Canvas and fine art prints from $47 at 36 x 28 cm
Hand-painted oil reproduction from $206
Museum-quality giclée or canvas print with fast production and flexible finish options. ( Hand-Painted Oil
Digital Image
)
Our budget print: the same image printed on a 240 g/m² polyester canvas instead of cotton, delivered rolled in a tube by regular post in 3 to 5 weeks. Rolled only (no stretcher, no frame) and no urgent production, for sizes with at least one side of 80 cm or less. About 30% cheaper than the cotton canvas print.
Not available for this size: at least one side must be 80 cm or less.
Rolled only: choose the canvas rolled in a tube to select this print.
Available for sizes with at least one side of 100 cm or less. For larger sizes the print is made on matt cotton canvas.
Matt archival canvas is not available for this size: at least one side must be 100 cm or less. Your print is made on matt cotton canvas instead.
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (6 December)
Urgent production and express courier are not available with the Economy poly-canvas print, which travels by regular post.
Blacksmiths
Reproduction Size
Worldwide delivery () by regular post in 3 to 5 weeks. (13 December)
Émile Jacque, a French painter and engraver born in 1848, focused his career on the textures of the countryside. His work often centered on the specificities of rural life, capturing the weight of manual labor and the presence of livestock. In Blacksmiths, produced about 1892, he turns a scene of daily toil into a study of form and light. The subject matter focuses on the rhythmic movements of blacksmithing or farriery, emphasizing the tangible reality of the work performed outside a rustic building.
The scene captures the heavy presence of a working environment. Two men and two horses dominate the foreground and midground, positioned against a stone wall. Jacque’s background as an engraver informs his approach to the canvas, bringing a technical discipline to the depiction of the subjects. He avoids the dramatic in favor of the truth of the moment, documenting the quiet, steady existence of those who work the land and its animals.
The composition is anchored by a central group of two horses and two men, positioned within the foreground and midground. This arrangement dominates the space, creating a sense of weight and presence. Depth is established through the overlapping of these figures against the receding stone wall of a rustic building. The perspective is set at eye-level, fostering an intimate, observational relationship between the viewer and the manual labor unfolding before them.
A naturalistic color palette defines the scene, utilizing shades of ochre, grey, brown, cream, and deep black. These tones ground the work in an earthy reality. Lighting originates from the upper left, casting soft shadows across the scene. This directional light serves to highlight the musculature of the horses and the textures of the men's clothing, emphasizing the physical exertion inherent in the work.
Executed in oil on canvas, the work adheres to the principles of Academic Realism. The artist employs a technical precision that prioritizes a lifelike representation of the subject matter, focusing on the tangible reality of manual labor. This approach avoids dramatic exaggeration, opting instead for a disciplined study of form and the weight of physical tools.
The application of paint is thick and painterly. Visible brushstrokes define the various surfaces within the composition, from the rough, uneven texture of the stone wall to the organic forms of the horses and the dusty ground. This tactile quality emphasizes the physical presence of the environment. Through these deliberate marks, the artist captures the specific textures of animal coats and the heavy, rhythmic nature of the blacksmithing process.
Light and texture are the primary drivers of the visual structure. Light appears to originate from the upper left, casting soft shadows that define the musculature of the animals and the folds of the men's clothing. This directional lighting works in tandem with the impasto-like application of paint to create a sense of depth and volume. The interplay of light across the uneven surfaces provides a sense of substance to the mundane details of the scene.
Printed: Blacksmiths is reproduced as a giclée print on cotton canvas or on Epson archival canvas paper.
The original measures 116.4 x 89.9cm. Sizes run from 36.1 x 27.7 cm ($47) to 247.2 x 189.3 cm ($363); the table on this page lists the main steps and their prices.
A print rolled in a tube travels free by regular post and arrives in 3 to 5 weeks; a stretched or framed print takes 4 to 5 weeks, and an urgent delivery option is offered on this page. You can return it within 100 days for a full refund, with no condition.
The original is in the collection of the Cleveland Museum of Art, Cleveland.
Oil On Canvas.