2003
Tabriz is a work by Robert Wolfe (1935–2003). It dates from 2003. It is kept at Musée Des Beaux in Québec City, Canada. It measures 50 × 65.5 cm.
Québec City, Canada
A Bastion of Quebecois Identity: The Soul of the MNBAQ Nestled within the historic embrace of the Plains of Abraham in Québec City, the Musée national des beaux-arts du Québec (MNBAQ) stands as far more than a mere repository for fine arts; it is a vibrant, breathing testament to the cultural soul of a province. Since its establishment in 1933, the museum has undergone a profound metamorphosis, evolving from a provincial archive and natural science museum into a premier sanctuary for artistic expression. To walk through its doors is to embark on a journey through centuries of creative evolution, where the very identity of Quebec is etched into every canvas and sculpted into every frame.
Robert Wolfe, Tabriz (2003), Musée Des Beaux.
To get a print of "Tabriz" by Robert Wolfe, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.
Robert Wolfe made "Tabriz" at the age of 68. The artist was born in 1935 and the work is dated 2003.
You can order a hand-painted reproduction of "Tabriz" by Robert Wolfe directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.
The luminance recorded for "Tabriz" by Robert Wolfe is gentle luminance.
The colors of "Tabriz" by Robert Wolfe show a strong color unity harmony. Harmony describes how the colors relate to each other.
The colors of "Tabriz" by Robert Wolfe show a subtle color saturation with a balanced intensity.
"Tabriz" leans toward a green to violet spectrum tone.
The creation of "Tabriz" by Robert Wolfe is dated 2003.
The color intensity of "Tabriz" is balanced. Intensity describes how strong the colors appear.
1935–2003, Canada
The Quiet Presence of Robert Wolfe Born in Montreal, Canada, in 1935, Robert Wolfe spent his years observing the world through a lens of stillness. His work does not shout; instead, it settles into a space, much like the objects he chose to paint. He worked with oils on masonite and acrylics on canvas, focusing on the way light and form occupy a room. There is a certain weight to his compositions, a sense of things being exactly where they belong, even when they appear slightly out of place.