x
Tilaa painos Osta kuva
Jaa
Tarkemmat tiedot
Lisää suosikkeihin
Lataa
Samanlaisia
Röntgenkuva
Diaesitys
1987
183.0 x 244.0 cmKäsinmaalattu öljyväri kankaalle haluamassasi koossa ja kehyksissä, taiteilijoidemme valmistamana tilauksesta.
Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.
Voit syöttää omat mitat sopimaan tiettyyn kehykseen tai tilaan. Jos valitsemasi koko ei vastaa alkuperäisen kuvan mittasuhteita, rajaamme taideteoksen tai jatkamme maalausta käsin maalatuilla elementeillä. Digitaalinen esikatselu lähetetään hyväksyttäväksi ennen tuotannon aloittamista.
Huomioithan, että näytöllä oleva esikatselu ei vastaa todellista rajausta tai jatkamista. Vain digitaalinen mallikuva näyttää lopullisen sommittelun tarkasti.
Vaikka mittatilaustyöt ovat mahdollisia, suosittelemme valitsemaan mitan ennalta määritetystä listasta alkuperäisten mittasuhteiden säilyttämiseksi.
Maailmanlaajuinen toimitus () 3–4 viikossa tavallisen 5 viikon sijaan. (18 heinäkuu). Laadusta ei tingitä.
Fire
Replikaatin koko
David Wojnarowicz was born in 1954 in Red Bank, New Jersey, into a Catholic family. His upbringing significantly influenced his later exploration of themes surrounding religion, sexuality, and societal norms. After attending high school at the High School of Performing Arts in New York City, he briefly pursued formal education but ultimately chose to forge his own path as an independent artist.
Wojnarowicz’s early artistic endeavors were diverse. He lived a nomadic life for a period, working as a farmer near the Canadian border before returning to New York City. In the 1970s, he became involved in the vibrant East Village art scene, experimenting with Super-8 filmmaking – including works like *Heroin* – and photography, notably a series inspired by Arthur Rimbaud. He was also a member of the band 3 Teens Kill 4. A pivotal relationship began in the early 1980s when he met photographer Peter Hujar. Hujar encouraged Wojnarowicz to focus more on visual art, and their deep friendship became a source of mutual inspiration.
Wojnarowicz’s work is characterized by its raw emotional intensity and unflinching exploration of challenging subjects. His artistic style was multifaceted, encompassing painting, photography, writing, and film. Recurring themes in his art include:
Wojnarowicz exhibited his artwork in prominent galleries within New York City’s East Village, gaining recognition for his unique vision. He participated in the 1985 Whitney Biennial, a significant platform for contemporary art. Following Peter Hujar's death in 1987, Wojnarowicz created a deeply moving series of works documenting Hujar on his deathbed, culminating in the triptych *Untitled (Dead Peter Hujar)* (1989). His final book, *Memories That Smell Like Gasoline*, published posthumously in 1993, received the Lambda Literary Award.
David Wojnarowicz’s work remains profoundly relevant today. He is remembered as a courageous artist and activist who fearlessly confronted difficult truths about society, sexuality, and mortality. His art continues to inspire dialogue and challenge viewers to confront uncomfortable realities. He collaborated with other influential artists of his time including Nan Goldin, Luis Frangella, Kiki Smith, Richard Kern, James Romberger, Ben Neil, Bob Ostertag and Phil Zwickler. Wojnarowicz’s legacy extends beyond the art world, serving as a powerful reminder of the importance of artistic expression in the face of adversity.
1954 - 1992 , United States of America
Pysy ajan tasalla uusimmista taideuutisista, eksklusiivisista tarjouksista ja sisustusideoista.
Kerro meille projektistasi, niin taideasiantuntijamme tarjoavat sinulle kolme henkilökohtaista taidesuositusta.
Anna meidän kuratoida 3 vaihtoehtoa juuri sinulle – Ilmaiseksi!
Jaa
Näytä lisää
Lasivaihtoehto on saatavilla vain alle 110 cm kokoisina teoksina
