Is John Rolle Walter under copyright?

No, this artwork is in the public domain.

What is the thematic context of John Rolle Walter?

raphael and poussin influence, classical antiquity inspiration, british nobility portraiture, grand tour cultural era, precursor to neoclassicism

Order a copy of John Rolle Walter - Neoclassicism

Three-quarter length. Sitter facing with left arm leaning against pedestal in velvet fur lined (lynx fur) robe.John Rolle Walter served as MP for Exeter (1754-76) and Devon (1776-79). He was the second son of John Rolle of Stevenstone and Isabella Charlotte (née Walter), he took the name of Walter on inheritance of his mother’s estates in Oxfordshire. He travelled to Italy on the Grand Tour in 1752-53 and was painted by Pompeo Batoni while in Rome.Batoni won international fame mostly due to his ability to portray British nobility, often shown against famous Italian landscapes. Grand Tour portraits by Batoni found homes in private collections and helped to ensure the genre’s popularity in Great Britain. Since RAMM’s acquisition of the John Rolle Walter portrait, a preliminary study has been identified at the Statens Museum, Copenhagen (The National Gallery of Denmark).Purchased with assistance from the Heritage Lottery Fund, Art Fund, MLA/V&A Purchase Grant Fund, Devon County Council, the Friends of RAMM, the Reynolds Chard Bequest and private donors, 2008

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Artist Biography

Early Life and Training

Born: Lucca, Italy (1708)
Died: 1787
Pompeo Batoni moved to Rome in 1727.
He apprenticed with Agostino Masucci, Sebastiano Conca, and/or Francesco Imperiali.
His first independent commission came as a result of rains that struck Rome in April 1732.
The painting "The Ecstasy of Saint Catherine of Siena" illustrates his academic refinement of the late-Baroque style.

Artistic Style and Influences

Batoni's style drew inspiration from classical antiquity, French Rococo, Bolognese Classicism, and artists such as Nicolas Poussin, Claude Lorrain, and especially Raphael.
He is considered a precursor of Neoclassicism.
His work can be found in various museums, including the Pinacoteca di Brera in Milan, Italy.

Notable Works and Commissions

Virgin and Child with Saints
A Knight in Rome: Charles Cecil Roberts – A celebrated portrait of a British traveler set against Roman ruins.
The Triumph of Venice
Numerous altarpieces for churches in Italy, such as the Museum Duomo in Siena.
He was in high demand for portraits, particularly by British travelers on the Grand Tour who commissioned standing portraits within antique settings.

Development and Historical Significance

Batoni became a highly fashionable painter in Rome after his rival, Anton Raphael Mengs, departed for Spain in 1761.
He befriended Winckelmann and aimed to restrain classicism in his painting.
His portraits captured the spirit of the Grand Tour era, reflecting the fascination with classical antiquity among European elites.
Batoni’s ability to blend Baroque techniques with emerging Neoclassical ideals positioned him as a transitional figure in Italian art history.

Legacy

Pompeo Batoni passed away on February 4, 1787, in Rome.
He left behind a legacy as one of the most renowned Italian painters of his time.
His work continues to be admired for its technical skill, elegant compositions, and insightful portrayals of individuals within their historical context.

Pompeo Batoni

1708 - 1787 , Italy

Quick Facts

Artistic Movement Or Style: Neoclassicism
Artists Who Influenced This Artist:
- Nicolas Poussin
- Claude Lorrain
- Raphael
Date Of Birth: 1708
Date Of Death: 1787
Full Name: Pompeo Batoni
Nationality: Italian
Notable Artworks:
- Virgin and Child with Saints
- A Knight in Rome
- The Triumph of Venice
Place Of Birth (City And Country): Lucca, Italy