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Untitled (101)

Pablo Picasso’s “Untitled” (1937) is a striking Surrealist piece featuring a woman adorned with flowers against geometric abstraction, symbolizing resilience amidst trauma. Influenced by Cézanne and Cubism, it reflects Picasso's exploration of volume and perspective—a pivotal work demonstrating his mastery of artistic innovation.

Co-founder of Cubism and creator of Guernica. Discover the revolutionary works of Pablo Picasso today.

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Total Price

$ 69

Untitled (101)

Giclée / Art Print

Reproduction Size

-

Total Price

$ 69

Quick Facts

  • Movement: Surrealism
  • Artistic style: Cubist
  • Medium: Oil on canvas
  • Subject or theme: Female Portraiture
  • Location: Musee Picasso, Barcelona
  • Year: 1937

Art Quiz

There is only one correct answer for each question.

Question 1:
What artistic movement is Pablo Picasso’s ‘Untitled (101)’ primarily associated with?
Question 2:
The painting depicts a woman adorned with what prominent element?
Question 3:
What is the significance of the two birds in the background of ‘Untitled (101)?
Question 4:
Which artistic movement influenced Picasso’s style during this period?
Question 5:
In what year was the first declared group exhibition of Cubism held in Barcelona?

Untitled (101): A Surrealist Echo of Guernica

Pablo Picasso’s “Untitled” (1937) stands as a testament to the artist's unwavering commitment to experimentation and his profound engagement with the anxieties of the era. Measuring 60 x 73 cm, this oil on canvas embodies the spirit of Surrealism—a movement born from the ashes of Dada and fueled by Freudian psychoanalysis—and represents a pivotal moment in Picasso’s artistic trajectory. It's more than just an image; it’s a carefully constructed dialogue between Cubist fragmentation and dreamlike imagery.

Composition and Symbolism: Fractured Reality

The painting depicts a woman adorned with a flower crown, dressed in white and draped in fur—a recurring motif in Picasso’s oeuvre during this period—against a backdrop of unsettling geometric abstraction. Two birds dominate the upper left and lower right corners of the canvas, their presence adding to the overall sense of disorientation and intrigue. These avian figures aren't merely decorative; they symbolize hope amidst despair, mirroring the broader themes explored throughout Guernica, Picasso’s monumental anti-war masterpiece completed just months before. The woman herself embodies vulnerability and resilience—a figure often interpreted as representing femininity and motherhood—while her gaze directs the viewer’s attention inward, prompting contemplation on inner turmoil and emotional complexity.

Artistic Context: Cubism's Legacy

Picasso’s stylistic evolution during 1937 is inextricably linked to the influence of Cubism, pioneered alongside Georges Braque. The movement’s radical departure from traditional perspective—characterized by simultaneous viewpoints and flattened planes—challenged artistic conventions and paved the way for subsequent innovations in abstraction. Picasso's exploration of Cézanne’s late works – particularly his emphasis on capturing volume and solidity – further solidified this stylistic foundation. He meticulously dissects forms into geometric shapes, reconstructing them in a manner that simultaneously reveals and obscures their original appearance, mirroring the fractured realities experienced during wartime.

Relevance to Modern Art: A Ripple Effect

“Untitled”’s impact extends far beyond Picasso's immediate circle, resonating throughout the broader landscape of modern art. Like Cubism, it championed collage as a new artistic medium—a technique adopted by artists such as Jean Metzinger and Albert Gleizes—and fueled movements like Futurism, Suprematism, Dada, Constructivism, De Stijl, and Art Deco. The fusion of past and present, the depiction of multiple perspectives simultaneously or sequentially, became hallmarks of these artistic currents. Picasso’s willingness to push boundaries solidified his position as a visionary artist who reshaped the aesthetic sensibilities of an entire generation.

Exhibition History: Guernica's Companion

The painting debuted at Galeries Dalmau in Barcelona in 1912—the inaugural group exhibition of Cubism worldwide—marking a crucial step in disseminating this groundbreaking artistic movement. Featuring luminaries like Jean Metzinger, Albert Gleizes, Juan Gris, Marie Laurencin, and Marcel Duchamp, the exhibition solidified Picasso’s role as a leader in challenging established norms and embracing innovative visual languages. This event underscored the importance of avant-garde art in fostering dialogue about social and political issues—a legacy that continues to inspire artists today.

Conclusion: An Enduring Symbol of Surrealist Expression

“Untitled” (101) remains an exceptional example of Picasso’s contribution to Surrealism, encapsulating his masterful blend of realism and abstraction. Its evocative imagery and symbolic depth invite viewers to engage in a profound contemplation on themes of vulnerability, resilience, and the enduring power of artistic expression. For those seeking inspiration or considering acquiring a high-quality reproduction, exploring more of Picasso's oeuvre—particularly Guernica—offers invaluable insight into his artistic vision and its lasting impact on art history. WahooArt.com offers handmade oil painting reproductions of famous artworks, including those by Picasso. Visit their website to explore more about Cubism and Surrealism through the lens of masterpieces like “Untitled” (101).

Questions & Answers

Is "Untitled (101)" a famous Cubist Surrealism artwork?

"Untitled (101)" by Pablo Picasso is classified as iconic and belongs to the Cubist Surrealism movement.

Do the colors of "Untitled (101)" appear strong or soft?

"Untitled (101)" by Pablo Picasso shows a balanced color intensity.

Who is the author of "Untitled (101)", and in which movement?

"Untitled (101)" was created by Pablo Picasso in the Cubist Surrealism style. Artist and movement identify the work's tradition.


Artist Biography

The boy from Málaga

A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.

By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.

Shifting palettes and fractured forms

The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.

In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:

  • Analytic Cubism: A method of fragmenting objects into muted, geometric pieces as if dissecting the form itself.
  • Synthetic Cubism: An approach that brought in collage elements like newspaper clippings and fabric scraps to add texture and new layers.

A life of constant change

His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.

In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.

Pablo Picasso

Pablo Picasso

1881 - 1973 , Spain

Quick Facts

  • Full Name: Pablo Diego José Ruiz Picasso
  • Nationality: Spanish
  • Date Of Birth: 1881
  • Date Of Death: 1973
  • Place Of Birth: Malaga, Spain
  • Notable Artworks:
    • Les Demoiselles d'Avignon
    • Guernica
    • The Old Guitarist
    • La Vie
    • Family of Saltimbanques
  • Artistic Movement Or Style: Cubism, Surrealism
  • Artists Who Influenced This Artist:
    • Velázquez
    • Goya
    • Matisse
  • Artists Or Movements Influenced By This Artist:
    • Cubism
    • Modern art
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