1983
Intersection is a work by Stanislav Balko (1943). It dates from 1983. It is kept at Tatra Gallery in Poprad, Slovak Republic. It measures 74 × 57 cm.
Poprad, Slovak Republic
The Industrial Soul of Slovak Artistry Nestled within the striking, industrial framework of Elektráreň TG —a former power plant in Poprad—the Tatra Gallery stands as a profound testament to the resilience and evolution of Slovak artistic heritage. To step into this space is to enter a dialogue between the past and the present, where the soaring brick towers and rugged architecture of a repurposed energy plant provide a dramatic, almost cinematic backdrop for the contemplation of fine art. This institution defies the conventional, sterile notions of museum spaces, offering instead a vibrant hub where the echoes of heavy industry meet the delicate nuances of creative expression.
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Stanislav Balko, Intersection (1983), Tatra Gallery.
A digital expert checks the colours against the original and retouches the file, faithful to the artist's brushwork.
Acquire the high-resolution imageYou can see the original "Intersection" at the Tatra Gallery, Poprad, Slovak Republic.
The creation of "Intersection" by Stanislav Balko is dated 1983.
The original "Intersection" by Stanislav Balko measures 57.0 x 74.0cm.
Regarding copyright, "Intersection" is still protected by copyright.
The artist behind "Intersection" is Stanislav Balko. The work is catalogued under Stanislav Balko's name.
When "Intersection" was created in 1983, Stanislav Balko - born in 1943 - was 40 years old.
No - the artwork is kept abroad. Stanislav Balko was born in Slovakia, and the original "Intersection" is held in a museum in Slovak Republic.
1943, Slovakia
Early Life and Artistic Training Stanislav Balko was born on September 29, 1943, in Banská Bystrica, Slovakia. His formative years in this region provided the foundation for a life dedicated to the visual arts. He began his formal academic training at the Academy of Fine Arts in Bratislava, where he studied from 1961 to 1964. During these years in Bratislava, he worked under the guidance of professors Dezider Milly and Peter Matejko, absorbing the technical rigors of their instruction.