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I Am A Rainbow Too

Jeffrey Gibson is a Mississippi Choctaw/Cherokee painter & sculptor known for vibrant abstract works blending Indigenous aesthetics, pop art, and queer theory. His art explores identity, culture, and history, earning him recognition as the first Indi

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

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Total Price

$ 69

reproduction

I Am A Rainbow Too

Giclée / Art Print

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Total Price

$ 69

From the artist: This series of editions features vivid, screen-printed letters in a typographic treatment developed by the Jeffery Gibson, collaged onto a printed background, each in its own artist’s-selected color frame. Gibson adapted lyrics from iconic dance and pop songs he heard going to night clubs in Korea, Germany, London in the 80s and 90s, synthesizing expressions of queer and pop culture with the cultural traditions and motifs of his Cherokee and Choctaw heritage. Through the bright, bold declarations made in his prints, Gibson emphasizes the strength and vulnerability found within these communities, and the revolutionary act of expressing joy within a challenging larger culture.

Artist Biography

A Tapestry of Ancestry and Global Movement



Jeffrey Gibson’s life is a vibrant mosaic, woven from the disparate threads of a nomadic existence and deep-rooted ancestral traditions. Born in 1972 in Colorado Springs, his early years were defined by a sense of constant motion, traversing landscapes from North Carolina and New Jersey to West Germany and South Korea. This global odyssey, shaped by his father’s work as a civil engineer for the United States Department of Defense, instilled in him a unique perspective on cultural fluidity and the intersection of identities. Yet, beneath this international movement lay an unshakeable connection to his Mississippi Choctaw and Cherokee heritage. His art serves as a profound bridge between these two realities—the ancient, enduring traditions of his people and the contemporary, often fragmented, experience of a modern, globalized world.

The Alchemy of Tradition and Pop Culture



In his studio, Gibson performs a kind of visual alchemy, merging the sacred with the ephemeral to create works that are as much about resistance as they are about beauty. He utilizes techniques such as appliqué, quilting, and assemblage, breathing new life into ancestral crafts to confront the heavy legacies of colonialism and dispossession. His practice often incorporates found objects—animal hides, feathers, and textiles—transforming them into evocative symbols of resilience. There is a striking, electric tension in his work; he seamlessly integrates the bold energy of pop art and the complexities of queer theory with the rhythmic patterns of Indigenous aesthetics. This synthesis is perhaps most evident in pieces that reference the nineteenth-century Ghost Dance spiritual movement or utilize screen-printed typography inspired by the pulse of 1980s dance clubs. Through this method, Gibson engages in a form of cultural cannibalism—the anthropophagic effect—whereby colonized cultures consume and repurpose the visual language of the colonizer to forge a new, unyielding, and dominant tradition.

A Legacy Forged in the Global Spotlight



The trajectory of Gibson’s career has moved from the prestigious academic halls of the School of the Art Institute of Chicago and the Royal College of Art in London to the most significant stages of the international art world. His recent representation of the United States at the 2024 Venice Biennale marked a historic milestone, as he became the first Indigenous artist to hold a solo exhibition within the American pavilion. This achievement is not merely a personal triumph but a profound moment for contemporary art history, signaling a reclamation of narratives that have long been silenced or excluded from the canon. Today, through his teaching at Bard College and his continued exploration of identity, Gibson remains a trailblazing figure, ensuring that the voices of the Choctaw and Cherokee people resonate with strength, beauty, and an uncompromising presence in the global consciousness.
Jeffrey Gibson

Jeffrey Gibson

1972 - , United States of America

Quick Facts

  • Artistic Movement Or Style: Abstract painting; Pop art influence; Queer art
  • Date Of Birth: March 31, 1972
  • Full Name: Jeffrey Gibson
  • Nationality: American
  • Notable Artworks:
    • The Anthropophagic Effect, Garment no. 2
    • If I Ruled The World
    • I Am A Rainbow Too
  • Place Of Birth: Colorado Springs, United States
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