90.0 x 70.0 cm
Brechin Mechanics' InstituteKäsinmaalattu öljyväri kankaalle haluamassasi koossa ja kehyksissä, taiteilijoidemme valmistamana tilauksesta. (
Vaihda tulosteeseen Siirry digitaaliseen kuvaan)
Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.
Kirjoita tarvitsemasi leveys ja korkeus, jotta teos sopii kehyskehyksiisi tai seinällesi. Koska kyseessä on käsinmaalattu teos, taiteilija voi maalata hieman enemmän kuvan ympärille tai rajata sitä hieman, jos haluat eri muotoisen koon — valinta on sinun. Lähetämme sinulle digitaalisen mallikuvan hyväksyttäväksi ennen kuin maalaus alkaa. Tällä sivulla näkyvä kuva ei vastaa lopullista tulosta — vain mallikuva näyttää sen.
Maailmanlaajuinen toimitus () 3–4 viikossa tavallisen 5 viikon sijaan. (26 lokakuu). Laadusta ei tingitä.
John Don
Replikaatin koko
James Irvine was an industrial designer. Born in London, he spent much of his career navigating the relationship between geometric forms and the people who use them. After studying at Kingston Polytechnic and the Royal College of Art in London, he moved to Milan in 1984. This move placed him at the center of a specific way of thinking about objects. He began working as a consultant for Olivetti, where he sat under the direction of Michele De Lucchi and Ettore Sottsass. His work during these years was defined by a focus on precision and the end user.
In 1987, his path took him to Tokyo for a year at the Toshiba Design Centre. This period of research into industrial products added another layer to his approach. By 1988, he had returned to Milan to open his own private studio. He worked with various companies, bringing a sense of geometric formalism to everything from small consumer goods to large-scale transport. His hands touched the design of a new city bus for the Hannover Üstra transport system in 2000, a project that resulted in 131 buses built by Mercedes Benz.
His practice was often intertwined with the influential Sottsass Associati. Between 1993 and 1999, he served as a partner in the agency, taking responsibility for the industrial design group. This period allowed him to bridge the gap between personal studio work and large-scale industrial production. His client list grew to include names like B&B Italia, Artemide, Magis, and Canon. He looked at how objects functioned within daily life, often applying a sense of irony or generosity to his communication and direction.
The work coming out of his Milanese studio was characterized by several specific elements:
In 2004, the Royal Society of Arts in London elected him a Royal Designer for Industry. He also shared his knowledge through teaching, serving as a professor of industrial design at the Hochschule für Gestaltung Karlsruhe from 2005 to 2007. His academic contributions were recognized by Kingston University, which awarded him an honorary doctorate of design in 2007.
Following his death in 2013, the history of his office did not stop. The studio continued under the direction of Marialaura Rossiello Irvine and Maddalena Casadei. They maintained the core principles established during his years in Milan: precision, irony, and generosity. The work remains a study in how structured forms can meet human interaction.
1822 - 1889 , United Kingdom
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