Marie Wiegmann

1820 - 1893

Essentials

  • Top 3 works:
    • Half-length Portrait of a Woman
    • Portrait of the Art Historian Carl Schnaase
  • Copyright status: Public domain
  • Lifespan: 73 years
  • Top-ranked work: Half-length Portrait of a Woman
  • Art period: 19th Century
  • Works on this site: 2

A Life in Brushstrokes

Marie Elisabeth Wiegmann began her life in Silberbeg, Silesia. Her hands found their way to the Düsseldorf Academy in 1841, where she sat as a pupil under Hermann Stilke. Later, she studied with Karl Ferdinand Sohn. These years of training shaped how she saw the light on a face or the fold of a garment. She moved through Germany, England, Holland, and Italy, carrying her observations with her.

In 1841, she married Rudolf Wiegmann. They eventually settled in Düsseldorf. Her travels were not merely for leisure; between 1843 and 1845, a study trip to Italy allowed her to look closely at the art of that land. This period of looking deeply influenced the way she approached her subjects.

The Subjects of Her Canvas

Her work often turned toward the human form and the stories told in folklore. For a time, between 1846 and 1850, she focused on paintings rooted in mythical and fairytale tales. She drew from late romantic literary models, creating pieces like those based on Ludwig Uhland’s poem, The Elves. Her illustrations even found a place in the pages of St Nicholas: An Illustrated Magazine For Young Folks in 1883.

Beyond stories, she was a painter of people and quiet moments. Some of her known works include:

  • A Venetian Lady
  • A Young Girl with Roses
  • A French Woman of 1792
  • Portrait of Karl Schnasse

Recognition and Legacy

Her career lasted more than fifty years. During this time, she earned a gold medal in Berlin for one of her works. Her portraits were held in places like the National Gallery of Berlin, where pieces such as A Venetian Lady were established in 1876. She left behind a body of work that reflects the traditions of the Düsseldorf School.

She lived until 1893. Her life was marked by the steady application of paint to canvas, moving from the lessons of her teachers to her own established presence in the art circles of Europe.

Questions & Answers

Where are Marie Wiegmann's artworks mapped by subject?

The Subject Atlas page maps Marie Wiegmann's artworks by subject.

Can I explore Marie Wiegmann's works by color spectrum?

The Spectral Index page organizes Marie Wiegmann's artworks by color.

Where are Marie Wiegmann's artworks grouped by keywords?

Marie Wiegmann's works can be explored by keyword on the artist's By Keywords page. Each keyword groups the related artworks.

In which historical period did Marie Wiegmann work?

Marie Wiegmann worked in the 19th-Century period. The period situates the artist's activity in history.

Test your eye

There is only one correct answer for each question.

Question 1:
In which city did Marie Wiegmann become a pupil of the Düsseldorf Academy in 1841?
Question 2:
Which artist was one of Marie Wiegmann's teachers?
Question 3:
Marie Wiegmann was a painter specializing in which two genres?
Question 4:
Between 1843 and 1845, Marie Wiegmann took a study trip to which country?
Question 5:
Which of these artworks is attributed to Marie Wiegmann?