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Study for The Buckwheat Harvesters

Émile Bernard's 'Study for The Buckwheat Harvesters,' created in 1888, embodies Pont-Aven’s aesthetic with its Synthetism style. This sketch captures two women harvesting buckwheat under a striking red backdrop, reflecting Bernard's fascination with Breton landscapes and Gauguin's influence.

Discover Émile Bernard (1868-1941): Post-Impressionist pioneer of Cloisonnism & Synthetism. Friend to Van Gogh & Gauguin, known for Breton landscapes and bold style.

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Quick Facts

  • Movement: Synthetism
  • Notable elements or techniques: Red streaks
  • Artistic style: Pont-Aven aesthetic
  • Medium: Oil on canvas
  • Subject or theme: Buckwheat harvesting
  • Year: 1888
  • Artist: Émile Bernard

Art Quiz

There is only one correct answer for each question.

Question 1:
What artistic movement is Emile Bernard’s ‘Study for The Buckwheat Harvesters’ primarily associated with?
Question 2:
The painting depicts two women engaged in what activity?
Question 3:
Bernard created this sketchlike painting during his collaboration with which influential artist?
Question 4:
What stylistic technique is prominently featured in ‘Study for The Buckwheat Harvesters’, as indicated by the use of red streaks?
Question 5:
Where did Emile Bernard spend a significant period developing his artistic vision, influencing his style and subject matter?

A Moment Frozen in Brittany’s Crimson Harvest

Émile Bernard's "Study for The Buckwheat Harvesters," created in 1888 during his formative years alongside Paul Gauguin in Pont-Aven, embodies the core tenets of Synthetism—a stylistic movement born from Impressionism and championed by artists like Bernard and Gauguin—and represents a cornerstone of Breton artistic expression. This unassuming sketch, destined to become part of a larger canvas depicting “Le Ble noir,” offers a glimpse into Bernard’s meticulous observation of rural life and his unwavering dedication to capturing the essence of Pont-Aven's atmosphere.

The Essence of Synthetism

Bernard’s approach transcends mere representation; he strives for a fusion of color and form that prioritizes expressive emotion over photographic accuracy. Influenced by Cézanne and Gauguin, Bernard sought to distill visual experience into simplified geometric shapes—circles, squares, triangles—layered upon one another to convey mood and feeling. The muted tones of the sketch serve as an anchor for the bold splashes of red that dominate the background, mirroring the vibrant hues of buckwheat stems drying in late summer. This deliberate contrast exemplifies Synthetism’s ambition to transcend naturalistic depiction and tap into a deeper psychological realm.

Pont-Aven: A Crucible of Artistic Innovation

The Pont-Aven School flourished between 1886 and 1905, attracting artists drawn to Brittany's unspoiled landscapes and Celtic traditions. Bernard’s time in Pont-Aven was marked by intense collaboration with Gauguin, fostering a dialogue that propelled both artists toward groundbreaking stylistic developments. The sketch reflects the school’s preoccupation with capturing the spirit of place—the rugged coastline, the dense forests, and crucially, the seasonal rhythms of rural life. It's a testament to the desire to portray not just what is seen but how it feels.

Composition and Technique: A Study in Simplicity

Executed in black ink on canvas, Bernard’s “Study for The Buckwheat Harvesters” demonstrates remarkable control over line and tonal variation. Delicate hatching marks delineate the contours of the two women figures, subtly conveying their posture and movement. The artist's careful attention to detail—evident in the depiction of the shovels—underscores his commitment to capturing the textures of everyday objects. Despite its apparent simplicity, the sketch is imbued with a profound sense of observation and artistic intention.

Symbolism Beyond Representation

The red background isn’t merely decorative; it symbolizes the ripening buckwheat stems – a key element in Breton agriculture and folklore – representing vitality and fecundity. The positioning of the women upright against this backdrop speaks to themes of resilience and labor, mirroring the spirit of Pont-Aven's inhabitants. Bernard’s intention was not simply to depict a scene but to distill its symbolic significance into a visual form that would resonate with viewers long after seeing it. This piece serves as an invaluable precursor to Gauguin’s monumental canvas, cementing Bernard’s place as a pivotal figure in the history of modern art and capturing the enduring beauty of Brittany's harvest season.

Artist Biography

Émile Bernard: A Post-Impressionist Pioneer

Early Life and Education

  • Born: April 28, 1868, in Lille, France.
  • Émile Henri Bernard’s early life was shaped by his sister's illness, leading to him being raised primarily by his grandmother, who ran a laundry in Lille. This supportive environment fostered his artistic inclinations.
  • In 1878, the family relocated to Paris, where Bernard attended the Collège Sainte-Barbe.
  • He began formal art studies at the École des Arts Décoratifs and later joined the Atelier Cormon in 1884. Here, he experimented with Impressionism and Pointillism.
  • His expressive tendencies led to a suspension from the École des Beaux-Arts, prompting a formative journey through Brittany on foot.

Artistic Development and Influences

  • Bernard’s artistic development was significantly influenced by his travels in Brittany, where he encountered local traditions and landscapes that deeply resonated with him.
  • Key Relationship: A pivotal moment came in August 1886 when he met Paul Gauguin in Pont-Aven. This encounter sparked a close artistic friendship and profoundly impacted both artists’ styles.
  • Bernard's style played a crucial role in shaping Gauguin’s mature work, particularly his exploration of symbolism and flattened forms.
  • He also associated with Vincent van Gogh, forming part of the “School of Petit-Boulevard” alongside Anquetin and Toulouse-Lautrec.

Key Artistic Movements

  • Cloisonnism: Bernard is considered a pioneer of Cloisonnism, a style characterized by bold, flat shapes separated by dark contours – reminiscent of stained glass.
  • Synthetism: He also played a key role in the development of Synthetism, which emphasized the creation of art based on subjective experience and symbolic meaning rather than direct observation of nature.
  • These movements represented a departure from Impressionism, focusing instead on structure, symbolism, and emotional expression.

Notable Works

  • La Grandmère (1887): A poignant portrait of his grandmother, showcasing the artist’s early mastery of expressive form and color. This work is considered one of his most iconic pieces.
  • Numerous Breton landscapes capturing the essence of rural life in Brittany.
  • Religious works such as “The Adoration of the Shepherds” demonstrating his exploration of symbolic themes.

Literary Contributions and Historical Significance

  • Beyond painting, Bernard was a prolific writer, producing plays, poetry, and art criticism. His writings provide valuable first-hand insights into the development of modern art during his time.
  • Legacy: Émile Bernard’s contributions to Post-Impressionism, particularly his role in shaping Cloisonnism and Synthetism, left a lasting impact on the course of modern art.
  • His work paved the way for subsequent movements like Fauvism and Expressionism, influencing generations of artists to explore subjective expression and symbolic representation.
  • He died in 1941, leaving behind a body of work that continues to be celebrated for its originality and artistic innovation.
Émile Bernard

Émile Bernard

1868 - 1941 , France

Quick Facts

  • Birth Date: April 28, 1868
  • Birth Place: Lille, France
  • Death Date: 1941
  • Influenced: ['Paul Gauguin']
  • Movement:
    • Post-Impressionism
    • Cloisonnism
    • Synthetism
  • Name: Émile Bernard
  • Nationality: French
  • Notable Works: ['La Grandmère']