Guston painted Gladiators in a social-realist style favored by many left-leaning artists in the 1930s, a style that reflected in part the political and aesthetic influence of the Mexican muralist movement led by Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. At the time he painted Gladiators, Guston was painting murals in New York as part of a Works Progress Administration (WPA) program. Hooded Klansmen first appeared in his work of the 1930s, in response to a Ku Klux Klan attack on one of his Los Angeles murals. Of these figures, Guston said, “They are self-portraits. I perceive myself as being behind the hood. … I almost tried to imagine that I was living with the Klan. What would it be like to be evil?”
Questions & Answers
How does "Gladiators" by Philip Guston connect Social Realism to the artist's home country?
The Social Realism work "Gladiators" was made by an artist born in Canada.
Where do the visitors of "Gladiators" by Philip Guston come from?
The Stats page of "Gladiators" by Philip Guston presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.
What art movement does "Gladiators" by Philip Guston belong to?
"Gladiators" is a work of Social Realism. The movement indicates the artistic tradition the work is part of.
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