Hellen Ascoli: Exploring Memory and Sensations Through Textile Sculpture

Hellen Ascoli is a Guatemalan artist & weaver born in Guatemala City in 1984, whose artistic practice delves into profound explorations of memory, sensation, and the intricate relationship between the human body and its environment. Her work transcends conventional boundaries, embracing multidisciplinary sculpture and textile installations that invite viewers to contemplate these fundamental concepts. Ascoli’s journey began with a BFA in Sculpture from Southern Methodist University, Dallas, TX (2006), followed by an MFA in Sculpture from The School of the Art Institute of Chicago (2012). These formative experiences instilled within her a dedication to meticulous craftsmanship and conceptual rigor—qualities that continue to define her artistic vision. Her artistic philosophy centers around weaving – not merely as a craft technique, but as a symbolic language capable of conveying complex narratives about identity, place, and experience. Rooted in the traditions of Guatemala, where she grew up amidst vibrant textiles and ancestral knowledge, Ascoli utilizes the backstrap loom—a time-honored tool passed down through generations—to generate artworks that are deeply connected to their surroundings. This deliberate engagement with materiality informs her creative process, prompting her to consider how textures, colors, and patterns can communicate emotions and ideas in ways that surpass verbal articulation. She draws inspiration from thinkers and artists who explore themes of memory, materiality, and sensory experience—artists like Louise Bourgeois and Ursula von Leyden—whose work similarly interrogates the relationship between form and emotion. Ascoli’s artistic explorations extend beyond the loom itself; she incorporates movement into her sculptures, mirroring the rhythms of natural processes and reflecting on the ephemeral nature of existence. Ascoli’s sculptural practice is characterized by meticulous attention to detail and experimentation with diverse materials—primarily textiles, wood, and metal—to create artworks that are both aesthetically striking and conceptually resonant. She employs techniques such as weaving, assemblage, and kinetic sculpture to transform raw materials into objects that evoke movement and invite contemplation. Her use of color palettes inspired by Guatemalan landscapes—earth tones, vibrant hues derived from tropical flora—underscores her connection to the natural world and reflects her desire to capture its beauty and complexity. Ascoli’s recognition as a Sondheim Art Prize finalist affirms the significance of her artistic endeavors within the broader context of global art history. Her artistic career has garnered considerable acclaim, culminating in her selection as a finalist for the Sondheim Art Prize in 2024. This prestigious honor underscores the importance of her work within the broader context of contemporary art discourse, challenging viewers to reconsider their assumptions about perception and experience. Her exhibitions span across continents, showcasing her distinctive style at institutions such as The International Studio & Curatorial Program in New York and Montalvo Arts Center in California. Notably, she has presented solo shows at Contemporary Arts Center (2021) and Lawndale Art Center (Houston), cementing her position as a leading voice in Guatemalan art. Furthermore, Ascoli’s pieces have been featured in group exhibitions including Bienal de Artes Visuales del Istmo Centroamericano (2014); Bienal de Arte Paiz, Museo de Correos, Guatemala City (2014, 2018, 2020); My Body is Here, Concepción 41, Antigua, Guatemala (2016); One Stone and the Rain, Lawndale Art Center, Houston; Guatemala from 33,000 km: Contemporary Art 1960-present, Museum of Contemporary Art, Santa Barbara (both 2017); To Weave Blue: Poema al tejido, University of Memphis; and Stone’s Throw: Arte de Sanación, Arte de Resistencia, The Anderson and Institute for Contemporary Art at Virginia Commonwealth University, Richmond (both 2020). Currently residing in Baltimore, MD, Hellen Ascoli continues to push the boundaries of artistic expression, fostering dialogue about art's role in shaping our understanding of the world.

• Notable Exhibitions: Bienal de Artes Visuales del Istmo Centroamericano (2014); Bienal de Arte Paiz, Museo de Correos, Guatemala City (2014, 2018, 2020); My Body is Here, Concepción 41, Antigua, Guatemala (2016); One Stone and the Rain, Lawndale Art Center, Houston; Guatemala from 33,000 km: Contemporary Art 1960-present, Museum of Contemporary Art, Santa Barbara (both 2017); To Weave Blue: Poema al tejido, University of Memphis; Stone’s Throw: Arte de Sanación, Arte de Resistencia, The Anderson and Institute for Contemporary Art at Virginia Commonwealth University, Richmond (both 2020).
• Awards & Recognition: Sondheim Art Prize Finalist (2024)

## Influences and Artistic Vision Ascoli’s artistic vision is profoundly shaped by her engagement with Guatemalan cultural heritage, particularly the intricate traditions of weaving. The backstrap loom—a technique practiced for centuries—serves as both a tool and a metaphor for Ascoli's creative process, symbolizing resilience, connection to place, and the transmission of knowledge across generations. She draws inspiration from thinkers and artists who explore themes of memory, materiality, and sensory experience—artists like Louise Bourgeois and Ursula von Leyden—whose work similarly interrogates the relationship between form and emotion. Her artistic explorations are underpinned by a commitment to social justice and environmental stewardship, reflecting her belief that art can contribute to fostering empathy and promoting positive change.