Get a print-ready file that goes far beyond the web preview. Every digital image we sell comes from a high-resolution master in our stock database — usually 5,000 to 15,000 pixels wide — so you can print large, crop tightly, or reproduce fine detail with confidence.
No file leaves our studio untouched. A digital expert checks the colors against the original painting and corrects them if needed, then improves clarity and detail with professional retouching tools — always staying faithful to the artist's brushwork and style. The result is an image that looks like the painting, not like a filtered scan.
You approve before you're done: our expert sends the image by e-mail within 72 hours for your review. Not satisfied? Ask for improvements or corrections, or request a refund if the quality falls short.
This is the quality relied on by publishers, design studios, galleries and print shops.
Download a high-resolution file for personal display, printing, and creative projects. (
Switch to Print Buy Hand Made Painting)
When you choose WahooArt.com, you're not just getting an image - you're receiving a professionally enhanced digital artwork, crafted with precision and backed by a satisfaction guarantee. Here's everything that comes with your order, automatically:
Your high-resolution digital image file will be emailed to you within 72 hours of ordering - ready for immediate use.
Your artwork is professionally optimized using advanced AI tools and manual editing, ensuring maximum detail, clarity, and color accuracy.
Accidentally deleted or lost your file? No worries - we'll resend it to you anytime, free of charge.
Enjoy your artwork instantly with zero customs, duties, or delivery fees - digital downloads are always tax-free.
We ensure your digital image reflects the original colors as closely as possible using professional tools and color management.
If you're not satisfied with your digital image, we'll revise it or refund 100% within 100 days - no questions asked.
Not satisfied? Get a full refund within 100 days of receiving your digital file - no questions asked.
Buy 3 images, save 10% - Buy 5, save 15% - Buy 10+, save 20%. Great for creative projects, galleries, and agencies.
In the vibrant landscape of contemporary Brazilian art, few voices resonate with as much whimsical energy and rhythmic complexity as Alexandre Cerveny. His work, Televisão, serves as a breathtaking portal into a subconscious realm where the boundaries between reality and fantasy dissolve. Created in 2001, this piece is not merely a visual experience but an emotional journey through a meticulously constructed dreamscape. At first glance, the viewer is met with a kaleidoscopic explosion of color—a saturated symphony of primary reds, deep blues, and sun-drenched yellows that demand immediate attention. The artwork functions like a personal visual diary, inviting the observer to lose themselves in a dense, collage-like assemblage of geometric shapes, stylized figures, and enigmatic symbols that dance across the two-panel composition.
The technique behind Televisão reveals a masterly command over texture and line. Eschewing traditional perspective and depth, Cerveny embraces a style reminiscent of naive or folk art, where the flatness of the surface enhances the impact of his bold, expressive marks. Using what appears to be the delicate yet potent medium of colored pencils and markers, the artist creates a tactile surface that feels alive under the eye. The lines are loose and gestural, eschewing rigid outlines in favor of organic, flowing movements that suggest a world in constant flux. This lack of traditional spatial relationship allows the elements—stars, spirals, eyes, and hands—to float in a state of perpetual motion, creating an underlying sense of kinetic energy that pulses through the entire work.
Beyond its surface brilliance, Televisão is a profound exploration of symbolism. Cerveny, whose background is deeply rooted in the theatrical and circus arts, brings a sense of performance to his imagery. The recurring motifs—eyes that watch from unexpected corners, hands reaching through abstract voids, and celestial shapes—act as a cryptic language of the soul. Each element feels like a fragment of a larger, mythological narrative, blending personal iconography with universal archetypes. There is a palpable tension between construction and deconstruction; while the composition is chaotic, it is held together by a careful, rhythmic arrangement that guides the eye in a non-linear path across the panels. This creates a sense of discovery, as if the viewer is decoding a secret message hidden within a vibrant, colorful labyrinth.
For the discerning collector or interior designer, this piece offers more than just aesthetic beauty; it provides a focal point of profound intellectual and emotional depth. The artwork’s ability to evoke both playfulness and mystery makes it an extraordinary addition to any curated space. Whether placed in a contemporary gallery setting or as a bold statement piece in a sophisticated residential interior, Televisão acts as a catalyst for conversation. It challenges the viewer to look past the immediate brightness and engage with the deeper, more complex layers of meaning. Owning a reproduction of such a significant work by Alexandre Cerveny means bringing a piece of Brazilian visionary spirit into one's environment—a permanent window into a world where imagination knows no bounds.
The guide to "Televisão" is the artwork's Guide page - a printable factsheet showing the artwork with its caption, credit line and identity table (artist, dates, medium, original size, collection).
To preview a reproduction of "Televisão" by Alexandre Cerveny, open the artwork's Preview page.
The colors of "Televisão" by Alexandre Cerveny show a muted saturation with a balanced intensity.
Born in São Paulo, Brazil, in 1963, Alexandre Cerveny is a multifaceted artist whose work—spanning painting, sculpture, engraving, and illustration—is characterized by a vibrant energy and a compelling dialogue between construction and deconstruction. His artistic journey has been shaped by rigorous training alongside influential figures like Valdir Sarubbi and Selma D’Affre, grounding him in the traditions of Brazilian art while simultaneously pushing him toward a uniquely personal vision. Cerveny's work isn't merely decorative; it’s an exploration of complex themes—nature, human experience, and the very nature of representation—presented through bold colors, dynamic compositions, and often, a touch of surrealism.
Cerveny's artistic development began with formal training in drawing and painting under Valdir Sarubbi, a renowned Brazilian artist known for his expressive figurative work. This early exposure instilled in him an appreciation for the power of line and form. Subsequently, he honed his technical skills in metal engraving and printing techniques with Selma D’Affre, gaining expertise in traditional printmaking methods. A pivotal experience occurred during his enrollment in the lithography course at FAAP (Fundação Armando Álvares de Andrade), further expanding his artistic repertoire. Notably, a period spent studying contortionism within the Piolin Circus Arts Academy and Picadeiro Circus School profoundly impacted his oeuvre, imbuing it with a sense of fluidity, movement, and an understanding of the human body’s capacity for transformation – a recurring motif in his work.
Cerveny's artistic practice is fundamentally rooted in a tension between opposing forces. He navigates the interplay between construction and deconstruction, form and function, creating works that are simultaneously structured and fragmented. This duality manifests itself through layered imagery, unexpected juxtapositions, and a deliberate blurring of boundaries. His paintings frequently feature bold color palettes—often saturated hues—that seem to vibrate with energy. These colors aren’t simply decorative; they serve as vehicles for conveying emotion, atmosphere, and symbolic meaning. Recurring themes include depictions of nature, particularly the human figure, rendered in abstracted forms that invite interpretation rather than offering straightforward representation.
Several of Cerveny’s works stand out as testaments to his unique artistic vision. “Alexandre Cerveny: O Artico Não Existe” (The Arctic Doesn't Exist) is a particularly captivating piece, prompting viewers to decipher its layered meanings and engage in active interpretation. His work has been exhibited extensively throughout Brazil and internationally, including at the Museu Civico Giovanni Fattori and the Frederic Remington Art Museum. He’s received significant recognition for his talent, culminating in the Prêmio Marcantonio Vilaça from the National Arts Foundation (FUNARTE) in 2012 and the Proac Book Artist Award in 2016. His pieces are held within prestigious collections such as the Musée Baron Gérard and the Pinacoteca do Estado de São Paulo, solidifying his place within the contemporary art landscape.
Alexandre Cerveny’s work continues to evolve, reflecting a deep engagement with both Brazilian identity and broader global concerns. His recent exhibitions at institutions like the Cartier Foundation and the Ibero-American Art Museum (Museo de Arte Iberoamericana) demonstrate his continued relevance within contemporary art discourse. Furthermore, his participation in projects such as *rīvus* – a Biennale of Sydney initiative – highlights his willingness to experiment with new mediums and explore complex themes related to environmental sustainability and cultural heritage. His ongoing collaborations and exhibitions ensure that Cerveny remains a vital voice in the Brazilian art scene and beyond. You can find more information about his work on platforms like WahooArt, Wikipedia, and WahooArt.
1963 - , Brazil
Preview
Send
Share
Details
Guide
Download
Similars
X-Ray
Diaporama
Q&A
Stats
Read More
