1981
Moïse is a work by Robert Wolfe (1935–2003). It dates from 1981. It is kept at Musée Des Beaux in Québec City, Canada. It measures 138.5 × 211 cm.
Québec City, Canada
A Bastion of Quebecois Identity: The Soul of the MNBAQ Nestled within the historic embrace of the Plains of Abraham in Québec City, the Musée national des beaux-arts du Québec (MNBAQ) stands as far more than a mere repository for fine arts; it is a vibrant, breathing testament to the cultural soul of a province. Since its establishment in 1933, the museum has undergone a profound metamorphosis, evolving from a provincial archive and natural science museum into a premier sanctuary for artistic expression. To walk through its doors is to embark on a journey through centuries of creative evolution, where the very identity of Quebec is etched into every canvas and sculpted into every frame.
Protected by copyright: these files are for personal reference, not a licence to republish.
Robert Wolfe, Moïse (1981), Musée Des Beaux.
A digital expert checks the colours against the original and retouches the file, faithful to the artist's brushwork.
Acquire the high-resolution imageYou can see the original "Moïse" at the Musée Des Beaux, Québec City, Canada.
The creation of "Moïse" by Robert Wolfe is dated 1981.
The recorded dimensions of "Moïse" by Robert Wolfe are 211.0 x 138.5cm. Reproductions can be ordered in other sizes while keeping the same proportions.
Regarding copyright, "Moïse" is still protected by copyright.
"Moïse" is attributed to Robert Wolfe.
Robert Wolfe made "Moïse" at the age of 46. The artist was born in 1935 and the work is dated 1981.
"Moïse" by Robert Wolfe is still protected by copyright. Copyright terms are measured from the artist's death, and Robert Wolfe died in 2003.
Yes - the artwork is kept in the artist's home country. The birth country of Robert Wolfe is Canada, and the museum holding the original of "Moïse" is in Canada.
1935–2003, Canada
The Quiet Presence of Robert Wolfe Born in Montreal, Canada, in 1935, Robert Wolfe spent his years observing the world through a lens of stillness. His work does not shout; instead, it settles into a space, much like the objects he chose to paint. He worked with oils on masonite and acrylics on canvas, focusing on the way light and form occupy a room. There is a certain weight to his compositions, a sense of things being exactly where they belong, even when they appear slightly out of place.
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