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Õpilaste kunstiteoste juhend

Fields

Nimi Klass Kuupäev

Jann Haworth, Fields. Kasutatud ainult näidises; kõik õigused on kaitstud õiguste valdaja poolt. Vaadake seda künist liikuvas valguses: joon, lakki all asuv tõeline värv ja puhas pigment

Faktid

Kunstnik
Jann Haworth wahooart.com/et/artists/jann-haworth/
Kunstniku eluaastad
1942 –
Liikumine
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.

Kontekstis

Fields — Jann Haworth

Millal see maaldis on tehtud?

  1. 1940

Ülemine rida: aastad. Alumine rida: kunstniku vanus iga perioodi alguses ja lõpus, kus sünniaastat arvestatakse nullina.

iga dateeritud maal, aastakümne kaupa

Selle plaadi kohta ei ole täpset aastat säilitatud — kunstniku eluaja ja teose stiili põhjal, millist aastakümnest te arvestaksite?

Võrdle teoseid

  • El corazón wahooart.com/et/art/jann-haworth-el-corazon-AE3MUC-en/
  • Lindner doll wahooart.com/et/art/jann-haworth-lindner-doll-AE3MUJ-en/
  • Treadwell wahooart.com/et/art/jann-haworth-treadwell-AE3MUY-en/

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wahooart.com/et/art/similar/jann-haworth-fields-AE3MUE-en/

Värvid

Pildist mõõdetud

    Peavärv

    Espresso #5e553e

    Katalogistatud palett

    • #5E553E
    • #33261E
    • #ACAAA1
    • #AC723E

    Need värvid on osa kunstniku terviklikust paletist Leia teisi maaleid värvi järgi

    Palett
    Earthy Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Espresso
    Intensiivsus
    Balanced Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Balanced Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Balanced Harmony Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Heleus
    Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Balanced Soft Värvide puhtus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kus maailmas seda maali vaadatakse?

    • madalaim 1% osa
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja rohkem
    Selle maali külastajate arv on dokumenteeritud liiga vähe, et teha kaardi koostamist, seega on plaat kujutanud kõik Jann Haworth teosed viimase zwölf kuuga — kokku 3 riiki. Kust need numbrid pärinevad

    Kolm kümmet juhtivat riiki

    1. 1 Hiina 70,0%
    2. 2 Ameerika Ühendriigid 20,0%
    3. 3 Kanada 10,0%

    Leia kaardilt kolm kõige pimedamat riiki. Kas seda maali hoiustav muuseum asub mõnes neist? Kirjuta üles üks põhjus, miks kauguse poolest inimesed seda vaadata võivad.

    Jann Haworth kõige vaatamistundlikumad teosed (kokku 11)

    1. 1 Donuts Coffee Cups and Comics 23,1%
    2. 2 Early years 7,7%
    3. 3 El corazón 7,7%
    4. 4 Mickeyangelo 7,7%
    5. 5 This is Frank 7,7%
    6. 6 Ruth's diner 7,7%
    7. 7 Jointhe big picture 7,7%
    8. 8 Pepper 7,7%
    9. 9 Published november 7,7%
    10. 10 Fields see maalaus 7,7%
    11. 11 Woman 7,7%

    Koos kattavad need teosed 100,0% kogu sellest tähelepanust, mida selle kunstniku maalid möödunud zwölf kuud on saanud. Kataloogis on 28 seda kunstnikku kuuluvat teost, millest 11 on vähemalt üks kord vaadatud. See maaldi on nende seas 10 kohal, selle tähelepanu osaga 7,7%. Sama arv, kuu-kuu põhjal

    Tugid mõõdavad tähelepanu, mitte kvaliteeti. Valige tippkohtadel olevad teosed ja see üks: nimetage üks asi, mis võib muuta maali kuulsaks lisaks sellele, kui hästi on see maalitud.

    Kunstnik ja muuseum

    Kunstnik

    Jann Haworth

    A Tapestry of Rebellion: The Artistic Journey of Jann Haworth

    To understand the vibrant, often subversive essence of Jann Haworth’s work, one must first look to the sun-drenched, creatively charged atmosphere of her Hollywood upbringing. Born in 1942, Haworth was immersed in a world where art was not merely an academic pursuit but a way of life. Her lineage provided a unique dual foundation: from her mother, Miriam Haworat, a distinguished ceramist and painter, she inherited the tactile intimacy of craft and the precision of needlework; from her father, Ted Haworth, an Academy Award-winning art director, she gained a cinematic eye for scale, set design, and the theatricality of space. This early exposure to both the delicate stitch and the grand production set would later coalesce into her signature style, where the domestic and the monumental meet in unexpected, often unsettling ways.

    Her academic path took her from the University of California, Los Angeles, to the heart of the London art scene in 1961. Enrolling at the Courtauld Institute of Art and the Slade School of Fine Art, Haworth found herself navigating a landscape that was as intellectually stimulating as it was socially restrictive. In an era where female artists were often relegated to the periphery of male-dominated institutions, Haworth embraced a spirit of defiance. She did not merely participate in the art scene; she sought to disrupt its very fabric. This rebellious energy became the heartbeat of her practice, driving her to utilize materials traditionally dismissed as "feminine" or "decorative"—such as textiles, quilts, and soft fabrics—to challenge the rigid hierarchies of the fine art world.

    The Soft Revolution and Pop Iconography

    Haworth’s most enduring contribution to cultural history arrived in 1967, through a collaborative masterpiece that would redefine visual language for a generation. As a co-creator of The Beatles’ Sgt. Pepper's Lonely Hearts Club Band album cover, she helped construct a kaleidoscopic collage of historical figures and pop culture icons. This achievement was more than a feat of graphic design; it was an exercise in assemblage that mirrored the psychedelic, boundary-pushing spirit of the decade. Through this work, Haworth’s ability to blend high art with mass media became etched into the global consciousness, positioning her at the very vanguard of the Pop Art movement.

    Beyond the iconic imagery of Sgt. Pepper, Haworth pioneered the medium of soft sculpture, a technique that allowed her to explore themes of identity and the subconscious through pliable, organic forms. Her work often functions as a surrealist dialogue between the real and the simulated. In pieces like Pop, she utilizes intricate quilting and textile elements to create figures that feel both whimsical and hauntingly aged. By employing the language of folk art and domestic craft, she elevates the "soft" to something profound, using texture and volume to evoke a sense of memory, loss, and the layered complexities of the human experience.

    Legacy of Advocacy and Artistic Vision

    The significance of Jann Haworth’s career lies not only in her aesthetic innovations but in her steadfast commitment to feminist advocacy. Throughout her life, she has remained a vocal proponent for the representation of women within the art historical canon. Her work serves as a continuous critique of gender roles, using the very tools of domesticity—sewing, fabric, and pattern—to dismantle the stereotypes associated with them. She transformed the "feminine" medium into a powerful instrument of political and social commentary.

    Today, Haworth’s legacy is viewed through a lens of immense historical importance. Her ability to weave together the following elements defines her enduring impact:

    The Intersection of Craft and Fine Art: Breaking down the barriers between traditional needlework and sculptural installation.

    Cinematic Influence: Utilizing the principles of production design to create immersive, stage-like art environments.

    Pop Culture Integration: Redefining the album cover as a legitimate site for complex, multi-layered fine art expression.

    Feminist Resilience: Using artistic practice as a tool for challenging the patriarchal structures of the 20th-century art world.

    As her work continues to be celebrated in galleries and museums worldwide, Jann Haworth remains a vital figure whose textured, layered, and unapologetically bold vision continues to inspire new generations of artists to push against the boundaries of what is considered "art."

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib Fields allalaadimislehele

    wahooart.com/et/art/download/jann-haworth-fields-AE3MUE-en/

    Viige seda teost allintena

    MLA
    Haworth, Jann. Fields. n.d., https://wahooart.com/et/art/jann-haworth-fields-AE3MUE-en/
    APA
    Haworth, Jann (n.d.). Fields [Painting]. https://wahooart.com/et/art/jann-haworth-fields-AE3MUE-en/
    Chicago
    Jann Haworth. Fields. n.d. https://wahooart.com/et/art/jann-haworth-fields-AE3MUE-en/
    Harvard
    Haworth, Jann (n.d.) Fields. Available at: https://wahooart.com/et/art/jann-haworth-fields-AE3MUE-en/

    Vaata lähedalt

    Fields — Jann Haworth

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Vaadake tagasi juhendi alguses esitatud teosele El corazón. Tooge kaks asja, mis sellel ja käesoleva teose vahel ühtevad, ning üks erinevus.
    4. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Kust seda teoses näha saab?
    5. Mida kunstnik võib olla soovinud teile tekitada?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

    Korduvad küsimused

    Kuidas teos "Fields" tasakaalustab valgust ja pimendust?

    Teose "Fields" üldine ere on balanced ning selle luminants on Soft Shadow.

    Kui karge on teose "Fields" väripalett?

    Teose "Fields" värvipalett on koonuse方面 Balanced Soft.

    Kes on teose "Fields" looja?

    Teose "Fields" loovija on Jann Haworth. Selle lehe info kirjeldab Jann Haworth algteost.