The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting
Switch to Digital Image)
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (31 October)
Henry Lee
Reproduction Size
James Vernon Herring's depiction of Henry Lee stands as a remarkable testament to both artistic skill and historical significance. Executed around 1834, this painting isn’t merely a likeness; it’s an attempt to capture the essence of a man who embodied Virginia’s spirit during a turbulent era – namely, Henry “Light-Horse Harry” Lee.
The painting emerged during a period marked by considerable political unrest. The War of 1812 pitted the United States against Great Britain, triggering anxieties about national security and bolstering calls for unity. Lee’s role as a congressman and governor underscored the importance of leadership in navigating these challenges—a theme subtly conveyed through his commanding posture.
Despite Lee’s personal struggles—including financial difficulties and a devastating injury sustained during the War of 1812—Herring's portrayal exudes an aura of composure and dignity. The artist skillfully captures Lee’s inner strength, conveying a profound respect for his character and highlighting the enduring power of portraiture to communicate emotion.
The copyright answer for "Henry Lee" by James Vernon Herring: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.
"Henry Lee" was made in 1834, within the Impressionistic Portrait movement.
The subjects of "Henry Lee" are military uniform, portrait painting, american history, gilbert stuart copy, revolutionary war hero, formal attire, 19th century art.
James Vernon Herring (1887-1969) stands as a pivotal figure in the landscape of American art, particularly for his crucial role in championing African American artists during a period marked by systemic exclusion. Born in Clio, South Carolina, to a Black mother and a white Jewish father—a unique familial arrangement that shaped his perspective—Herring’s journey from a small rural town to prominence within Washington D.C.’s art world is a testament to resilience, vision, and an unwavering commitment to artistic representation. His life was inextricably linked with Howard University, where he not only taught but fundamentally reshaped the institution's artistic identity, leaving behind a legacy that continues to inspire generations of artists and scholars.
Herring’s early education unfolded in the segregated South, an environment that simultaneously fostered his creativity and instilled within him a deep awareness of racial injustice. Recognizing the limitations imposed by societal barriers, his family relocated him to Washington D.C., affording him access to educational opportunities unavailable in his hometown. He began his formal artistic training at Syracuse University, followed by studies at Columbia and Harvard, where he honed his technical skills and developed an appreciation for a diverse range of artistic styles. Crucially, Herring’s exposure to the French Impressionist movement profoundly influenced his approach to capturing light, color, and fleeting moments in nature—a technique that would become a hallmark of his work.
While his technical foundation was rooted in the luminous traditions of Impressionism, Herring’s true passion lay in the reclamation of the Black narrative through portraiture and historical representation. He recognized the inherent beauty and cultural richness within African American art—often marginalized and overlooked during this era—viewing it as essential to a complete understanding of the American experience. His work often sought to bridge the gap between classical European techniques and the profound, often untold, stories of his people.
In his masterful portraits, such as his evocative depiction of Noah Webster, Herring demonstrates an ability to place historical figures within scholarly and dignified settings. This specific piece captures the American lexicographer amidst a scholarly atmosphere, showcasing a pivotal moment in language and education. Through such works, Herring did more than just paint faces; he painted dignity, intellect, and the enduring spirit of Black excellence. His brushwork, characterized by an ability to manipulate light and shadow, allowed him to breathe life into his subjects, making them feel both timeless and immediate.
Beyond his individual contributions to the canvas, Herring’s most enduring impact may be found in his role as an educator and institution builder. His commitment to fostering talent led to his instrumental role in founding the Art Department at Howard University. Through this platform, he created a sanctuary for Black artists to develop their voices without the stifling constraints of racial prejudice that dominated much of the contemporary art world. He did not merely teach technique; he cultivated an environment where identity and artistry could coexist and flourish.
His influence extended into the broader community through his engagement with galleries and movements that sought to elevate Black art, including connections to the Barnett-Aden Gallery era. The significance of his life's work can be summarized by several key pillars:
James Vernon Herring remains a beacon of what is possible when technical brilliance meets social purpose. His life was a continuous dialogue between the beauty of the natural world and the necessity of social truth, ensuring that the light he captured on canvas would illuminate the path for all who followed.
1887 - 1969 , United States of America