Preview AR preview Buy Hand Made Painting Switch to Digital Image Send
Details Guide Add to favorites Download Similars X-Ray Diaporama Stats

Apple

Explore Pablo Picasso’s ‘Apple’ (1914) – a striking charcoal study of form & texture. A minimalist still life reflecting early Cubism. Discover this iconic artwork!

Co-founder of Cubism and creator of Guernica. Discover the revolutionary works of Pablo Picasso today.

The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

Standard
custom
CM
INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.

Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (23 October)

Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer

Total Price

$ 69

Apple

Giclée / Art Print

Reproduction Size

-

Total Price

$ 69

Quick Facts

  • Medium: Charcoal on paper
  • Artistic style: Minimalist still life
  • Movement: Cubism
  • Artist: Pablo Picasso
  • Title: Apple

A Moment Frozen in Charcoal: Picasso’s Still Life with Apple

Pablo Picasso's “Still life with a Glass and an Apple,” created in 1914, stands as a deceptively simple yet profoundly influential exemplar of early Cubism. More than just a depiction of fruit—a single apple resting upon a wooden surface—it embodies Picasso’s pioneering exploration of fractured perspectives and tonal modulation, marking a pivotal moment in the evolution of modern art. This artwork isn't merely observed; it’s actively interrogated by the viewer, inviting contemplation on form, texture, and the very nature of representation itself.

The Essence of Cubism: Fragmentation and Observation

Picasso’s stylistic choice—Cubism—was revolutionary at its inception. Rejecting traditional illusionistic painting techniques, Cubists dismantled objects into geometric planes, presenting multiple viewpoints simultaneously. “Still life with a Glass and an Apple” exemplifies this approach brilliantly. The apple isn't rendered as a unified sphere; instead, it’s dissected into overlapping planes of charcoal shading, capturing the contours of its surface from various angles—a technique that anticipates Picasso’s later monumental canvases like Guernica. This deliberate fragmentation wasn’t intended to deceive but rather to reveal the underlying structure of reality, mirroring the artist's intellectual curiosity and desire to transcend conventional visual conventions.

Technique and Texture: Charcoal as Instrument of Expression

The masterful execution of “Still life with a Glass and an Apple” hinges on Picasso’s meticulous application of charcoal. Using layering techniques—building up tonal values gradually—he achieves remarkable depth and realism despite the absence of color. The artist skillfully utilizes varying degrees of pressure to create textures that convincingly mimic the grain of wood and the smooth sheen of polished surfaces. Close examination reveals subtle nuances in shading, demonstrating Picasso’s unwavering commitment to capturing the materiality of his subject matter. Charcoal wasn't simply a medium; it was an expressive tool—allowing Picasso to convey emotion and intellectual contemplation through visual form.

Historical Context: A Shift Towards Conceptual Art

Painted during a period marked by significant artistic experimentation, “Still life with a Glass and Apple” reflects the broader trends of the time. The burgeoning avant-garde movement challenged established aesthetic norms, prioritizing conceptual ideas over purely decorative considerations. Picasso’s embrace of Cubism coincided with a growing disillusionment with academic art traditions—a reaction to the perceived stagnation of realism—and signaled a decisive move toward abstraction. This artwork serves as a tangible reminder of the transformative spirit that characterized the early 20th century and cemented Picasso's position as one of its most daring innovators.

Symbolism Beyond Representation: A Quiet Reflection

While seemingly devoid of overt symbolism, “Still life with a Glass and an Apple” possesses a deeper resonance. The apple itself—a recurring motif in Western art history—can be interpreted as representing knowledge, temptation, or even mortality—themes that resonate throughout Picasso’s oeuvre. However, its primary significance lies in its ability to provoke contemplation on perception and representation. By presenting a simplified visual world—stripped down to essential forms—Picasso compels the viewer to engage actively with the artwork, prompting questions about how we perceive reality and how art communicates ideas beyond mere surface appearance.

Emotional Impact: A Study in Calm Intensity

Despite its minimalist composition, “Still life with a Glass and an Apple” exudes a palpable sense of calm intensity. The subdued tonal palette—dominated by shades of gray—creates a contemplative atmosphere that invites viewers to linger on the subtle nuances of texture and form. Picasso’s masterful handling of light and shadow imbues the artwork with emotional depth—suggesting both stillness and dynamism—demonstrating his profound understanding of how visual elements can evoke feelings and ideas. It's a testament to Picasso's ability to transform seemingly mundane subjects into vehicles for artistic expression, leaving an indelible mark on the history of art.

Questions & Answers

What does "Apple" by Pablo Picasso depict, and in what mood?

"Apple" by Pablo Picasso combines still life study, monochromatic art, cubist formality, fruit composition, minimalist design, charcoal texture, picasso’s apple” with a calm atmosphere.

Where in the home does a reproduction of "Apple" fit well?

"Apple" by Pablo Picasso is recommended for a living room. This suggestion is based on the work's subject, colors and mood.

How much light do the colors of "Apple" appear to reflect?

The luminance recorded for "Apple" by Pablo Picasso is bright balance.


Artist Biography

The boy from Málaga

A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.

By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.

Shifting palettes and fractured forms

The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.

In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:

  • Analytic Cubism: A method of fragmenting objects into muted, geometric pieces as if dissecting the form itself.
  • Synthetic Cubism: An approach that brought in collage elements like newspaper clippings and fabric scraps to add texture and new layers.

A life of constant change

His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.

In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.

Pablo Picasso

Pablo Picasso

1881 - 1973 , Spain

Quick Facts

  • Full Name: Pablo Diego José Ruiz Picasso
  • Nationality: Spanish
  • Date Of Birth: 1881
  • Date Of Death: 1973
  • Place Of Birth: Malaga, Spain
  • Notable Artworks:
    • Les Demoiselles d'Avignon
    • Guernica
    • The Old Guitarist
    • La Vie
    • Family of Saltimbanques
  • Artistic Movement Or Style: Cubism, Surrealism
  • Artists Who Influenced This Artist:
    • Velázquez
    • Goya
    • Matisse
  • Artists Or Movements Influenced By This Artist:
    • Cubism
    • Modern art
Explore artworks organized by themes, styles, and characteristics.