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May I Come In

Discover the intriguing self-portrait mood of William Merritt Chase's 1883 work, May I Come In, featuring a woman before a mirror; bring this Impressionist masterpiece home.

Discover William Merritt Chase (1849-1916), a leading American Impressionist & art educator! Explore his vibrant portraits, landscapes & legacy as founder of Parsons School of Design.

Giclée / Art Print

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Total Price

$ 69

reproduction

May I Come In

Giclée / Art Print

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$ 69

Quick Facts

  • Dimensions: 88 x 63 cm
  • Year: 1883
  • Title: May I Come In
  • Artist: William Merritt Chase
  • Artistic style: American Impressionism

A Moment Caught in Reflection

William Merritt Chase’s captivating portrait, "May I Come In," invites the viewer into an intimate space where self-perception meets artistic mystery. The scene centers on a woman positioned before a mirror, her gaze seemingly caught between the reality of her presence and the intriguing vision reflected back to her. This is not merely a depiction of a person; it is an exploration of consciousness itself. Chase masterfully captures that fleeting instant—the moment of surprise, curiosity, or quiet contemplation—that we all recognize in our own lives. The composition draws us immediately into this private chamber, making the viewer feel like an unseen guest privy to a deeply personal exchange.

Technique and Atmosphere: The Painterly Touch

Examining the technique reveals Chase’s signature brilliance, hallmarks of American Impressionism. While the subject matter is rendered with careful attention to portraiture, the handling of light and shadow suggests an almost palpable atmosphere. Notice the rich, verdant green wall serving as a backdrop; this color choice does more than simply decorate—it envelops the figure, lending the entire scene a lush, slightly theatrical quality. The inclusion of various objects—the elegant vase on the left, the subtle bowl near the center, and the chair anchoring the right side—are not mere props. They are carefully placed anchors that lend depth to the pictorial space, allowing the eye to wander and absorb the richness of the setting without ever losing focus on the woman herself.

Historical Echoes and Emotional Resonance

Painted in 1883, this work sits at a fascinating crossroads in art history. As Chase navigated the burgeoning American art scene, his ability to capture modern life with such immediacy was revolutionary. The painting speaks to a period of increasing self-awareness and domestic refinement among the affluent classes. Emotionally, "May I Come In" resonates because it taps into universal themes: identity, perception, and the relationship between the inner self and outward appearance. It whispers secrets about what we choose to show others versus what we see when we are alone.

Bringing the Salon Home

For those who appreciate the nuanced drama of late 19th-century portraiture, this piece offers an unparalleled opportunity for decorative depth. Whether you are curating a formal drawing-room or seeking a focal point that sparks conversation, the interplay of color, light, and enigmatic subject matter makes it endlessly engaging. Owning a reproduction of "May I Come In" allows one to incorporate a masterpiece of American artistic history into your personal sanctuary. It is an artwork that does not simply hang on a wall; it breathes life and thoughtful contemplation into the very air around it.


Artist Biography

A Life Painted in Light: The World of William Merritt Chase

William Merritt Chase, a name synonymous with the blossoming of American Impressionism, was more than just a painter; he was a pivotal force in shaping the nation’s artistic identity at the turn of the 20th century. Born on November 1, 1849, in the humble surroundings of Williamsburg (later Nineveh), Indiana, Chase's journey from rural beginnings to becoming a celebrated artist and influential educator is a testament to his unwavering dedication and innate talent. His early life was marked by a familial relocation to Indianapolis in 1861, where he initially assisted in his father’s business ventures. However, even amidst these practical obligations, the seeds of artistic passion were sown, nurtured by studies with local instructors Barton S. Hays and Jacob Cox. This foundational training ignited a desire for further exploration, leading him briefly into naval service before ultimately gravitating towards the vibrant art scene of New York City in 1869. There, under the tutelage of Joseph Oriel Eaton at the National Academy of Design, and later Lemuell Wilmarth, a student of Jean-Léon Gérôme, Chase began to hone his skills, laying the groundwork for a career that would redefine American painting. A temporary financial setback forced a move to Saint Louis in 1870, but even this challenge proved fruitful, allowing him to establish himself within the local art community and gain recognition for his burgeoning talent.

From Academic Roots to Impressionistic Brilliance

Chase’s artistic development was not a sudden leap into Impressionism, but rather a gradual evolution informed by rigorous academic training and extensive travels abroad. A crucial turning point came with his extended sojourn in Munich beginning in 1872, where he studied at the Academy of Fine Arts under Alexander von Wagner and Karl von Piloty. This period instilled in him a mastery of traditional techniques and a penchant for dramatic compositions, yet it was during a subsequent visit to Venice with fellow American artists Frank Duveneck and John Twachtman that Chase began to embrace a more liberated approach to painting. Inspired by the luminous light and vibrant colors of the Italian landscape, he started experimenting with looser brushwork and a heightened sensitivity to atmospheric effects. Upon his return to New York in 1878, Chase fully embraced Impressionistic principles, capturing fleeting moments of modern life with an energetic and captivating style. Works like Keying Up – The Court Jester (1876), exhibited to critical acclaim at the Boston Art Club and Philadelphia Centennial Exposition, showcased his ability to convey movement and personality through bold brushstrokes and a dynamic composition. He continued to explore diverse subjects—striking portraits such as Portrait of Virginia Gerson, evocative landscapes like Gowanus Bay (aka Misty Day, Gowanus Bay), and scenes depicting the vibrancy of urban life, including Alice Fernandez. Other notable works include “A Friendly Call,” “A Study in Curves,” and “Terrace at the Mall, Central Park.”

The Educator: Shaping a Generation of Artists

Beyond his accomplishments as a painter, William Merritt Chase left an indelible mark on American art through his dedication to teaching. Recognizing the need for innovative art education, he founded the Chase School in New York City in 1896, which later evolved into Parsons The New School for Design. This institution became a breeding ground for artistic talent, emphasizing direct observation, technical proficiency, and creative experimentation. Unlike many of his contemporaries who favored rigid academic instruction, Chase encouraged his students to develop their individual voices and explore diverse styles. He held teaching positions at the Pennsylvania Academy of the Fine Arts, the Art Students League, and the Brooklyn Art Association, disseminating his artistic philosophy far and wide. His influence extended to numerous artists, including Wayman Elbridge Adams, who openly acknowledged Chase as a mentor. The emphasis on plein air painting—painting outdoors directly from nature—became a cornerstone of his pedagogical approach, fostering a deeper connection between students and their subjects.

Legacy and Historical Significance

William Merritt Chase’s place in American art history is secure. He bridged the gap between established academic traditions and the burgeoning Impressionist movement, contributing significantly to the development of a distinctly American artistic identity. His commitment to capturing the essence of modern life—the bustling cityscapes, intimate domestic interiors, and leisurely pursuits of his time—resonated with audiences eager for a new visual language. While his later years saw a temporary eclipse in critical recognition, his work has experienced a resurgence in recent decades, solidifying his reputation as one of America’s most important and influential artists. He wasn't merely documenting scenes; he was interpreting the spirit of an evolving nation through the vibrant lens of Impressionism. His legacy extends beyond his canvases to the countless artists he inspired, ensuring that his innovative approach to painting continues to shape the landscape of American art for generations to come.
William Merritt Chase

William Merritt Chase

1849 - 1916 , United States of America

Quick Facts

  • Artistic Movement Or Style: Impressionism
  • Artists Or Movements Influenced By This Artist: ['Wayman Elbridge Adams']
  • Artists Who Influenced This Artist: ['Jean-Léon Gérôme']
  • Date Of Birth: November 1, 1849
  • Date Of Death: October 25, 1916
  • Full Name: William Merritt Chase
  • Nationality: American
  • Notable Artworks:
    • Keying Up – The Court Jester
    • Idle Hours
    • A Study in Curves
    • A Friendly Call
    • Alice Fernandez
  • Place Of Birth: Nineveh, USA
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