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I see the Seongam Village mud flat and the sea when I open the window every morning. When walking through the inland and village road where there used to be a salt pond, I feel my complicated mind becomes clear, refreshed. The mud flat in Daebudo Island (Daebudo), with its beautiful scenery and rich marine life, such as octopuses and clams, is a well-known tourist attraction. In the mid-90’s, however, Daebudo became connected to the mainland, which resulted in changing a water route. As fishery sources greatly diminished, the fishermen living off the sea dried out as well. In addition, due to the construction of an embankment, Hwanggeumsan Mountain, the highest mountain in Daebudo, was harmed as well. Upon its connection with the mainland, a great number of people flowed into the island, and the native people’s way of living also changed. The villages, where people had been living for generations, underwent a dreadful time fighting over a reimbursement issue. While doing so, the communities gradually weakened. It must have been like the mind of a fisherman who lost his way in a storm on the night sea. I remember that one day my teacher and I were walking by the reeds and talked about installing an impressive art work on the rooftop of the Gyeonggi Creation Center where artists live when we have some time. After a few years passed, we embarked on The Hwanggeumsan Project. I proposed to create the work The Hwanggeumsan Mountain Owl in pursuit of healing the tragic history and revitalizing the local communities. It has been said that once upon a time, a pair of owls lived in a village. People believed the big eyes of the owls represented sages that guarded the village at night and opened the way. Although the people’s way of living changed and the village lost its function due to the convergence between the island and the mainland, we still continue our communal life with the sea. Was there not an owl that was living in Daebudo, the beautiful island of art? Was there not also a large lighthouse standing somewhere on that art island? LED lights are installed in the owl’s eyes. I hope that the first blink of the eyes signals the healing of the history of the art island, and the second blink represents the light of art that delivers us a new hope. I hope that The Hwanggeumsan Mountain Owl, like a lighthouse in a sea at night, guides people through the way and overcomes the wind, becoming a symbol that represents the light of hope, across the mud flat and throughout the island.

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Biografía del artista

Lee Yun-gi: Bridging Myth and Memory Through Textured Landscapes

Lee Yun-gi (1947 – 2010) emerged from the crucible of Korean postwar literature, forging a distinctive voice that blended philosophical contemplation with vibrant visual expression. Born in Gunwi-si, South Korea, his early life instilled within him a profound appreciation for both Eastern traditions and Western intellectual currents—influences that would permeate his artistic trajectory and literary endeavors alike. While primarily recognized as a writer and translator, Yun-gi’s artistic output transcended genre boundaries, establishing him as a significant figure in Korean contemporary art. Yun-gi's literary debut in 1977 arrived with “Hayan Hellikopteo,” a haunting short story born from his observations during the Vietnam War. This formative experience ignited a lifelong fascination with conflict and its psychological repercussions, themes that consistently resurfaced throughout his oeuvre. He pursued formal education at Michigan State University between 1991 and 1996, immersing himself in comparative literature and honing his analytical skills—skills he subsequently applied to his translation work, bringing the richness of Greek and Roman mythology into Korean readership. Notably, Yun-gi undertook the monumental task of translating over 150 works, demonstrating an unwavering commitment to preserving cultural heritage and fostering intercultural dialogue. However, it was Yun-gi’s artistic exploration that truly captivated audiences. He gained considerable acclaim for his “Blue-eyed Owl” artwork (DD2FKP), a piece characterized by its textured surface and evocative depiction of avian symbolism—a recurring motif in his oeuvre. This painting exemplifies his stylistic approach: layering pigments onto canvas to create palpable depth and conveying emotion through subtle variations in color and texture. The deliberate manipulation of brushstrokes and pigment density contributes to the artwork’s contemplative mood, inviting viewers to contemplate themes of solitude and resilience. Similarly, "Migrant Bird Series (DMZ Labor Party Office)" (DD2FKS) delves into themes of displacement and longing—a poignant reflection on the human condition amidst geopolitical tensions. The muted palette and meticulous attention to detail underscore Yun-gi’s dedication to capturing atmospheric nuances and conveying profound psychological resonance. “Migrant Bird Series (The house just below)” (DD2FKY), too, showcases his masterful technique—a contemplative portrayal of domestic space imbued with symbolic significance. Yun-gi received numerous accolades recognizing his literary accomplishments, including the Dong-in Literary Award and the Daesan Literary Award, cementing his position as a celebrated voice within Korean literature. His translation work earned him the Korean Translation Award, highlighting his contribution to disseminating global artistic narratives. Lee Ungno Museum in Daejeon houses over 500 of Yun-gi’s paintings—a testament to his prolific output and enduring legacy. Exploring these works offers invaluable insight into his artistic vision and reveals a profound engagement with both Eastern aesthetics and Western philosophical thought. Ultimately, Lee Yun-gi's art stands as a poignant reflection on memory, identity, and the transformative power of observation – an artist who bravely confronted complex issues while maintaining an unwavering commitment to beauty and artistic innovation.

Life
Writing

Lee Yun-gi

1947 - 2010 , Corea del Sur

Datos clave

Artistic Movement Or Style: Literatura Moderna
Date Of Birth: 1947
Date Of Death: 2010
Full Name: Lee Yun-gi
Nationality: Coreano
Notable Artworks:
- Blue-eyed Owl
- Migrant Bird Series (DMZ Labor Party Office)
Place Of Birth: Gunwi-si, South Korea

Hwanggeumsan Owl

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Biografía del artista

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Obras relacionadas

Biografía del artista

Lee Yun-gi: Bridging Myth and Memory Through Textured Landscapes

Lee Yun-gi