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Surrealism
90.0 x 112.0 cm
Department of PhysiologyMuseum-quality giclée or canvas print with fast production and flexible finish options.
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Composition 4
Reproduction Size
Anthony Preston Hillier, a name perhaps less familiar to the general public than some culinary giants, nevertheless stands as a towering figure in the history of Seattle’s dining scene and a quietly significant contributor to the world of contemporary art. Born in 1942, Hillier's life was inextricably linked with food – initially through his family’s restaurant business and ultimately through his creation of Anthony’s Restaurants, an institution that defined Pacific Northwest cuisine for decades. However, beyond the bustling kitchens and celebrated menus lay a deeply imaginative artist, driven by a fascination with surrealism, mechanics, and the evocative power of color.
Hillier's early life was steeped in the world of hospitality. His father, Preston Hillier Sr., established a small restaurant in Stockton-on-Tees, England, which quickly gained popularity. This environment instilled in young Anthony a profound respect for food, service, and the art of creating memorable experiences. Following his father’s death, he inherited the business and expanded it, eventually relocating to Seattle in 1978. It was here that he began to fuse his culinary passion with an emerging artistic sensibility, initially experimenting with decorative elements within his restaurants – a precursor to his later, more ambitious projects.
Anthony’s Restaurants quickly became synonymous with Seattle. Beginning with a single location in 1982, the chain rapidly expanded, becoming a beloved landmark known for its eclectic décor and innovative menu. Hillier's artistic vision was central to this success. Each restaurant was transformed into a unique, immersive environment – a carefully curated collection of found objects, vintage furniture, and original artwork. These spaces weren’t merely dining rooms; they were living, breathing works of art.
Hillier didn’t simply commission artists; he actively participated in the creation of these environments. He was known for his meticulous attention to detail, often incorporating mechanical elements – gears, springs, and other industrial components – into the décor alongside vibrant paintings and sculptures. This juxtaposition of organic and inorganic materials created a distinctly surreal atmosphere, reflecting Hillier’s artistic interests. The restaurants became destinations in themselves, attracting art enthusiasts as well as food lovers.
While his work with Anthony's Restaurants provided a public platform for his creativity, Hillier’s artistic pursuits extended far beyond the confines of the dining rooms. He began to develop a distinct style characterized by bold colors, fragmented figures, and a preoccupation with themes of decay, technology, and the human condition. His paintings often feature distorted perspectives, mechanical imagery, and enigmatic symbols – inviting viewers to interpret their meaning.
Works like “Composition 4” and “Chrystal” exemplify this style. "Composition 4" is particularly striking for its chaotic energy and unsettling juxtapositions of figures and machinery. The use of vibrant colors against a dark background creates a sense of tension and unease, while the fragmented forms suggest a breakdown of order and stability. “Chrystal,” with its grayscale palette and depiction of urban decay, explores themes of loss and transformation. These pieces demonstrate Hillier’s ability to evoke powerful emotions through carefully considered composition and symbolism.
Anthony Preston Hillier passed away in 2014, leaving behind a remarkable legacy that extends beyond the culinary world. He demonstrated how art and commerce could coexist harmoniously, creating spaces that were both visually stimulating and deeply engaging. His restaurants not only shaped Seattle’s dining landscape but also contributed to the city's vibrant arts scene.
Furthermore, Hillier’s artistic output – particularly his paintings – offers a unique perspective on contemporary themes of technology, urban life, and the human experience. His work is now recognized as an important example of surrealist art in the Pacific Northwest, showcasing a distinctive blend of influences and a deeply personal vision. The Preston Hall Museum in Stockton-on-Tees and Preston Lodge High School in East Lothian serve as reminders of his family’s heritage and artistic contributions.
1942 - 2014
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