1869
76.0 x 64.0 cmKäsinmaalattu öljyväri kankaalle haluamassasi koossa ja kehyksissä, taiteilijoidemme valmistamana tilauksesta. (
Vaihda tulosteeseen Siirry digitaaliseen kuvaan)
Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.
Voit syöttää omat mitat sopimaan tiettyyn kehykseen tai tilaan. Jos valitsemasi koko ei vastaa alkuperäisen kuvan mittasuhteita, rajaamme taideteoksen tai jatkamme maalausta käsin maalatuilla elementeillä. Digitaalinen esikatselu lähetetään hyväksyttäväksi ennen tuotannon aloittamista.
Huomioithan, että näytöllä oleva esikatselu ei vastaa todellista rajausta tai jatkamista. Vain digitaalinen mallikuva näyttää lopullisen sommittelun tarkasti.
Vaikka mittatilaustyöt ovat mahdollisia, suosittelemme valitsemaan mitan ennalta määritetystä listasta alkuperäisten mittasuhteiden säilyttämiseksi.
Maailmanlaajuinen toimitus () 3–4 viikossa tavallisen 5 viikon sijaan. (22 syyskuu). Laadusta ei tingitä.
James Topham Brady
Replikaatin koko
Joseph Alexander Ames (1816–1872) was an American artist primarily celebrated for his skill in portrait and genre painting. Born originally as Joseph Emes, he left a lasting mark on the 19th-century American art scene.
Ames was born in Roxbury, New Hampshire, and demonstrated artistic talent from a very young age. His abilities were recognized early; at just twelve years old, Henry Theodore Tuckerman wrote about one of his paintings, signaling the promise of a burgeoning career. After achieving moderate success locally in Saugus, Massachusetts, Ames moved to Boston in 1841 to further develop his artistic skills.
During his time in Boston, Ames actively sought to refine his style, initially drawing inspiration from the work of Washington Allston. He aimed to replicate Allston’s romantic and dramatic approach to painting. This period was crucial in shaping his artistic foundation. In 1848, Ames embarked on a transformative journey to Rome, where he painted a portrait of Pope Pius IX. This work gained significant recognition when it was exhibited at the National Academy of Design in 1850.
Upon his return from Italy, Ames’s reputation grew rapidly, leading to prestigious commissions from prominent figures such as Rufus Choate, Daniel Webster, and Abraham Lincoln. He established studios in Boston, first in Amory Hall (circa 1849), then on Tremont Street (circa 1856), and later on Summer Street. Ames actively exhibited his work at esteemed institutions including the Boston Athenæum, the National Academy of Design, and the Pennsylvania Academy.
Eventually, Ames relocated to Baltimore and then New York City, where he tragically died of a “brain fever” on October 30, 1872. His contributions to American art were recognized during his lifetime through his membership in key artistic organizations.
Ames came from a family with diverse talents. His brother, Nathan Ames, was a poet and patent solicitor who invented numerous machines, including the escalator. His wife, Sarah Fisher Ames, was also an accomplished artist – a sculptor.
1816 - 1872 , United States of America
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