Acrylic On CanvasWallArtSurrealism
1936
46.0 x 38.0 cmThe artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
Museum-quality giclée or canvas print with fast production and flexible finish options. (
Buy Hand Made Painting Switch to Digital Image)
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (27 October)
Untitled (77)
Reproduction Size
Pablo Picasso's “Untitled (77),” a striking head study rendered in a potent blend of blue and yellow, is more than just a portrait; it’s a concentrated distillation of the anxieties and surreal explorations that defined his pivotal years within the Surrealist movement. Created in 1936, during a period marked by both artistic ferment and profound historical upheaval – specifically, the Spanish Civil War – this work offers a glimpse into Picasso's evolving psyche and his willingness to dismantle traditional notions of representation.
The immediate impact is one of unsettling juxtaposition. The face, rendered with characteristic angularity and a pronounced frown, possesses an almost aggressive quality. It’s not simply angry; it feels burdened by a deep-seated sorrow, perhaps reflecting the turmoil gripping Spain at that time. Yet, this anguish is counterbalanced by the vibrant hues – the cool blues evoking melancholy and introspection, while the yellows inject a jarring energy, suggesting both hope and a simmering unrest. The meticulous detail in rendering each component—the meticulously drawn tie adorning the neck, the subtly sculpted body—creates an immediate tension between precision and distortion.
Picasso's mastery of Cubism is undeniably present here, though it operates with a distinctively personal inflection. The head isn’t presented as a unified whole; instead, it’s fragmented into geometric planes and angles, echoing the fractured reality experienced during wartime. This deliberate dissection challenges our conventional perception of the subject, forcing us to actively engage in reconstructing the image within our own minds. Notice how the neck, seemingly separate from the face, is treated with a different level of detail, almost as if it’s an independent element contributing to the overall composition. The body, rendered in a simplified, almost skeletal form, further emphasizes this sense of deconstruction and reinforces the painting's underlying themes of instability and loss.
While Picasso rarely offered explicit explanations for his work, “Untitled (77)” resonates powerfully with the historical context of 1936. The Spanish Civil War cast a long shadow over Europe, fueling anxieties about fascism, violence, and the disintegration of societal norms. The painting can be interpreted as an embodiment of this collective trauma – a visual representation of a nation grappling with profound loss and uncertainty. The tie itself, a seemingly mundane detail, could symbolize the constraints and restrictions imposed by political oppression.
Furthermore, the work aligns with Picasso’s broader exploration of themes related to death, memory, and the subconscious during this period. He was deeply affected by the loss of his beloved daughter, Marie-Thérèse, in 1925, an event that undoubtedly informed his artistic output. “Untitled (77)” can be seen as a continuation of this ongoing dialogue with grief and mortality – a poignant meditation on the fragility of human existence.
WahooArt offers meticulously crafted hand-painted reproductions of “Untitled (77),” allowing art lovers to experience Picasso’s genius in stunning detail. Our skilled artisans faithfully recreate the painting's nuanced color palette, textured brushstrokes, and complex composition, ensuring an authentic representation that captures the essence of this iconic work. Available in a range of sizes, from intimate study prints to large-scale statement pieces, our reproductions are ideal for collectors, interior designers seeking to infuse their spaces with artistic flair, or anyone captivated by Picasso’s enduring legacy. Each reproduction is created on archival-quality canvas and coated with UV protection, guaranteeing its longevity and preserving the artwork's vibrant beauty for generations to come.
The format of "Untitled (77)" is portrait, and the original measures 46 x 38 cm. Both are useful when planning a reproduction.
quinacridone magenta (#974b3a) is the leading color of "Untitled (77)" by Pablo Picasso.
The copyright status of "Untitled (77)" - still protected by copyright - follows from the artist's death in 1973.
A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.
By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.
The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.
In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:
His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.
In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.
1881 - 1973 , Spain
Unveil the radical revolution of Cubism. Explore how masters like Picasso and Braque redefined modern art through fragmented forms and geometric abstraction, offering profound insights for discerning collectors of fine art history and masterpieces.
Explore the profound evolution of Cubism through an expert analysis of Pablo Picasso's revolutionary works. From Analytical to Synthetic Cubism, discover the techniques that redefined modern art and learn how to curate these iconic masterpieces for your private collection.
Embark on a journey through the revolutionary world of Cubism. Discover how masters like Picasso redefined perspective through Analytical and Synthetic techniques in this expert-led guide for art enthusiasts and collectors.
Preview
Send
Share
Details
Guide
Download
Similars
X-Ray
Diaporama
Stats
Read More
Glass option is only available in size under 110 CM
