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Untitled (Nanny)

Discover 'Untitled (Nanny)' by Murat Brierre, a striking Haitian metal sculpture depicting a mother and child crafted from recycled oil drum lids. A powerful narrative of life & connection.

Discover Murat Brierre’s unique Haitian metal sculptures! Recycling oil drums into fantastically personified figures & narratives, he's a major sculptor known for his experimental style.

The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

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Total Price

$ 69

Untitled (Nanny)

Giclée / Art Print

Reproduction Size

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Total Price

$ 69

Quick Facts

  • Artistic style: Experimental, narrative
  • Artist: Murat Brierre
  • Medium: Metal sculpture (oil drum lids)
  • Movement: Haitian Art
  • Notable elements or techniques: Recycling, conjoined figures

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary material Murat Brierre used to create this sculpture, "Untitled (Nanny)"?
Question 2:
What is a recurring theme in Murat Brierre's sculptures, as evidenced by this artwork?
Question 3:
The sculpture depicts a woman with a baby. What is the baby doing in the image?
Question 4:
Murat Brierre was influenced by which other Haitian artist?

A Mother's Embrace: Exploring Murat Brierre’s "Untitled (Nanny)"

This striking sculpture, known as “Untitled (Nanny),” exemplifies the innovative and deeply moving work of Haitian artist Murat Brierre. The piece depicts a woman tenderly cradling a baby, likely nursing, rendered in intricate detail from repurposed metal – primarily oil drum lids. Brierre’s genius lies not only in his skillful manipulation of these industrial materials but also in his ability to imbue them with profound emotional resonance and narrative complexity. This particular work is notable for its size (157 x 65 cm), commanding attention while retaining a sense of intimacy through the focused depiction of maternal care. The presence of additional figures subtly integrated into the background hints at a larger, interconnected story characteristic of Brierre’s oeuvre.

Style and Technique: Recycling as Artistic Innovation

Brierre's artistic style is uniquely his own, evolving from early influences like George Liautaud while forging a path of experimental expression. He pioneered the use of discarded metal – specifically oil drum lids – transforming waste into powerful works of art. The technique involves cutting, shaping, and welding these circular pieces to create layered, multi-faceted figures. This recycling process is not merely practical; it’s deeply symbolic. It speaks to resourcefulness, resilience, and a connection to the realities of Haitian life where repurposing materials is often essential. The resulting aesthetic is characterized by a textured surface, fragmented forms that suggest movement and growth, and an overall sense of dynamism despite the static nature of sculpture. The overlapping metal pieces create intriguing shadows and highlights, adding depth and visual interest.

Historical Context & Symbolism: Haitian Art and Narrative Tradition

Murat Brierre (1938-1988) emerged during a vibrant period for Haitian art, which gained international recognition in the mid-20th century. His work is rooted in a rich tradition of Haitian narrative sculpture, often depicting scenes from daily life, Vodou beliefs, and historical events. “Untitled (Nanny)” resonates with this tradition by focusing on a universal theme: motherhood. The depiction of nursing is particularly significant; it represents nourishment, protection, and the cyclical nature of life. The inclusion of other figures—though partially obscured—suggests a broader community or familial context. Brierre’s recurring motif of unborn babies visible within larger creatures adds another layer of complexity, hinting at themes of fertility, creation, and the interconnectedness of all living things.

Emotional Impact & Collector's Appeal

“Untitled (Nanny)” evokes a powerful sense of tenderness and quiet strength. The sculpture’s raw materiality contrasts beautifully with the gentle depiction of maternal care, creating an emotionally compelling experience for the viewer. The work invites contemplation on themes of family, community, and the enduring power of human connection. As a reproduction, this piece offers collectors and art enthusiasts alike the opportunity to own a striking example of Haitian artistry—a testament to Brierre’s innovative spirit and profound understanding of the human condition. It is equally suitable for interior designers seeking unique statement pieces that blend artistic merit with social commentary. The sculpture's narrative depth and visual appeal make it a captivating addition to any space, sparking conversation and inspiring reflection.

Questions & Answers

Which period of Murat Brierre's career does "Untitled (Nanny)" belong to?

"Untitled (Nanny)" belongs to the Mature Period of Murat Brierre's career. This classification relates the work to the artist's development.

Where can I buy a hand-painted reproduction of "Untitled (Nanny)" by Murat Brierre?

Hand-painted copies of "Untitled (Nanny)" by Murat Brierre are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

Is "Untitled (Nanny)" held in the country of its creator?

Yes - the artwork is kept in the artist's home country. "Untitled (Nanny)" is held in Haiti, while Murat Brierre was born in Haiti.


Artist Biography

Murat Brierre: Sculpting the Soul of Haiti

Murat Brierre (1938–1988), a name perhaps less familiar than some of his Haitian contemporaries, stands as a pivotal figure in the evolution of Haitian sculpture. Born in Mirebalais or Port-au-Prince – accounts vary slightly – Brierre’s life and work were inextricably linked to the vibrant cultural landscape of Haiti, particularly its rich traditions of Vodou and Christian faith. He wasn't merely a sculptor; he was an alchemist of discarded materials, transforming humble oil drum lids into powerful narratives that resonated with both local communities and international audiences. His legacy lies not just in the finished pieces but in his innovative approach to material and his profound engagement with Haitian identity.

Early Life and Artistic Beginnings

Brierre’s artistic journey began humbly, far removed from the grand studios of established sculptors. He started as a brick mason, cabinetmaker, tile setter, and blacksmith – skills that instilled in him an understanding of form, texture, and the inherent beauty within raw materials. This practical foundation proved invaluable when he transitioned to sculpture, a medium he felt deeply connected to spiritually. His brother, Edgar Brierre, a celebrated painter and sculptor himself, undoubtedly influenced his early development, though Murat forged his own distinct path. The brothers’ shared last name sometimes created confusion regarding authorship of their works, adding another layer of intrigue to their artistic partnership. Brierre's choice of metal – specifically iron salvaged from oil drums – wasn’t arbitrary; he believed it possessed a potent spiritual energy, a quality he sought to harness in his creations. The process itself was arduous: the lids were hammered flat, drawn out, cut with razor blades, and then meticulously shaped by hand using chisels and files—a testament to the dedication required for each piece.

A Unique Artistic Style: Fantastical Narratives

Brierre’s work is immediately recognizable for its distinctive style – a captivating blend of fantastical imagery, complex symbolism, and deeply rooted Haitian folklore. He frequently combined Christian iconography with Vodou spirits and mythical creatures, creating figures that seemed to emerge from ancient legends and contemporary realities. His sculptures are rarely straightforward representations; instead, they present fragmented narratives, often depicting unborn babies nestled within larger, more established forms – a potent symbol of life’s cyclical nature, vulnerability, and the continuity of generations. The use of multiple facets and conjoined figures is another hallmark of his style, suggesting interconnectedness and the complex interplay between different aspects of Haitian culture. Works like “L'Araignée” (The Spider) and "Bawon Samdi" are prime examples of this intricate storytelling, inviting viewers to decipher layers of meaning within each carefully crafted form.

Influences and Recognition

While Brierre’s work possesses a uniquely Haitian character, it's undeniable that he was influenced by George Liautaud, another prominent Haitian sculptor known for his innovative use of materials and figurative style. However, Brierre quickly transcended mere imitation, developing an experimental approach characterized by its bold forms, intricate details, and profound emotional depth. His sculptures gained recognition both within Haiti and internationally throughout the 1960s and 70s. Solo exhibitions in New York, Milwaukee, Washington D.C., Boston, and Paris showcased his talent to a wider audience, while group shows in Iowa, Ft. Lauderdale, and Brooklyn further cemented his position as a significant contemporary artist. The Davenport Art Gallery consistently featured his work, demonstrating its growing appeal.

Legacy and Enduring Significance

Murat Brierre’s untimely death in 1988 cut short a brilliant career, but his impact on Haitian art remains profound. He is now recognized as one of the most important sculptors of his generation, celebrated for his innovative use of recycled materials, his captivating narratives, and his deep engagement with Haitian culture and spirituality. His sculptures are not merely objects; they are windows into a complex and vibrant world—a testament to the enduring power of art to transform, to challenge, and to connect us to our shared human experience. His work continues to be exhibited and studied, ensuring that Murat Brierre’s unique voice will continue to resonate for generations to come.
Murat Brierre

Murat Brierre

1938 - 1988 , Haiti

Quick Facts

  • Full Name: Murat Brierre
  • Nationality: Haitian
  • Date Of Birth: 1938
  • Date Of Death: 1988
  • Place Of Birth: Mirabalais, Haiti
  • Notable Artworks:
    • Untitled (Nanny)
    • Untitled (Leaf Woman)
  • Artistic Movement Or Style: Experimental metal sculpture
  • Artists Who Influenced This Artist: ['George Liautaud']
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