canvas137 × 170 cm
The artwork is divided into sections filled with overlapping layers of paint, creating a sense of depth and complexity. Inspired by Marcel Duchamp's ready-mades and John Cage's experiments with chance, Johns used random movements rather than premeditated composition to guide his brushstrokes.
Look forbold colors and dynamic brushstrokesstenciled color labels with mismatched namesexplosive, frenetic patches of color
Gerhard RichterAbstract Expressionism
1992Oil on canvas
Gerhard Richter's " Abstract Painting 780-1" is a mesmerizing exploration of color, texture, and movement. In " Abstract Painting 780-1," he employs a vertical orientation, dividing the canvas into two distinct sections. The subject matter of " Abstract Painting 780-1" is abstract, with no clear narrative or representational elements.
Look forcontrast between cool and warm colorsthick, layered brushstrokes creating depthbold use of color and texture
Franz KlineAbstract Expressionism
1956Oil on canvas203 × 254 cmWhitney Museum of American Art, New York
In “Mahonoming,” the heavy, black muscularity of the brushwork is balanced by the luminous white voids that press back against the dark forms. During the height of the Cold War, as the world grappled with technological shifts and societal anxieties, Kline’s work offered an alternative language—one rooted in primal instinct rather than the sterile rationality of the age.
Jasper JohnsAbstract Expressionism
1961Oil on canvasMuseum of Modern Art (MoMA), New York City
While often associated with Pop Art due to its use of recognizable imagery, Map exists in a fascinating liminal space between movements. The painting’s energetic brushwork and bold palette – splashes of red, yellow, blue, black, and white – echo the gestural freedom of Abstract Expressionism, particularly the later works of Paul Cézanne.
Look forvibrant colorsfragmented map outlines
Jackson PollockAbstract Expressionism
Oil on canvas
Abstract Expressionism signaled a move away from European artistic dominance and embraced American innovation and individualism. Strategic lighting can highlight the texture and depth created by Pollock’s technique.
Look fordrip techniquevibrant color paletteall-over composition
Barnett NewmanAbstract Expressionism
1950Oil paint on canvas242 × 513 cm
Created by the American painter Barnett Newman, this work carries a title that translates from Latin as "Man, Heroic and Sublime." It is a massive expanse, reaching nearly 8 feet in height and stretching 18 feet wide, a scale that envelops the viewer's field of vision. As a significant work of this movement, it belongs to the New York School, where artists push against traditional boundaries to find a new visual language. The presence of this massive canvas remains anchored in New York City.
Mark RothkoAbstract Expressionism
Oil on canvas
This painting, a cornerstone of his mature style, exemplifies Rothko’s revolutionary approach to color field abstraction – a deliberate move away from representational imagery towards pure feeling expressed through the luminous interaction of hues. Unlike the gestural brushstrokes favored by Pollock or the fragmented figures of de Kooning, Rothko’s paintings are defined by their smooth, almost meditative surfaces.
Look forbold colorslayered paint
Francis BaconAbstract Expressionism
1969Oil on canvas
Painted in 1969 at the Royal College of Art in London, this triptych is part of a series of large-scale portraits that Bacon created during the 1960s. The work reflects the artistic rivalry and deep friendship between Bacon and Freud, who were introduced in 1945 by artist Graham Sutherland.
Look forbright color palette compared to typical Bacon worksgeometric cage-like structure enclosing the figureexaggerated facial features and melancholic expression
Jasper JohnsAbstract Expressionism
1959Oil on canvas
The color palette consists of primary and secondary tones, including deep blues, bright yellows, bold reds, and accents of orange and white. Along the central vertical axis, stenciled numerical markings ranging from 10 to 120 run parallel to the thermometer's scale. Created in 1959, this mixed-media assemblage moves beyond a static representation of temperature by incorporating a live measuring tool.
Look forbold Colorsdynamic Brushstrokesvertical Divisionnumbers
Cy TwomblyAbstract Expressionism
1995Mixed media
Quattro Stagioni, Autunno is a painting by Cy Twombly. Created in 1995, this work exists as a single movement within a larger cycle. Born on April 25, 1928, in Lexington, Virginia, he eventually settled in Italy, where he remained until his death in Rome on July 5, 2011.
Gerhard RichterAbstract Expressionism
Oil on canvas
The painting is dominated by a warm palette of reds, oranges, and browns, creating an intense and energetic atmosphere. Subtle hints of blue, green, and white add contrast and visual interest, enhancing the overall vibrancy.
Look fordynamic textureslayered paintorganic linesbold colors
Mark RothkoAbstract Expressionism
1951
Born Markus Yakovlevich Rothkowitz in Latvia, Rothko (1903-1970) immigrated to the United States as a child. Influenced by European movements such as Futurism, the Bauhaus, and Synthetic Cubism, Abstract Expressionism marked a decisive break from the past, establishing New York as a global art center.
Look formaroonblack) on a dark backgroundthree rectangular blocks of color (deep red
Jackson PollockAbstract Expressionism
Oil on canvas
Jackson Pollock's "Number 1A" is a quintessential example of Abstract Expressionism, a movement that redefined American art in the mid-20th century. The artwork's historical significance lies in its contribution to the Abstract Expressionist movement, which challenged conventional norms and paved the way for future generations of artists.
Look forchaotic brushstrokesdense accumulation of linestexturesearthy color palette
Clyfford StillAbstract Expressionism
1951Oil on canvas
In this work, Clyfford Still confronts the viewer with a massive scale, measuring 117 inches in height and 192 inches in width. The rights to this work belong to the City and County of Denver. This careful preservation ensures the blues remain as bright as they were when the work was first created in 1951.
Arshile GorkyAbstract Expressionism
1944Oil on canvas186 × 249 cmBuffalo AKG Art Museum
Moving beyond recognizable forms, Gorky crafts a vibrant and chaotic scene brimming with energy, hinting at figures engaged in a festive, yet unsettling, gathering. It’s not a depiction of something, but rather an evocation of feeling – a visual representation of collective experience filtered through personal trauma and artistic innovation.
Willem de KooningAbstract Expressionism
1950Oil on canvas205.7 × 254.6 cmArt Institute of Chicago
De Kooning boldly rejects conventional artistic boundaries in Excavation. This influential group of artists – including Jackson Pollock, Mark Rothko, and Franz Kline – shifted the center of the art world from Paris to New York, prioritizing spontaneous gesture, subjective expression, and a rejection of established artistic conventions. De Kooning's work, while fiercely individual, shared this commitment to emotional honesty and formal innovation. Critics have often interpreted the fragmented forms as allusions to the female figure, a recurring motif in De Kooning’s work, though he consistently resisted definitive interpretations.
Marc ChagallAbstract Expressionism
1952Oil on canvas168 × 88 cm
The painting’s fragmented forms and multiple perspectives echo Cubist principles, while its bold, non-naturalistic color palette —dominated by fiery oranges, passionate reds, and luminous golds—draws heavily from Fauvism. Created in the aftermath of World War II, this artwork can be interpreted as a hopeful expression of renewal and resilience within the Jewish community.
Look formusiciansbride and Groomwinged Figuremenorah
Georgia O'KeeffeAbstract Expressionism
Oil on canvas
The painting exemplifies O'Keeffe's signature abstract expressionism, characterized by organic forms that seem to dance across the canvas. Large, sweeping curves create a rhythmic flow, with a prominent blue oval serving as an anchor amidst undulating lines. This piece predates her famous flower paintings and New Mexico landscapes, offering a glimpse into the evolution of her artistic vision.
Look forfluid, organic formsharmonious blend of cool and warm colorscentral blue oval shaperhythmic flow across the canvas
Mark RothkoAbstract Expressionism
Mark Rothko's ‘Autumn’ is not a depiction of the season in any traditional sense; it is, rather, an exploration of emotional resonance through the simplest of forms. His family’s immigration to America in 1913 instilled a sense of otherness that perhaps fueled his lifelong exploration of universal themes.
Joan MiróAbstract Expressionism
1967Oil on canvas205 × 173 cmFundació Joan Miró, Barcelona
Created in 1967, this monumental oil on canvas measuring 205 x 173 cm resides at the Fundació Joan Miró in Barcelona, Spain—a location that underscores its significance within the artist’s legacy and the broader canon of modern art. Painted during the mid-1960s, The Gold of the Azure exemplifies Miró’s unwavering commitment to artistic experimentation and his refusal to conform to prevailing trends.
Jackson PollockAbstract Expressionism
1948Synthetic resin paints on fiberboard panel243 × 121 cm
No. 5, 1948 was created using his signature “drip” technique – pouring and flinging synthetic resin paints (often referred to as enamel) onto a fiberboard canvas laid horizontally on the floor. While devoid of recognizable imagery, No. 5, 1948 is rich in symbolic potential.
Mark RothkoAbstract Expressionism
1970203 × 176 cmNational Gallery of Art, Washington
Mark Rothko, one of the 20th century's most influential figures in art, is inextricably linked with his monumental color field paintings. At its core, ‘Blue and Gray’ is defined by its stark simplicity and deliberate ambiguity. This aligns directly with the tenets of Abstract Expressionism, the movement Rothko is most closely associated with.
Look fordichotomycolor field
Paul KleeAbstract Expressionism
1929Oil on cardboard37 × 36 cm
“Fire Evening,” while not directly depicting a Tunisian landscape, reflects this newfound freedom in its expressive use of color. A Return to Reality: Interestingly, Klee himself stated that his abstract works weren’t departures from nature but rather ways of returning to reality through a more essential and symbolic representation.
Willem de KooningAbstract Expressionism
1966Oil on canvas
The artwork resides within the Tate Collection, offering visitors an unparalleled opportunity to experience firsthand the legacy of one of America's most influential artists. De Kooning’s technique is instantly recognizable: thick impasto—a layering of paint applied with aggressive brushstrokes—dominates the surface of this monumental paper on canvas.
Joan MiróAbstract Expressionism
The frontal perspective ensures an intimate connection, making it a compelling centerpiece for any space. Inspired by the groundbreaking works of Joan Miró, this piece echoes the artist’s fascination with the subconscious, symbolism, and the childlike spirit.
Look forexpressive Linesvibrant Accentssymbolic Detailslayered Composition
Henri MatisseAbstract Expressionism
1952Gouache108 × 80 cm
The painting depicts a woman bathed in shades of vibrant blue—a hue characteristic of Matisse's signature style—whose elongated limbs are outstretched in a gesture that suggests both repose and dynamic energy. Expressionism – Matisse deliberately eschewed academic conventions, favoring bold colors and simplified forms to convey feeling rather than precise observation. Created during Matisse’s prolific period following his relocation to Nice, “The Flowing Hair” reflects a shift towards a more lyrical and decorative aesthetic—a departure from the geometric abstractions that marked his earlier work. Like other masterpieces by Matisse – Vénus Gouache découpée wtngoa and Anfitrite – “The Flowing Hair” exemplifies his unwavering commitment to expressive color and simplified shapes.
Gerhard RichterAbstract Expressionism
1982Oil on canvas200 × 206 cmMuseum of Modern Art (MoMA), New York City
“Clouds” is a significant work within Richter’s oeuvre and modern art history. It has been exhibited at prestigious institutions like the Tate Modern in London and currently resides in the collection of the Museum of Modern Art (MoMA) in New York City, solidifying its importance.
Look forlayered colorsbold brushstrokesabstract forms
Mark RothkoAbstract Expressionism
1949–1950Oil on canvasMuseum of Modern Art (MoMA), New York
Rothko's path to abstraction was a deliberate one. What sets No. 5/No. 22 apart is Rothko’s unique application of paint. Created in the aftermath of World War II, No. 5/No. 22 reflects a broader cultural mood of anxiety and existential questioning. Ultimately, the meaning of ‘No. 5/No. 22’ is deeply personal and subjective, shaped by each viewer's own experiences and emotional landscape.
Look forgouged texture with white linesrectangular color fields
Jackson PollockAbstract Expressionism
1949Oil on canvas112 × 137 cm
Emerging in post-World War II America, this style rejected traditional representational art, instead prioritizing spontaneous gesture and emotional expression. What truly sets Number 6 apart is Pollock’s groundbreaking “drip” or "pouring" technique. While seemingly chaotic at first glance, Number 6 possesses an underlying structure and rhythm.
Jackson PollockAbstract Expressionism
1948Enamel & oil77 × 57 cmMOCA, Los Angeles
“Number 3” gained considerable acclaim upon its debut at the Museum of Modern Art (MoMA) retrospective exhibition in New York City in 1956—a recognition that underscored Pollock’s impact on the art world and solidified his status as a visionary artist. For more information on Jackson Pollock and his works, visit Jackson Pollock:Number 3 at AllPaintingsStore.com.
Mark RothkoAbstract Expressionism
Oil on canvas
While seemingly simple – a large canvas dominated by deep gray – this piece is a powerful exploration of color, form, and emotional resonance. It’s not about what is depicted, but rather how the viewer feels in its presence. Born in Latvia and immigrating to the United States as a child, Rothko’s early work evolved from figurative painting towards abstraction.
Look forlack of texturegrayscale tonefull-field application of paint
Willem de KooningAbstract Expressionism
1966Oil paint on canvasTate Gallery
Executed in 1966-7, The Visit emerged during a period of intense artistic experimentation following World War II. The purchase of The Visit by Tate Gallery in 1969 solidified its place within the institution's collection—a pivotal moment in British art history. Delving deeper into Willem de Kooning's oeuvre reveals a prolific artist who consistently pushed the boundaries of artistic convention.
Jackson PollockAbstract Expressionism
1954Oil on canvas122 × 97 cmMOMA - Museum of Modern Art, New York City
The work’s energetic presence makes it an ideal centerpiece for modern interiors, inspiring both contemplation and conversation. Created with thick impasto layers, this piece showcases the artist’s physical engagement with the canvas.
Look forchaotic compositionvigorous linestextured impasto surfacevibrant color palette
Mark RothkoAbstract Expressionism
1958
This work isn’t about depicting a scene; it is the feeling itself – an immersive experience built from layers of color and subtle tonal shifts. Emerging in post-World War II America, Abstract Expressionism represented a radical departure from representational art.
Look forrectangular blocks of colorblurred lozenge shapes
Willem de KooningAbstract Expressionism
1940Oil on canvas
Created just before the outbreak of World War II, it reflects a broader preoccupation with themes of vulnerability and psychological struggle prevalent in the artistic milieu of the era. However, De Kooning pushed the boundaries of technique by employing aggressive brushstrokes and layering paint extensively to achieve unparalleled textural depth.
Mark RothkoAbstract Expressionism
1950Oil on canvas141 × 81 cmTate Gallery
Rothko's distinctive approach—characterized by monumental canvases dominated by amorphous color fields—was rooted in his belief that art should bypass intellect and speak directly to the viewer’s subconscious. No. 10 emerged during the Second World War, a period marked by anxiety and uncertainty. As documented in Wikipedia, Rothko’s work has been subjected to extensive scholarly debate and interpretation.
Paul KleeAbstract Expressionism
Oil on cardboardKunstmuseum Bern
Ancient Sound, Abstract on Black (1924) is a remarkable example of Klee's exploration of abstraction. Abstract expressionism emerged in the United States in the aftermath of World War II and gained mainstream acceptance in the 1950s.
Jasper JohnsAbstract Expressionism
Likely oil paints on canvas
This piece isn't about depicting reality; it’s an exploration of perception, representation, and the very act of painting itself. The artwork presents a dense field populated by repeated numbers encased within irregularly shaped, overlapping squares. It's a deliberate move away from the emotional intensity of earlier abstract expressionists like Pollock or Rothko, opting for a more intellectual and analytical approach.
Look forredblue color schemerepetition of numbers within square blocks
Clyfford StillAbstract Expressionism
1957Oil on canvas
Created in 1957, PH-160 by Clyfford Still exists as a field of pure color. The canvas holds a dialogue between blue and yellow. The blue carries a weight that anchors the composition, while the yellow provides a sharp, sudden light.
Clyfford StillAbstract Expressionism
1956Oil on canvas
Created in 1956, this oil on canvas composition operates through a language of fractured planes and intense chromatic tension. A sharp, white line cuts across the upper register, creating a stark boundary that disrupts the visual flow. This work belongs to the era of Abstract Expressionism, a period defined by a shift toward non-figurative visual languages.
Mark RothkoAbstract Expressionism
1953Oil on canvas442 × 299 cmGuggenheim Museum Bilbao
Rothko’s formative years instilled within him a sensitivity to suffering that would permeate his entire oeuvre. Growing up in Dvinsk, Latvia, amidst the anxieties surrounding Jewish life under Tsarist rule and the looming threat of pogroms, he witnessed firsthand the fragility of existence.
Willem de KooningAbstract Expressionism
1960Oil on canvas
De Kooning described his inspiration: "Just coming around roads, some place, and having the sensation of a piece of it, a piece of nature, like a fence, something on the road. “A Tree in Naples” emerged during a pivotal period in art history – the post-World War II era.
Gerhard RichterAbstract Expressionism
1968Painting
The Blur – A Key Element: The blurred areas are not simply stylistic choices; they represent the subjective nature of perception and the difficulty of accessing objective truth.
Look forcolor & texturebold brushstrokes
Willem de KooningAbstract Expressionism
1960Oil on canvasWhitney Museum, NY
Initially conceived as a study for a larger mural project, its scale—a substantial 80 x 70 inches—amplifies the sense of immersion and immediacy that defines de Kooning's style. For those seeking to experience the power and dynamism of Willem de Kooning’s “Door to the River” firsthand, high-quality reproductions are available through AllPaintingsStore.com and AllPaintingsStore.com.
Look forexpressive brushwork
Jackson PollockAbstract Expressionism
1951Enamel on canvas148 × 119 cmChrysler Museum of Art, Norfolk
The stark monochrome palette immediately commands attention, stripping away any pretense of representational art and forcing the viewer to confront the raw materiality of paint itself. The period coincided with a renewed interest in surrealism, fueled by his exposure to the works of artists like Joan Miró and Max Ernst. The recurring presence of faces within “Number 23” is particularly intriguing.
Look fordrip techniquefigures
Paul KleeAbstract Expressionism
1937Watercolor on paper15 × 9 cmFranz Marc Museum, Kochel am See
These shapes subtly bleed into one another, fostering a sense of fluidity and spontaneity that aligns perfectly with Klee’s expressive vision. The painting’s genesis within the Bauhaus Dessau school—a bastion of modernist design and artistic experimentation—further illuminates its significance. Founded in 1925 by Walter Gropius, Bauhaus championed a holistic approach to art education, integrating craftsmanship with theoretical inquiry. Klee's involvement at Bauhaus solidified his belief that art should serve as a tool for social betterment, fostering creativity and promoting harmonious relationships between humanity and nature.
Henri MatisseAbstract Expressionism
1950Paper collage on canvas296 × 154 cm
The title, translating to “The Beasts of the Sea,” hints at an aquatic theme, though Matisse eschews literal representation. “Beasts of the Sea” is executed using Matisse’s signature technique of papiers découpés (cut papers). Following surgery in 1947, Matisse was largely confined to a wheelchair.
Jackson PollockAbstract Expressionism
Oil on canvasMoMA
Jackson Pollock is widely regarded as one of the most influential artists of the 20th century, and his painting Saint is a quintessential example of his unique style. Saint is characterized by Pollock’s signature drip painting technique, where he poured or splashed household paint onto an unstretched canvas laid on the floor.
Paul KleeAbstract Expressionism
1937–1940Watercolor and gouache
At first glance, the painting presents a deceptively simple scene – a stylized depiction of plant growth. However, Klee eschews literal representation, opting instead for an evocative arrangement of circles, ovals, and intersecting lines that suggest movement and interconnectedness. Klee's engagement with Surrealism, alongside Expressionism, demonstrates his willingness to push boundaries and challenge conventional aesthetic norms.
Cy TwomblyAbstract Expressionism
1970Oil based house paint and wax crayon241 × 200 cmGalleria Civica di Arte Moderna e Contemporanea Torino, Turin
In 2012, it was sold at a Sotheby’s auction in New York for $17.4 million. Subsequently, the piece reached a high point at a Christie's auction in London, where it realized approximately $30 million. This transition is evident in Untitled (20), a work from 1970 that shares a temporal and stylistic proximity to the current piece.
Mark RothkoAbstract Expressionism
1958Oil on canvas
The composition is defined by its verticality, where large, rectangular fields of color appear to hover and vibrate against a dark, atmospheric background. A deep, wine-colored red anchors the top and bottom of the frame, sandwiching a central band of textured black that seems to pull the viewer into an infinite depth.
Jackson PollockAbstract Expressionism
1943Oil on canvas247 × 605 cmUniversity of Iowa Museum
Commissioned by Peggy Guggenheim as a centerpiece for her Manhattan townhouse, this monumental work – measuring a commanding 247 x 605 cm – immediately announces Pollock’s arrival as a revolutionary force in the art world. A Pivotal Moment – “Mural” arrived during a period of intense artistic experimentation following World War II.
Look forstampededrip painting
Mark RothkoAmerican Abstract Expressionism
Canvas
Rothko emerged during the height of Abstract Expressionism, alongside artists like Willem de Kooning and Jackson Pollock. The symbolism embedded within “Untitled 146” is subtle yet powerful. Reproductions of “Untitled 146” can bring a contemplative atmosphere into any space, particularly when paired with neutral backgrounds and soft lighting.
Willem de KooningAbstract Expressionism
1949Oil on canvas203 × 178 cmArt Institute of Chicago
De Kooning utilizes a variety of textures that suggest a heavy, tactile presence, pulling the eye across the canvas through intricate details that reward prolonged contemplation.
Gerhard RichterAbstract Expressionism
Oil painting
Abstract expressionism emerged in post-war America as a reaction against formalism and championed spontaneity and intuition as guiding principles.
Willem de KooningAbstract Expressionism
1950Oil and metallic paint46 × 37 cm
Thick impasto technique —applying paint thickly onto the surface—is central to De Kooning’s style, resulting in textured surfaces that capture the physicality of his brushstrokes. “Abstraction” emerged during a pivotal moment in artistic history—the rise of Abstract Expressionism as a reaction against European Surrealism and Cubism. The horses symbolize power and untamed energy—mirroring De Kooning’s own artistic vision. De Kooning's influence extended far beyond Abstract Expressionism, impacting subsequent movements like Pop Art and shaping the aesthetic sensibilities of artists across generations.
Jackson PollockAbstract Expressionism
1948Oil & enamel paintMOMA - Museum of Modern Art, New York City
The painting’s genesis lies within Pollock’s revolutionary “drip” technique – a method he meticulously developed over years. At first glance, “Number 1” appears to be an explosion of color and form – a swirling vortex of seemingly random marks. The frenetic energy of “Number 1” can be seen as a reflection of this turbulent inner world.
Look forblack linesdrip technique
Willem de KooningAbstract Expressionism
1954Oil on canvas
This painting offers a fascinating glimpse into De Kooning’s approach to figuration and his ability to convey complex emotions through abstract means. De Kooning’s engagement with Marilyn Monroe reflects a broader trend in post-war art – the incorporation of popular imagery and themes into high art.
Look forgestural brushstrokesimpasto textureintense color palette (redsyellows
William McTaggartAbstract Expressionism
Oil on paper (presumed)
McTaggart, though often associated with the Scottish Impressionists for his vibrant landscapes, demonstrates a clear leaning towards Abstract Expressionism in this piece. William McTaggart (1835-1910) was a leading figure in Scottish painting, renowned for his emotive depictions of rural life and landscapes.
Look foremotional intensityturbulent brushstrokesdramatic color palette
Mark RothkoAbstract Expressionism
Oil on canvasNational Gallery of Art, Washington
Mark Rothko, born Marcus Rothkowitz in Dvinsk, Russia (now Latvia) on September 25, 1903, was a prominent figure in the Abstract Expressionist movement. Untitled 142, painted in 1968, exemplifies Rothko's mature style and his exploration of emotional depth through color. Untitled. 1969-70 | MoMA Mark Rothko - An Overview of Rothko's Abstract Expressionism … ‘Untitled‘, Mark Rothko, 1969 | Tate
Paul KleeAbstract Expressionism
1937–1940Painting
Characteristic of Klee’s oeuvre, “Three Flowers” exemplifies his distinctive style—a blend of geometric abstraction and lyrical expressionism. Klee's decision to relocate to Murnau in 1937 coincided with a resurgence of interest in Germanic folklore and mythology. This period witnessed a flourishing of Expressionist influences—artists like Wassily Kandinsky and Franz Marc —who sought to communicate emotion through non-figurative forms.
Willem de KooningAbstract Expressionism
1940Oil on canvas
To understand the soul of “Seated Woman 2,” one must look toward the historical shadows cast by 1940. Created during the early, anxious years of World War II, the painting breathes the atmosphere of global upheaval.
Mark RothkoAbstract Expressionism
1960Oil on canvasNational Gallery of Art
This approach was influenced by his time at the Rothko Chapel in Houston, Texas, where he created fourteen monumental paintings designed to create a contemplative space. The Rothko Chapel’s influence is particularly evident in “Antigone,” where the use of color and scale aims to create a similarly immersive experience for the viewer.
Look fornude figurescolor field
Paul KleeAbstract Expressionism
1937–1940
Painted sometime between 1937 and 1940, during his prolific period in Murnau, Bavaria—a location deeply imbued with the spirit of Expressionism —this artwork exemplifies Klee's signature approach to abstraction, prioritizing feeling over precise representation. The artistic landscape of Bavaria in the late 1930s was dominated by Expressionism, a movement concerned with capturing subjective experience and conveying emotional intensity.
Willem de KooningAbstract Expressionism
1959Oil on canvas179 × 203 cm
Abstract Expressionism arose as a reaction against the formalism of European Modernism, rejecting intellectual abstraction for visceral emotional expression. Artists like De Kooning sought to liberate art from representational constraints, prioritizing subjective experience over objective observation. While devoid of explicit narrative content, “Merritt Parkway” is laden with symbolic significance.
František KupkaAbstract Expressionism
Richard DiebenkornAbstract Expressionism
Salvador DalíAbstract Expressionism
1963Oil on canvasReynolds Morse Foundation
The style prioritizes gesture and spontaneity—a deliberate rejection of academic conventions—resulting in a dynamic composition dominated by swirling shapes and textures. "Arabs - The Death of Raimundus Lullus" isn’t intended to elicit a specific emotion but rather to induce a state of meditative contemplation.
Philip GustonAbstract Expressionism
1958
Last Piece is not Guston's last Abstract Expressionist painting, but it represents a transition away from the shimmering forms of the early 1950s towards the recognizable motifs of his later, more figurative works. If Buddhism, and concepts of nothingness, had informed his earlier abstractions, this represents a move away from those inspirations.
Ad ReinhardtAbstract Expressionism
1953Oil & tempera198 × 198 cmWhitney Museum of American Art, New York
Unlike the thick, expressive impasto often associated with his contemporaries in the Abstract Expressionist movement, Reinhardt sought a surface of unparalleled tonal purity and flatness. To understand “Number 17,” one must understand Reinhardt’s radical philosophical mission.
Look foryellow squaresblue background
Mark RothkoAbstract Expressionism
1938Oil on canvas
Painted in 1938 during a period of intense social and political upheaval – a time when the anxieties of war were beginning to surface – this large-scale oil painting captures not just a physical space but also an emotional landscape. “Entrance to Subway” was created during a time of significant social and political change in America.
Look forgeometric formsbold colors
Paul KleeAbstract Expressionism
1938Pigmented paste on newspaperMOMA - Museum of Modern Art, New York City
Paul Klee, a Swiss-born German painter (1879-1940), was celebrated for his unique blend of expressionism, cubism, and surrealism. The painting is a visual representation of his internal musicality and adoration for playing the violin. Born on December 18, 1879, in Munchenbuchsee, Switzerland, Paul Klee was the second child of two musical parents.
Jackson PollockAbstract Expressionism
1947
This piece, measuring 111 x 91.5 cm, is housed in the Stedelijk Museum in Amsterdam, Netherlands. Pollock was a key figure in the Abstract Expressionist movement, which emerged in New York after World War II. This movement borrowed from Surrealism and featured two main types of artists: action painters and color field painters.
František KupkaAbstract Expressionism
Arshile GorkyAbstract Expressionism
194476 × 50 cm
Salvador DalíAbstract Expressionism
1965Oil on canvasDalí Theatre-Museum
The central figure, a towering, elongated black shape reminiscent of a melting clock – a motif deeply rooted in Dalí’s exploration of time and memory – dominates the upper left quadrant. “Night in the Hotel” is not about literal representation; it’s about conveying a specific mood, a feeling—a sense of disorientation and unease.
Look fordripping black figures
Claes OldenburgAbstract Expressionism
Likely ink, watercolor, or mixed media on paper
Through an abstract or semi-abstract approach, the piece explores the interplay of everyday objects, rendered with vigorous line work and a bold, colorful palette. Created using a combination of loose, swirling lines and watercolor washes, this piece exemplifies a gestural and expressive style reminiscent of abstract expressionism.
Look forvibrant color palettelayered formsgestural styleenergetic line work
Jackson PollockAbstract Expressionism
1943Gouache, oil, pastel106 × 170 cmMoMA, New York City
It subtly references the legendary wolf who suckled Romulus and Remus, the twin founders of Rome – a potent symbol of birth, survival, and the very foundation of civilization. "The She Wolf" represents a crucial moment in Pollock’s artistic development and is considered one of the earliest examples of his groundbreaking approach to abstraction.
Look fordrip techniquelayered
Joan MiróSurrealist Abstract Expressionism
1962–1963Painting
Thickly applied paint creates textured surfaces that pulsate with energy, mirroring the dynamism found within Gaudí’s buildings—particularly Sagrada Familia—where natural forms dominate the structural elements. Simultaneously, Miró was deeply engaged with Surrealist ideas championed by André Breton, exploring dreamlike imagery and subconscious associations as pathways to artistic expression.
Henri MatisseAbstract Expressionism
Oil paints on canvas
This striking still life presents a fascinating anomaly within Henri Matisse's prolific oeuvre. The artwork depicts a classic still life arrangement: flowers (predominantly tulips and roses), fruit (apples and oranges), and glassware are arranged on a table against a stark black backdrop. Born in 1869, Henri Matisse initially trained in traditional academic painting.
Joan MiróAbstract Expressionism
The composition is characterized by irregular shapes, expressive lines, and textured surfaces that create a sense of movement and vitality. While the exact date of creation remains unknown, the work echoes the revolutionary spirit of mid-20th-century abstract and modernist movements.
Look forblack ink-like linestextured backgroundbold colorsirregular shapes
František KupkaAbstract Expressionism
Mark RothkoAbstract Expressionism
1948–1953Oil on canvas (presumed)
Rothko's technique in Untitled 67 showcases his mastery of oil paint. Initially working with figurative subjects, he gradually moved towards abstraction following World War II. As a piece by one of the 20th century's most influential artists, owning or displaying Untitled 67 is an investment in artistic legacy and emotional power.
Look forlayered texturesfragmented compositiongestural brushstrokesmuted reddish-brown tones
Jasper JohnsAbstract Expressionism
1967Graphite wash, metallic pigment, pencil & pastelThe Art Institute of Chicago
Johns employs graphite wash, metallic pigment, pencil, and pastel on paper—techniques borrowed from both Abstract Expressionism and Surrealist experimentation—to achieve a deceptively serene surface. The artwork emerged during a period marked by significant social upheaval—the Vietnam War protests, civil rights struggles, and burgeoning countercultural movements—creating an atmosphere of palpable anxiety and questioning established norms.
Cy TwomblyAbstract Expressionism
1995Paint on canvas
Cy Twombly, born Edwin Parker Twombly Jr. in 1928, was an American painter, sculptor, and photographer who spent much of his career living and working in Italy. 'Quattro Stagioni, Estate' demonstrates Twombly's mastery of abstract expressionism, a style that emerged in New York in the 1940s and 1950s.
Joan MiróSurrealist Abstract Expressionism
1967OilFundació Joan Miró, Barcelona
Rooted in the Catalan Surrealist tradition, Miró’s work often seeks to unlock the creative potential of the mind, moving away from rationalism toward a more primal, instinctive truth.
František KupkaAbstract Expressionism
Willem de KooningAbstract Expressionism
1945Oil on canvas
“Still Life” emerged during a pivotal moment in art history, coinciding with the ascendancy of Jackson Pollock and other pioneers of action painting. For those seeking a deeper understanding of Willem de Kooning's artistic vision, exploring Willem De Kooning on Wikipedia offers invaluable insights into his life and oeuvre.
Mark RothkoAbstract Expressionism
1953Oil on canvasIsrael Museum, Jerusalem
Rothko is celebrated as a master of Color Field painting, a style characterized by large areas of flat, solid color spread across the canvas. Emerging in the aftermath of World War II, Rothko’s work reflects a broader cultural shift towards introspection and existential questioning.
Gerhard RichterAbstract Expressionism
1978Oil on canvas (likely)201 × 336 cm
Richter firmly established himself as a leading figure in Abstract Expressionism, yet his approach is uniquely his own. As a work by one of the most important artists of the 20th and 21st centuries, this painting represents not only an aesthetic investment but also a significant cultural one.
Jasper JohnsAbstract Expressionism
1971Painting
At first glance, the viewer is presented with a deceptively simple scene: a room bathed in a soft, diffused light, where two vases stand as silent sentinels on either side of the canvas. Emerging from a period where artists were reacting against the spontaneous, "action painting" style of figures like Jackson Pollock, Johns introduced a more deliberate, cerebral approach.
By movement
Abstract Expressionism97 · 1929–1995
Surrealist Abstract Expressionism2 · 1962–1967
American Abstract Expressionism1
Plan your visit
New York City leads with 6 of the 100; the MOMA - Museum of Modern Art alone holds 3.
MoMA
Kunstmuseum Bern
National Gallery of Art
Museum of Modern Art (MoMA)
Fundació Joan Miró
Tate Gallery
MOCA
Whitney Museum
The painters
1903–1970 · Latvia · 17
American Abstract Expressionist known for luminous, layered color field paintings of soft edges.
5. No.1, 12. Red and Orange, 17. Three, 24. AUTUMN, 27. Blue and Gray, 33. No. 5 No. 22, 36. Abstract painting, 39. Four Darks in Red, 41. No. 10, 46. Untitled (Seagram Mural), 56. No. 10 (Brown Black Sienna on Dark Wine, 58. Untitled 146, 65. Untitled 142, 68. Antigone, 78. Entrance to Subway, 92. Untitled 67, 98. Untitled 74
1912–1956 · United States · 14
American Abstract Expressionist known for rhythmic drip techniques and all-over compositions.
1. Number 1, 1949, 3. Autumn Rhythm. Number 30, 1950, 10. Convergence, 18. Number 1A, 26. No. 5, 1948, 34. Number 6, 35. Number 3, 38. White Light, 50. Number 23, 1951, 53. Saint, 57. Mural, 62. Number 1, 80. Reflection of the Big Dipper, 86. The She Wolf
1904–1997 · Netherlands · 13
Dutch-American Abstract Expressionist known for visceral, gestural depictions of the human form.
2. Woman I, 21. Excavation, 29. Women Singing II, 37. The Visit, 40. Seated Woman, 47. A Tree in Naples, 49. Door to the River, 59. Untitled (verso: Untitled), 61. Abstraction, 63. Marilyn Monroe, 67. Seated woman 2,1940, 70. Merritt Parkway, 97. Still Life
1879–1940 · Switzerland · 8
Swiss-German Bauhaus artist of rhythmic abstraction, delicate watercolors, and musical forms.
4. To Parnassus, 28. Fire evening, 42. Ancient Sound, Abstract on Black, 51. With the Mauve Triangle, 54. Curious to How Plants Grow, 66. Three Flowers, 69. Castle with Setting Sun, 79. Heroic Fiddling
· United States · 6
6. False Start, 9. Map, 14. False Start, 43. Numbers in Color, 93. Watchman, 100. Untitled
· Germany · 6
German artist known for blurring photorealism and gestural abstraction using squeegees and grids.
7. Abstract Painting 780-1, 16. Abstract Painting 805-4, 32. Clouds, 48. Dark, 60. Wallace Bournes, 99. Abstract Painting
1893–1983 · Spain · 5
Spanish Surrealist known for biomorphic shapes and a symbolic, dreamlike visual language that bridges the gap between the seen and the imagined.
25. The Gold of the Azure, 30. Self-Portrait I, 87. Maqueta núm. 15 de la sèrie Gaudí, 90. Maqueta per a la sèrie Els gossos 2, 95. Bird's Flight in Moonlight
Questions & answers
Hover over a question to read the answer.
Jackson Pollock's Number 1, 1949 (1950) is the most famous Abstract Expressionism painting and No. 1 of this ranking, ahead of Willem de Kooning's Woman I (1950–1952), Jackson Pollock's Autumn Rhythm. Number 30, 1950 (1947–1950) and Paul Klee's To Parnassus (1932, Kunstmuseum Bern).
In order: Number 1, 1949 (Jackson Pollock), Woman I (Willem de Kooning), Autumn Rhythm. Number 30, 1950 (Jackson Pollock), To Parnassus (Paul Klee), No.1 (Mark Rothko), False Start (Jasper Johns), Abstract Painting 780-1 (Gerhard Richter), Mahoning (Franz Kline), Map (Jasper Johns) and Convergence (Jackson Pollock).
Judged by this ranking, Mark Rothko: 17 of the 100 most famous Abstract Expressionism paintings are from this painter's hand, including No.1, Red and Orange and Three.
With 3 of the 100, the MOMA - Museum of Modern Art comes first, followed by the Whitney Museum of American Art (2) and the Museum of Modern Art (MoMA) (2); New York City has 6 in all.
Most of them are in New York City (6), New York (3) and Barcelona (2). The museums with the most are the MOMA - Museum of Modern Art, the Whitney Museum of American Art and the Museum of Modern Art (MoMA).
Ranked by the number of their works among the 100 most famous Abstract Expressionism paintings: Mark Rothko (17), Jackson Pollock (14), Willem de Kooning (13), Paul Klee (8) and Jasper Johns (6).
Paul Klee's Fire evening (1929), dated 1929. The most recent is Cy Twombly's Quattro Stagioni, Autunno (1995), dated 1995.
The biggest is Jackson Pollock's Mural (1943, University of Iowa Museum) at 247 × 605 cm; the smallest, Paul Klee's With the Mauve Triangle (1937, Franz Marc Museum) at 15 × 9 cm.
60 of the 100 are oil paintings, 2 use tempera and 0 are frescoes; 1 are painted on wood and 56 on canvas.
Yes: 28 of the 100 can be ordered as a hand-painted oil reproduction, from $181, and 28 as a canvas print, from $47.
Each painting is ranked by how widely it is known: the number of Wikipedia language editions with an article on it (Wikidata sitelinks), its place in our catalogue's manual ranking and the visits its page receives. The same painting catalogued several times counts once, and details, copies and studies are left out.
Bring one home
28 paintings of this list can be ordered as museum-grade, hand-painted oil reproductions, from $181.
We started with every Abstract Expressionism painting in our catalogue and ranked them by how famous they are. Three clues decide the order: in how many languages Wikipedia has an article about the painting, where our curators place it, and how often people open its page on our site. Each painting appears only once, and details, copies and studies are left out.
Famous Impressionism paintings
Water Lilies · Claude Monet
Famous Baroque paintings
Las Meninas · Diego Velázquez
Famous Romanticism paintings
Liberty Leading the People · Eugène Delacroix
Famous Realism paintings
Nighthawks · Edward Hopper
Famous Post-Impressionism paintings
Starry Night · Vincent van Gogh
Famous Expressionism paintings
The Scream · Edvard Munch
Famous Surrealism paintings
The Persistence of Memory · Salvador Dalí
Famous Neoclassicism paintings
Napoleon at the St. Bernard Pass · Jacques-Louis David
Famous Renaissance paintings
Mona Lisa · Leonardo da Vinci
Famous Symbolism paintings
The Birth of Venus · William-Adolphe Bouguereau
Famous Mannerism paintings
Burial of the Count of Orgaz · El Greco
Famous Rococo paintings
The Swing · Jean-Honoré Fragonard
500–1000
Famous Early Medieval paintings
The Night Revels of Han Xizai · Gu Hongzhong
1000–1300
Famous High Medieval paintings
Crucifix · Cimabue
1300–1400
Famous Late Medieval paintings
Our Lady of the Don · Theophanes the Greek
1400–1600
Famous Renaissance paintings
Mona Lisa · Leonardo da Vinci
1600–1800
Famous Early Modern paintings
The Girl with a Pearl Earring · Johannes Vermeer
1800–1900
Famous 19th Century paintings
Starry Night · Vincent van Gogh
1900–1980
Famous Modern paintings
Guernica · Pablo Picasso
1980–
Famous Contemporary paintings
Girl with Balloon · Banksy
