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Peter Lombard
Cleopatra / Eurydice

Descrizione dell'opera

A slender, near-naked female figure stands before a parapet, her pale body standing out appealingly against the dark background. Her left foot is on a snake, which in the very next moment will bite her. Inclining slightly, the woman is turning aside, her right hand resting on a richly ornamented pilaster, as if she were in need of support. The pilaster bears a red marble panel with the inscription CLEOPATRA. 1.5.3.2.PE. This is somewhat perplexing, since the subject is not the Egyptian queen who, according to legend, died of an asp bite to the breast when she failed to win Octavian, later Emperor Augustus, for herself. The woman is far likelier to be Eurydice, the wife of Orpheus. Fleeing the attentions of the shepherd Aristaeus, she accidentally trod on a snake, and died of its bite. The composition and various details of this Berlin relief recall a work on the same subject by Giammaria Mosca, today in the Metropolitan Museum of Art in New York. That work in all likelihood served Master PE Monogram as a model. It seems probable that he misunderstood his fellow artist’s subject, and hence inscribed the wrong name.

Biografia dell'artista

Peter Lombard

Peter Lombard (c. 1096 – August 21/22, 1160) was a bishop and theologian of the twelfth century who profoundly shaped medieval intellectual life. He is best remembered for his monumental achievement—the *Quattro Libri Sententiarum* ("Four Books of Sentences"), which became the standard theological text throughout Europe for centuries and established him as one of the most influential thinkers of his era.

Early Life and Education

Born in Novara, Lombard’s origins were humble; he descended from a family of modest means. His education began at the cathedral schools of Novara and Lucca, where he immersed himself in scholastic philosophy and theology—disciplines that would dominate his intellectual pursuits. Recognizing his exceptional talent, he moved to Paris around 1125, seeking guidance from luminaries like Peter Abelard and Hugh of St. Victor. These mentors instilled in him a rigorous approach to learning and fostered an interest in reconciling faith and reason – a cornerstone of Lombard’s theological method. He was ordained as a priest before 1156 and served as subdeacon for several years, demonstrating his commitment to ecclesiastical service.

The Quattro Libri Sententiarum

Lombard's magnum opus, the *Quattro Libri Sententiarum*, represents an unparalleled contribution to medieval theology. Published between 1150 and 1160, these four treatises tackled fundamental questions concerning God’s existence, divine providence, moral law, and salvation—topics debated fiercely by theologians of his time. Lombard skillfully synthesized Aristotelian philosophy with Christian theology, arguing that reason could illuminate faith without undermining it. His systematic approach to argumentation and his meticulous attention to detail revolutionized theological scholarship and established a framework for subsequent debates on religious doctrine. The *Sentences* became the bedrock of scholastic education and exerted an enduring influence on Western intellectual history.

Notable Works

Beyond the *Quattro Libri Sententiarum*, Lombard produced numerous sermons, commentaries on Scripture, and treatises on liturgical theology—all characterized by clarity, precision, and erudition. He was particularly celebrated for his depiction of Saint Anthony Abbot, a painting housed in the Museo Poldi Pezzoli in Milan. This artwork exemplifies Lombard’s stylistic preferences: elegant figures rendered with meticulous detail against a uniform gold ground – a technique that reflects the transition from late Gothic to Renaissance art. Furthermore, he created the Saint Martyr Deacon Panel, also displayed at the Museo Poldi Pezzoli, showcasing his mastery of artistic expression and demonstrating his ability to convey profound theological ideas through visual imagery.

Influence and Legacy

Peter Lombard’s impact extended far beyond his immediate scholarly circle. He served as a teacher at Bologna University, attracting students from across Europe who embraced his innovative method of reconciling faith and reason. His teachings fostered a new generation of theologians committed to intellectual rigor and moral integrity—a legacy that continues to resonate in contemporary theological discourse. Lombard's work solidified the scholastic tradition, shaping the intellectual landscape of the Middle Ages and influencing thinkers for centuries to come. He remains an enduring symbol of medieval scholarship and a testament to the transformative power of philosophical inquiry.

Peter Lombard

1096 - 1160 , Italia

Dati rapidi

Artistic Movement Or Style: Late Gothic to Renaissance Art
Artists Who Influenced This Artist:
- Peter Abelard
- Hugh of St. Victor
Date Of Birth: c. 1096
Date Of Death: 21/22 August 1160
Full Name: Peter Lombard
Nationality: Italian
Notable Artworks:
- Cleopatra / Eurydice
- Saint Anthony Abbot
- Saint Martyr Deacon Panel
Place Of Birth: Novara, Italy

Cleopatra / Eurydice

Descrizione dell'oggetto da collezione

Biografia dell'artista

Giclée / Stampa d'arte

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White $1

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P118H $10

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P438Z $10

P508JH $12

P508YH $12

P805H $10

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W500HY $15

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W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $40

H24-SILVER $40

H36-GOLD $60

H36-SILVER $60

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Descrizione dell'opera

Biografia dell'artista

Peter Lombard

Early Life and Education