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Sailor
Hand-painted oil reproduction from $181 24 × 42 cm
Same size as the original $282 50 × 86 cm Order at original size →
Josef Capek's most famous painting is Sailor (1917), in the National Gallery Prague, Prague. With Accordion Player (1913) and Head (1914), it completes the three works everyone recognises. Our catalogue lists 15 works by Josef Capek; the 14 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.
The 2 museums that hold the most of the paintings on this page.
| Museum | City | Works by Josef Capek | Paintings from this list |
|---|---|---|---|
 National Gallery Prague |
Prague | 8 | Sailor, Accordion Player, Head |
 Moravian Gallery in Brno |
Brno | 4 | Man with Child, Drinker, Two at the Wall |
From 1913 to 1926, Josef Capek's career fits into 14 years, little more than a decade: here it is year by year, with the most famous paintings of each year.
Sailor (1917), National Gallery Prague, Prague. Next come Accordion Player (1913) and Head (1914).
30 years old: Sailor dates from 1917 and Josef Capek was born in 1887.
Sailor, Accordion Player, Head, African King, Mr. Myself, Man with Child, Head, House by the River, Mother and Child and Drinker. The ranking above gives the year and the museum of each.
Our catalogue lists 15 works by Josef Capek, dated from 1913 to 1926.
Most of them are in National Gallery Prague (Prague) and Moravian Gallery in Brno (Brno). The table above lists the museums one by one.
In 1915: 3 of the 14 works on this page date from then, among them Head.
The earliest on this page is Accordion Player (1913), the latest Bad Conscience (1926).
Sailor, Accordion Player and Head are among the 8 works on this page held by the National Gallery Prague, Prague.
Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.
In the vibrant tapestry of early 20th-century European modernism, few figures possess a legacy as intellectually profound and stylistically diverse as Josef Čapek. Born in 1887 in Hronov, Bohemia, Čapek was far more than a mere practitioner of the brush; he was a polymath whose creative spirit bridged the gap between visual art, literature, and the very language of the future. While history often remembers his brother, Karel Čapek, for introducing the concept of the robot to the world, it was Josef who provided the aesthetic soul to much of this era's avant-garde movement. His life was a testament to the power of multidisciplinary exploration, moving seamlessly from the structured geometry of Cubism to the raw, emotive depths of Expressionism.
Čapek’s artistic journey began in the intellectual cradle of Prague, shaped by an upbringing that valued scientific inquiry and artistic curiosity. His early training at the School of Applied Arts instilled in him a rigorous understanding of form, yet his spirit could not be contained by traditional boundaries. During the pivotal years of the 1910s, the magnetic pull of Paris drew him into the heart of the revolutionary Cubist movement. Here, he learned to dissect reality, breaking the world into fragmented planes and multiple perspectives. This period was not merely about technical experimentation; it was an intellectual pursuit to reconstruct visual truth through a lens of modern complexity.
As his career matured, Čapek’s work underwent a fascinating metamorphosis. He did not simply cling to the rigid structures of Cubism; instead, he began to infuse them with the visceral energy of Expressionism. This unique synthesis allowed him to create works that were simultaneously intellectually structured and emotionally resonant. In his landscapes, one finds a profound sense of contemplation, where geometric forms serve as vessels for atmospheric mood and light. His portraits, too, reflect this duality, capturing the fleeting nuances of human psychology through expressive brushwork and a masterful command of tonal variation.
The breadth of his technical skill is perhaps most evident in works such as Study of a Head, where the meticulous observation of anatomy meets an almost haunting psychological depth. His ability to manipulate texture and color allowed him to evoke the "art of the unconscious," a concept he championed alongside his literary endeavors. Whether through the playful minimalism of his later years or the intense, fractured compositions of his youth, Čapek’s oeuvre remains a captivating study in the balance between the seen and the felt.
The latter years of Čapek’s life were marked by the profound darkness of the mid-20th century. As a vocal critic of National Socialism, his courage led to his arrest by the Gestapo in 1939. The trajectory of his life, once defined by the bright light of artistic innovation, was tragically diverted through the harrowing landscapes of concentration camps, including Dachau and Buchenwald. Even in the depths of such unimaginable suffering, his creative impulse persisted; he composed poignant poems from within the confines of the camps, proving that the artist's voice can remain unextinguished even when the body is imprisoned.
Josef Čapek passed away in April 1945 in Bergen-Belsen, leaving behind a legacy that continues to inspire awe. His significance extends far beyond the canvas; he was a pioneer who anticipated the technological and social anxieties of the modern age. Today, we recognize him not just as a painter of remarkable sensitivity, but as a visionary whose work serves as a bridge between the classical traditions of the past and the fragmented, automated reality of our contemporary world. His life remains a powerful reminder of the enduring strength of the human spirit and the transformative power of art.