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Long Distance Information

Explore British sculptor Bill Woodrow's found-object installations & welded steel/bronze works. Known for his 1980s rise, Tate Gallery exhibits & Turner Prize nomination. Discover his unique art!

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. (Buy Hand Made Painting Buy Hand Made PaintingSwitch to Digital Image Switch to Digital Image)

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Total Price

$ 69

reproduction

Long Distance Information

Giclée / Art Print

Reproduction Size

-

Total Price

$ 69

Quick Facts

  • Location: Private Collection
  • Medium: Steel bonnet
  • Title: Long Distance Information
  • Subject or theme: Deconstruction, Surrealism
  • Artist: Bill Woodrow
  • Notable elements or techniques: Cut-out umbrella fragments
  • Influences: Surrealism

Art Quiz

There is only one correct answer for each question.

Question 1:
What artistic movement heavily influenced Bill Woodrow’s sculpture ‘Long Distance Information’, particularly regarding the concept of de-familiarisation?
Question 2:
The sculpture utilizes materials sourced from what socio-economic context?
Question 3:
What is the primary symbolic representation conveyed by the juxtaposition of the broken umbrella and the crow?
Question 4:
What technique is Woodrow employing in creating ‘Long Distance Information’?
Question 5:
Which gallery hosted the debut exhibition of ‘Crow and Carrion’?

Bill Woodrow’s “Long Distance Information”: A Dialogue Between Decay and Invention

The sculpture "Long Distance Information," created by Bill Woodrow in 1983, stands as a striking testament to the burgeoning New Sculpture movement of the early eighties—a reaction against the prevailing conceptual art trends that dominated the decade. More than just an assemblage of discarded materials, it embodies Woodrow’s profound engagement with themes of recession, redundancy, anger, and waste – anxieties acutely felt during Britain's economic downturn at the time of its conception. This piece isn’t merely decorative; it compels viewers to contemplate the relationship between ruin and renewal, mirroring Freud’s exploration of the uncanny and challenging our perception of familiar objects transformed into something unsettling yet strangely beautiful.
  • Subject Matter & Context: Woodrow's preoccupation with everyday detritus—specifically a car bonnet—reflects a broader artistic impulse to reclaim overlooked textures and forms from the margins of society. The sculpture emerged during a period marked by significant social upheaval, mirroring the disillusionment felt after the heady optimism of the late 1960s and early 70s.
  • Style & Technique: Woodrow’s approach distinguishes itself from earlier sculptural endeavors through its deliberate embrace of chance and improvisation. He skillfully manipulates found objects—a car bonnet, walkie-talkies, a long-lens camera, and a bullseye—to create an unsettling juxtaposition of textures and forms. The fractured umbrella frames serve as conduits for conveying emotion, mirroring the fragmented nature of experience itself.
  • Symbolism & Surrealist Influence: Woodrow’s work draws heavily from Surrealist principles, particularly Freud's concept of “the uncanny.” The broken umbrella symbolizes vulnerability and decay, while the crow perched atop it represents aggression and disruption—a deliberate provocation against established conventions. This duality underscores the sculpture’s exploration of psychological tension.
  • Material Exploration: Woodrow’s masterful use of materials – primarily steel and bronze – contributes to the sculpture's overall impact. The weathered surface of the bonnet speaks volumes about time, transformation, and the passage of experience. He expertly welds and joins disparate elements together, creating a cohesive whole from seemingly unrelated components.
  • Emotional Resonance: “Long Distance Information” isn’t simply an aesthetically pleasing object; it evokes a visceral response in the viewer. The sculpture's inherent fragility communicates a sense of vulnerability alongside its assertive presence—a poignant reminder that beauty can emerge from unexpected places and that even discarded materials hold profound symbolic significance.
Dimensions: 1900 x 1800 cm Artist: Bill Woodrow (Born 1948) Long Distance Information Sculpture by Bill Woodrow

Discovering the transformative potential of repurposed materials, Woodrow’s work embodies a spirit of experimentation and intellectual curiosity—a legacy that continues to inspire artists today.


Artist Biography

bill woodrow é um escultor britânico nascido em 1 de novembro de 1948, em oxfordshire, inglaterra. ele foi educado na winchester college of art, st. martin's school of art, e chelsea school of art. woodrow tornou-se famoso na década de 1980 e é conhecido por usar materiais encontrados em jardas de sucata e despejos para suas peças de instalação. expôs sua arte em galerias e shows em todo o mundo, incluindo a tate gallery e a xxi biennia de são paulo. woodrow foi finalista do prêmio turner em 1986 e ganhou o prêmio anne gerber do museu de arte de seattle em 1988. ele também trabalhou com aço soldado e bronze em suas esculturas.
bill woodrow

bill woodrow

1948 - , United Kingdom

Quick Facts

  • Artistic Movement Or Style: Found-object installation and assemblage
  • Date Of Birth: November 1, 1948
  • Full Name: Bill Woodrow
  • Nationality: British
  • Place Of Birth: Oxford, United Kingdom
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