Katso seinällä Esikatsele AR-tilassa Vaihda tulosteeseen Tilaa käsinmaalattu jäljennös Lähetä
Tarkemmat tiedot Guide Lisää suosikkeihin Lataa kuva Samanlaisia kohteita Röntgenkuvaus Diaesitys Tilastot

On the House

Explore 'On the House' by Ayşe Erkmen – a minimalist architectural study in Berlin. Reflective spaces, repetition & subtle details create an immersive, contemplative experience.

Explore the thought-provoking works of Ayşe Erkmen, a leading Turkish artist known for transforming architectural spaces & social contexts. See her Venice Biennale work!

Osta korkearesoluutioinen, parannettu digitaalikuva, joka on laadultaan huomattavasti parempi kuin verkkosivuston esikatselu.

Jokainen tiedosto valmistellaan huolellisesti omien asiantuntijoidemme toimesta käyttäen edistyneitä työkaluja ja ammattitaitoista manuaalista retusointia. Varmistamme, että jokaisessa kuvassa on poikkeuksellinen selkeys, tarkka värintoisto ja hienovaraiset yksityiskohdat.

Lopputiedosto toimitetaan sähköpostitse 72 tunnin kuluessa, ja se on optimoitu välittömään käyttöön ammattimaisissa, toimituksellisissa ja painoympäristöissä. Laatu on sama, johon huipputason suunnittelustudiot, kustantajat ja galleriat luottavat.

Digitaalinen kuva

Lataa korkearesoluutioinen tiedosto henkilökohtaiseen näyttelyyn, tulostamiseen ja luoviin projekteihin. ( Vaihda tulosteeseen Tilaa käsinmaalattu jäljennös)

Kokonaishinta

$ 24,90

Sisältyy jokaiseen digitaalisen kuvan tilaukseen

Asiantunteva digitaalinen toimitus, laatu taattu

Kun valitset WahooArt.com-palvelun, et saa vain kuvaa – saat ammattimaisesti viimeistellyn digitaalisen taideteoksen, joka on luotu tarkkuudella ja jonka takaa tulee tyytyväisyystakuu. Tässä on kaikki, mitä tilauksesi sisältää, automaattisesti:

shipping_icon
Nopea sähköpostitoimitus

Saat korkearesoluutioisen digitaalisen kuvatiedostosi sähköpostiisi 72 tunnin kuluessa tilauksesta – valmiina käytettäväksi välittömästi.

canvas_icon
Tekoälyllä optimoitu digitaalinen tiedosto

Teoksesi on optimoitu ammattimaisesti edistyneiden tekoälytyökalujen ja manuaalisen jälkikäsittelyn avulla, mikä takaa maksimaalisen yksityiskohtaisuuden, selkeyden ja väritarkkuuden.

insurance_icon
Ilmainen elinikäinen uudelleenlähetys

Oletko vahingossa poistanut tai kadottanut tiedostosi? Ei hätää – lähetämme sen sinulle uudelleen milloin tahansa täysin maksutta.

tax_icon
Ei tuontimaksuja – koskaan

Nauti taiteestasi välittömästi ilman tullimaksuja, veroja tai toimituskuluja – digitaaliset lataukset ovat aina verovapaita.

color_icon
Värintoiston tarkkuustakuu

Varmistamme, että digitaalinen kuvasi vastaa alkuperäisiä värejä mahdollisimman tarkasti käyttämällä ammattilaistason työkaluja ja värinhallintaa.

return_icon
100 päivän tyytyväisyystakuu

Jos et ole tyytyväinen digitaaliseen kuvaasi, muokkaamme sitä tai palautamme 100% hinnan 100 päivän kuluessa – kysymystä ei esitetä.

guarantee_icon
100% Rahat takaisin -takuu

Et ole tyytyväinen? Saat täyden hyvityksen 100 päivän kuluessa digitaalisen tiedostosi vastaanottamisesta – kysymystä ei esitetä.

discount_icon
Suurtilaaja-alennukset

Osta 3 kuvaa, säästä 10% - Osta 5, säästä 15% - Osta 10+, säästä 20%. Erinomainen valinta luoviin projekteihin, gallerioille ja toimistoille.

The majority of Ayşe Erkmen’s projects are closely tied to the space, situation, and time they occupy. The place and environmental context in which she works always becomes part of the work; they begin to belong one another, as though something borrowed from that place (a measure, a form, a motif, a story, a possibility...) has been restored to the place from which it was taken. In her projects, Ayşe Erkmen incorporates unexpected directions and intervals, architectural and environmental scales, and distances and proximities, into the experience of the artwork. “On the House” (Am Haus) is one of Erkmen’s works that is closely tied to the places where it is exhibited and as a consequence cannot be identically repeated anywhere else. Initially conceived for the façade of a building in Kreuzberg, Berlin in 1994, where it remains today, the work was also displayed on the façade of Arter’s atrium for the “What Time Is It?” (2019) exhibition. “Am Haus”, which Erkmen made with suffixes that are completely useless when left on their own and need to be combined with a verb in order to gain functionality and to express meaning, harbours countless expressions regarding the past, the present, and the future, all without telling a clear story. Rather than asking here what might have happened, what might be happening, what might happen (ne ol-muş, ne oluyor-muş, ne olacak-mış), the work triggers us to think instead about the context it occupies. In the book of the same title that accompanied the artist’s solo exhibition “Whitish” (2019), curated by Emre Baykal at Arter, Erkmen talks about the work: “ “Am Haus” is one of my more functional works (...) For the German residents of the neighbourhood, they present a new aesthetic by means of their different alphabetical characters, with their dots and tails. At the same time, they also present the Germans with a tense, a mode of time that they haven

Taiteilijan elämäkerta

A Life Sculpted by Space: The World of Ayşe Erkmen

Ayşe Erkmen, born in Istanbul in 1949, is more than a sculptor; she’s an alchemist of environments, a subtle disruptor who transforms the mundane into the mesmerizing. Her work doesn't shout for attention but rather invites contemplation, subtly altering our perception of the spaces we inhabit and the histories they hold. To call her simply a “Turkish artist” feels limiting, though her origins are undeniably foundational to her practice. Istanbul, with its layered past, complex social fabric, and intimate relationship with water, is not merely a birthplace but an enduring source of inspiration—a palimpsest upon which Erkmen continually re-imagines possibilities. She graduated from the Academy of Fine Arts in Istanbul’s sculpture department in 1977, studying under Sadi Çalık, a period that instilled within her a rigorous understanding of form and material, yet also sparked an early desire to move beyond traditional sculptural boundaries.

Beyond Form: Transforming Architectural Contexts

Erkmen’s artistic journey is characterized by a deliberate rejection of invention in favor of transformation. She doesn't seek to create new forms *ex nihilo*, but instead meticulously examines existing architectural and social conditions, revealing hidden potentials within them. This approach isn’t about imposing her will upon a space, but rather engaging in a dialogue with it—listening to its history, understanding its function, and subtly shifting its narrative. Her work often manifests as interventions: walls that seem to wander, rooms gently corrected geometrically, or the unexpected appearance of water where none was expected before. This is not about grand gestures; it’s about delicate adjustments that force us to reconsider our assumptions about the built environment. She describes her process as a “long process of working through,” reducing and redirecting elements until a new tension emerges—a balance between form and function, context and perception.

A Global Dialogue: Teaching and Recognition

Erkmen’s influence extends beyond her own artistic production. From 1998 to 1999, she held the prestigious Arnold Bode Professorship at Kassel Art Academy, followed by a long tenure as a lecturer at Kunstakademie Münster from 2000 to 2015. These positions allowed her to nurture a new generation of artists, encouraging them to question conventional boundaries and embrace site-specificity in their own work. Her commitment to artistic education is interwoven with her broader practice—a belief that art should be a catalyst for critical thinking and social awareness. This dedication has been recognized through numerous accolades, including the Maria Sibylla Merian Prize of the Ministry for Science and Art of Hesse in 2002, and membership in the Akademie der Künste, Berlin since 2012.

Plan B and Beyond: Major Achievements

Perhaps Erkmen’s most internationally recognized work is *Plan B*, which represented Turkey at the 54th International Art Exhibition of the Venice Biennale in 2011. This ambitious project transformed a room within the Arsenale into a complex water purification unit, complete with functioning machinery that filtered canal water and returned it clean to its source. Plan B wasn’t merely an aesthetic installation; it was a functional sculpture—a commentary on Venice's precarious relationship with water, its history of flooding, and the urgent need for sustainable solutions. The audience became integral to the work, witnessing the filtration process firsthand and contemplating the delicate balance between nature and human intervention. Other significant works include *On Water* (2017) at Skulptur Projekte Münster, where she created an underwater bridge using repurposed cargo containers, inviting visitors to literally walk on water—a powerful metaphor for navigating societal challenges and hidden infrastructures. Her recent installation *Left Overs II* (2025), commissioned by Autostrada Biennale, continues her exploration of site-specificity, repurposing materials from local workshops and engaging with the history of a former military hangar.

A Lasting Legacy: The Power of Subtle Intervention

Ayşe Erkmen’s historical significance lies in her ability to redefine sculpture—to move it beyond the confines of the object and into the realm of experience. She challenges us to see the world anew, to question our assumptions about space, and to recognize the hidden potential within the everyday. Her work is not about providing answers but rather prompting questions—about history, culture, politics, and our relationship with the environment. She doesn’t invent new forms; she reveals existing ones, transforming architectural and social conditions into spaces of contemplation and critical engagement. As a leading voice in contemporary art, Erkmen continues to inspire artists and audiences alike, demonstrating the power of subtle intervention to create profound and lasting change.
ayşe erkmen

ayşe erkmen

1949 - , Turkey

Pähkinänkuoressa

  • Artistic Movement Or Style: Site-Specific Art
  • Artists Who Influenced This Artist: ['Sadi Çalık']
  • Date Of Birth: 1949
  • Full Name: Ayşe Erkmen
  • Nationality: Turkish
  • Notable Artworks:
    • On the House
    • Plan B
  • Place Of Birth: Istanbul, Turkey