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looted

Fatima Killeen is a Moroccan-Australian artist exploring war, peace, identity & humanitarian issues through painting & printmaking. Award-winning work featured in national collections – Australian War Memorial & more. | WahooArt

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Total Price

$ 272

reproduction

looted

Reproduction Medium

Reproduction Size

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Total Price

$ 272

Artwork Description

Born in Casablanca, Fatima Killeen is a Canberra based who studied at Les Beaux Arts in Morocco, the Corcoran School of Art in Washington and then at The Canberra School of Art (Australian National University). Fatima’s work employs a range of disciplines and explores issues of injustice, war, peace, and oppression, along with themes relating to identity. Her exquisitely detailed prints often depict the intricate beauty of traditional Islamic design with disturbing juxtapositions of political and social upheaval. In Looted, Killeen describes the 2003 looting of Iraq’s National Museum in Baghdad as ‘a massive threat to Iraq’s cultural heritage. In the ancient past, Iraq was the birthplace of cities — a centre of world civilisation and cultural exchange. Valuable historical artefacts dating back thousands of years in Baghdad’s main museum were stolen or destroyed by looters. The image portrays a forensic fingerprint defacing the Islamic identity beneath. This unforgivable crime was committed while the so called “peace-keepers” stood by to watch.’

Artist Biography

Fatima Killeen: A Voice Carved from Conflict and Culture

Born in the vibrant, layered city of Casablanca, Morocco, Fatima Killeen’s artistic journey is a testament to resilience, cultural fusion, and a profound engagement with global issues. Her early years were steeped in the rich traditions of her homeland – a heritage that would profoundly shape her artistic vision. Studying at the prestigious ‘Les Beaux Arts’ school in Morocco provided her with a rigorous foundation in classical techniques, while simultaneously exposing her to the intricate beauty and symbolic depth of Islamic art and design. This initial grounding laid the groundwork for her later explorations of complex themes, blending ancient motifs with contemporary concerns.

Killeen's relocation to Washington D.C. marked a pivotal moment, offering access to American artistic institutions like the Corcoran School of Art. Here, she honed her skills in painting and photography, earning the Dean’s Merit Scholarship – a recognition of her burgeoning talent and potential. This period wasn’t merely about technical refinement; it was a crucial stage in her intellectual development, exposing her to diverse perspectives and challenging her existing assumptions. The move to Australia in 1994 solidified this trajectory, leading her to the Canberra School of Art (Australian National University), where she graduated with First Class Honours in 1997 – an achievement underscored by three prestigious graduation awards: the Veta Award, the Mallesons Acquisition Award, and a Megalo Printmaking Residency Award. These accolades signaled not just artistic skill but also a growing recognition within the Australian art community.

A Journey Through Exhibition and Recognition

Since 1997, Killeen’s work has been exhibited extensively across Australia, Morocco, Jordan, and internationally. Her exhibitions in Canberra, Sydney, Melbourne, Brisbane, Adelaide, and beyond have consistently showcased a remarkable breadth of her artistic practice – encompassing painting, printmaking, installation, and mixed media. This sustained engagement with the art world hasn't gone unnoticed; she has received numerous awards acknowledging her contributions to contemporary art. Notably, in 2001, she was awarded the Wattan Art Prize at the Powerhouse Museum in Sydney for her powerful exploration of social issues. More recently, in 2015 and 2016, she was honored with both the ACT Regional and National African-Australian Awards for Professional Excellence – a testament to her impact as a cultural bridge between continents.

Further cementing her place within the Australian artistic landscape, Killeen’s work has been featured in significant publications such as ‘50 Years of Art in Morocco,’ demonstrating its recognition by both Moroccan and international institutions. Her pieces are proudly displayed in prominent collections including those of the Australian War Memorial and the Australian National University – institutions that value her ability to translate complex narratives into compelling visual forms. Her commitment extends beyond institutional walls, with individual artworks gracing the covers of reports from the Human Rights Commission and residing within private and corporate collections worldwide.

Themes and Artistic Style

Killeen’s artistic practice is characterized by a deliberate juxtaposition of seemingly disparate elements – often drawing upon her dual heritage as a Moroccan artist living in Australia. Her work frequently grapples with weighty themes: war, peace, identity, and humanitarian concerns. She masterfully blends the intricate patterns and symbolism of Islamic art with stark depictions of conflict and injustice. Her pieces are rarely straightforward; instead, they invite viewers to engage in critical reflection on complex social and political realities.

A key element of her artistic approach is the incorporation of found objects – a technique that adds layers of meaning and immediacy to her work. These objects, often imbued with historical or cultural significance, serve as potent symbols, prompting dialogue about memory, displacement, and the enduring impact of conflict. Her installations are meticulously constructed, creating immersive environments that resonate deeply with viewers. Killeen’s signature style is one of controlled chaos – a deliberate tension between beauty and brutality, tradition and modernity.

A Legacy of Cultural Bridge-Building

Beyond her individual artistic achievements, Fatima Killeen plays a vital role as a cultural bridge between Morocco and Australia. Her work serves as a powerful reminder of the interconnectedness of global experiences – highlighting shared struggles and celebrating diverse perspectives. Her recognition by organizations like the Islamic Museum of Australia and the Australian Muslim Artists Art Prize underscores her significance within the Australian Muslim community, further solidifying her position as a respected voice in contemporary art.

From her formative years in Casablanca to her current role as a celebrated artist based in Canberra, Fatima Killeen’s journey is one of continuous growth, exploration, and unwavering commitment to using her art as a means of social commentary and cultural exchange. Her work continues to challenge viewers, provoke dialogue, and ultimately, contribute to a deeper understanding of the world around us.

Quick Facts

  • Artistic Movement Or Style: Contemporary painting & printmaking
  • Artists Or Movements Influenced By This Artist: ['Islamic culture art']
  • Artists Who Influenced This Artist: ['Frida Kahlo']
  • Date Of Birth: Casablanca, Morocco (date missing)
  • Date Of Death: Living
  • Full Name: Fatima Killeen
  • Nationality: Moroccan-Australian
  • Notable Artworks:
    • My heart is Arab - No.4
    • The gathering
    • My heart is Arab - No.5
    • My heart is Arab - No.6
  • Place Of Birth: Casablanca, Morocco
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