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Levi and Keneisha

Explore Martine Perret's stunning photography capturing the Western Australian landscape & poignant portraits. UN photojournalist turned artist, her work tells powerful stories.

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In Martine Perret’s project, Ngala Wongga (come and talk): Cultural Significance of Languages in the Western Australian Goldfields, she had the opportunity to meet Martu speakers. Glenys Williams took Martine on a bush trip with her family to the steps of her childhood, around the Wiluna Mission and the clay pan. They took ‘roo tails, made dampers, and sat around the fire watching the landscape and the slowly approaching storm, as her grandchildren Levi and Keneisha floated in the clay pan.Biography:Martine Perret started as a freelance photographer and photo desk editor at The Australian Financial Review, Sydney in 1999. Her interest in photojournalism took her to Timor-Leste (2003), where she developed a working relationship with the United Nations (UN). For the next decade, Martine covered UN peacekeeping missions in conflict zones such as Burundi, the Democratic Republic of The Congo, South Sudan and West Africa (documenting the Ebola crisis response). Now living in Margaret River, Western Australia, Martine self-published her first book, Margaret River Region FROM ABOVE. In 2015, Martine initiated a project called Gungurrunga Ngawa (Look Above) as part of the broader body of work Ngala Wongga (Come Talk). In 2016, the exhibition Ngala Wongga was inaugurated at the Goldfields Arts Centre in Kalgoorlie, before touring with Art On The Move across Western Australia and at the Australian Embassy in Paris in 2019. The Ngala Wongga book has been recently published on the National Commission for UNESCO’s website.

Biografia dell'artista

Martine Perret: A Chronicle of Landscapes and Humanity

Born in the vibrant heart of Paris, Martine Perret’s artistic journey is a compelling narrative of transformation – from seasoned photojournalist to celebrated visual storyteller deeply rooted in the evocative beauty of Western Australia. Her work transcends mere documentation; it's an intimate exploration of place, memory, and the enduring human spirit, often rendered through breathtaking aerial perspectives and poignant portraiture.

Perret’s early life laid the foundation for her distinctive approach to photography. A decade spent documenting conflict zones as a United Nations photojournalist provided an unparalleled education in resilience, vulnerability, and the stark realities of global crises. This experience wasn't simply about capturing images; it was about bearing witness, understanding narratives etched onto faces and landscapes scarred by hardship. The weight of these assignments undoubtedly shaped her artistic sensibility, imbuing her work with a profound sense of empathy and a commitment to representing marginalized voices.

From Conflict Zones to the Australian Outback

A deliberate shift in geography marked a pivotal moment in Perret’s career – a move to Margaret River, Western Australia. This transition wasn't merely a relocation; it represented a conscious choice to channel her considerable skills and experience towards celebrating the raw beauty of the Australian landscape while simultaneously exploring its human connections. The vastness and dramatic topography of the region—the rolling hills, ancient forests, and rugged coastline—provided an ideal canvas for her aerial photography, offering a unique vantage point that reveals both the grandeur and fragility of the environment.

Her photographic style is immediately recognizable: expansive aerial shots juxtaposed with intimate portraits. This combination creates a powerful dialogue between scale and intimacy, inviting viewers to contemplate the relationship between humanity and its surroundings. Perret’s compositions are meticulously crafted, utilizing light and shadow to evoke emotion and draw attention to subtle details within both the landscape and the faces she captures. The use of aerial perspective allows her to reveal hidden patterns and textures, transforming familiar landscapes into otherworldly vistas.

Technique and Artistic Vision

Perret’s technical proficiency is evident in her masterful control of light and composition. She expertly employs natural lighting conditions, often shooting during the golden hours—the fleeting moments before sunrise and after sunset—to create a warm, ethereal quality in her images. Her choice to frequently utilize aerial photography isn't simply aesthetic; it serves a deeper purpose – to offer a broader perspective on the subject matter, highlighting its interconnectedness and scale. Furthermore, she demonstrates a keen eye for detail when capturing portraits, focusing on expressions that reveal character, history, and emotion.

Recognition and Legacy

Perret’s work has garnered significant recognition within the Australian art community. Exhibitions at prestigious venues like the musée boola bardip in France attest to her growing reputation as a compelling visual storyteller. Her evocative images of Western Australia are increasingly sought after by collectors and institutions alike, reflecting a growing appreciation for her unique artistic vision. Beyond individual exhibitions, Perret’s work continues to be featured in various publications, solidifying her position as a significant contemporary photographer documenting the beauty and complexities of our world.

The connection between her past experiences as a UN photojournalist and her current focus on Western Australia is perhaps the most compelling aspect of Martine Perret's artistic journey. She doesn’t simply photograph landscapes; she photographs stories—stories of resilience, adaptation, and the enduring spirit of humanity against the backdrop of an ever-changing world.

In sintesi

  • Artistic Movement Or Style: Aerial landscape/portraiture
  • Date Of Birth: Paris, France (date missing)
  • Full Name: Martine Perret
  • Nationality: French
  • Notable Artworks: ['Levi and Keneisha']
  • Place Of Birth: Paris, France