1953
Composition is a work by Antonio Corpora (1909–2004). It dates from 1953. It is kept at Bavarian State Painting Collections in Munich, Germany. It measures 81 × 100 cm.
Munich, Germany
A Legacy of the Bavarian State Painting Collections The Bavarian State Painting Collections, located in Munich, Germany, began its institutional history in 1799 as the Centralgemäldegaleriedirektion. This foundation established a framework for the preservation of European art that continues to define the city's cultural landscape. The collection's origins reach back to the 16th century, with significant holdings dating to the period of William IV (1508-1550).
Protected by copyright: these files are for personal reference, not a licence to republish.
Antonio Corpora, Composition (1953), Bavarian State Painting Collections.
A digital expert checks the colours against the original and retouches the file, faithful to the artist's brushwork.
Acquire the high-resolution imageYou can see the original "Composition" at the Bavarian State Painting Collections, Munich, Germany.
"Composition" by Antonio Corpora was created in 1953.
The original "Composition" by Antonio Corpora measures 81.0 x 100.0cm.
The copyright answer for "Composition" by Antonio Corpora: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.
"Composition" was created by Antonio Corpora. The information on this page describes Antonio Corpora's original work.
Antonio Corpora made "Composition" at the age of 44. The artist was born in 1909 and the work is dated 1953.
"Composition" by Antonio Corpora is still protected by copyright. Copyright terms are measured from the artist's death, and Antonio Corpora died in 2004.
No - the artwork is kept abroad. Antonio Corpora was born in Tunisia, and the original "Composition" is held in a museum in Germany.
1909–2004, Tunisia
Early Life, Family and Training Antonio Corpora was born in Tunis on 15 August 1909 to Sicilian parents. This Mediterranean background provided the initial context for a career that would eventually move toward the center of European abstraction. His formal education began at the Tunis Institute of Fine Arts, where he developed the technical foundation necessary for his later departures from traditional form. During this formative period, he studied under the mentorship of Armand Vergeaud, a relationship that anchored his early development before his move toward the continental avant-garde.