Gestural marks and abstract forms characterize this untitled composition by Matta. They exemplify the artist’s application of "automatic" techniques associated with Surrealism, to which he was introduced by André Breton, the founder of the movement in Paris. Here, two upright, hybrid figures appear to confront, even antagonize, one another in amid a tense field punctuated with blunt passages of hot yellow and bright red. Reinterpreted by younger American artists in 1940s New York, including Jackson Pollock, Matta’s brand of biomorphic abstraction contributed to the foundation of what became known as Abstract Expressionism.
Questions & Answers
Can I see "Untitled" by Roberto Matta under different lights?
The X-Ray view of "Untitled" by Roberto Matta is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.
Toward which tone does "Untitled" lean?
The dominant hue of "Untitled" by Roberto Matta is ochre to sepia. The hue is the underlying tone of the palette.
What is the format of "Untitled"?
"Untitled" by Roberto Matta has a panoramic format. The format describes the proportions of the composition.