Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
Austasena ja seaduslikuna alternatiivina pakume originaalist inspireeritud, käsitsi maalitud isikupärastatud teoseid. Meie osutavad ja professionalsed kunstnikud uurivad hoolikalt originaali stiili, meelemoi ja kunstilist olemust, et luua uus, ainulaadne teos, mis tekitab sama tunnet – olles samal ajal omaette originaalne looming.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Meie kunstnike poolt tellimusel valmistatud käsitsi maalitud õli-kainaste teos teie soovitud suuruses ja raamis. ( Lülita trükkitoodetele
Ülemineku digitaalse pildi müügi kanalisse)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et teos sobiks teie raamile või seinale. Kuna tegu on käsipainatud teosega, siis erineva kujuga suuruse korral võib kunstnik jätta pildi ümber veidi rohkem marginaali või lõigata osa ära — valik on teie. Enne maali alustamist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kajasta tegelikku tulemust — seda näitab ainult näidisprojekttsioon.
Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (27 oktoober). Kvaliteedis kompromisse ei tehta.
Fields
Reproduktsiooni mõõtmed
To understand the vibrant, often subversive essence of Jann Haworth’s work, one must first look to the sun-drenched, creatively charged atmosphere of her Hollywood upbringing. Born in 1942, Haworth was immersed in a world where art was not merely an academic pursuit but a way of life. Her lineage provided a unique dual foundation: from her mother, Miriam Haworat, a distinguished ceramist and painter, she inherited the tactile intimacy of craft and the precision of needlework; from her father, Ted Haworth, an Academy Award-winning art director, she gained a cinematic eye for scale, set design, and the theatricality of space. This early exposure to both the delicate stitch and the grand production set would later coalesce into her signature style, where the domestic and the monumental meet in unexpected, often unsettling ways.
Her academic path took her from the University of California, Los Angeles, to the heart of the London art scene in 1961. Enrolling at the Courtauld Institute of Art and the Slade School of Fine Art, Haworth found herself navigating a landscape that was as intellectually stimulating as it was socially restrictive. In an era where female artists were often relegated to the periphery of male-dominated institutions, Haworth embraced a spirit of defiance. She did not merely participate in the art scene; she sought to disrupt its very fabric. This rebellious energy became the heartbeat of her practice, driving her to utilize materials traditionally dismissed as "feminine" or "decorative"—such as textiles, quilts, and soft fabrics—to challenge the rigid hierarchies of the fine art world.
Haworth’s most enduring contribution to cultural history arrived in 1967, through a collaborative masterpiece that would redefine visual language for a generation. As a co-creator of The Beatles’ Sgt. Pepper's Lonely Hearts Club Band album cover, she helped construct a kaleidoscopic collage of historical figures and pop culture icons. This achievement was more than a feat of graphic design; it was an exercise in assemblage that mirrored the psychedelic, boundary-pushing spirit of the decade. Through this work, Haworth’s ability to blend high art with mass media became etched into the global consciousness, positioning her at the very vanguard of the Pop Art movement.
Beyond the iconic imagery of Sgt. Pepper, Haworth pioneered the medium of soft sculpture, a technique that allowed her to explore themes of identity and the subconscious through pliable, organic forms. Her work often functions as a surrealist dialogue between the real and the simulated. In pieces like Pop, she utilizes intricate quilting and textile elements to create figures that feel both whimsical and hauntingly aged. By employing the language of folk art and domestic craft, she elevates the "soft" to something profound, using texture and volume to evoke a sense of memory, loss, and the layered complexities of the human experience.
The significance of Jann Haworth’s career lies not only in her aesthetic innovations but in her steadfast commitment to feminist advocacy. Throughout her life, she has remained a vocal proponent for the representation of women within the art historical canon. Her work serves as a continuous critique of gender roles, using the very tools of domesticity—sewing, fabric, and pattern—to dismantle the stereotypes associated with them. She transformed the "feminine" medium into a powerful instrument of political and social commentary.
Today, Haworth’s legacy is viewed through a lens of immense historical importance. Her ability to weave together the following elements defines her enduring impact:
As her work continues to be celebrated in galleries and museums worldwide, Jann Haworth remains a vital figure whose textured, layered, and unapologetically bold vision continues to inspire new generations of artists to push against the boundaries of what is considered "art."
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