1807
Plasterer is a work by John Cranch (1751–1821). It dates from 1807. It is kept at Yale Center for British Art in New Haven, United States of America. It measures 14.9 × 16.5 cm.
New Haven, United States of America
The History of Yale Center for British Art Established in 1966, the Yale Center for British Art occupies a significant place in New Haven, Connecticut, within the United States of America. The institution originated from a gift of an extraordinary collection amassed by Paul Mellon. This foundation transformed the landscape of British art studies in the region, providing a permanent home for works that trace the evolution of a nation's visual identity.
John Cranch, Plasterer (1807), Yale Center for British Art. Public domain.
A digital expert checks the colours against the original and retouches the file, faithful to the artist's brushwork.
Acquire the high-resolution image"Plasterer" by John Cranch is on display at the Yale Center for British Art, New Haven, United States of America. The museum listing refers to the original work, not to reproductions.
"Plasterer" dates from 1807. The date places the work within John Cranch's career and its era.
"Plasterer" measures 14.9 x 16.5cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.
"Plasterer" by John Cranch is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.
"Plasterer" is attributed to John Cranch.
John Cranch was 56 years old when creating "Plasterer" in 1807. The age is computed from the artist's birth year, 1751.
The copyright status of "Plasterer" - in the public domain - its copyright has expired - follows from the artist's death in 1821.
No - the artwork is kept abroad. The birth country of John Cranch is United Kingdom, and the museum holding the original of "Plasterer" is in United States of America.
1751–1821, United Kingdom
Artistic Career in London and Bath After inheriting a sum of money, John Cranch leaves the life of a clerk behind. He moves to London with the intent of securing a place among the professional painters of the era. He focuses his efforts on portraits and historical pictures, seeking recognition within the established art circles. While he fails to secure a position on the walls of the Royal Academy, his presence is felt elsewhere.
The complete John Cranch collection, hand-painted to order → The artist's full page The masterpieces of John Cranch