John Bauer, 1882 – 1918

The 9 Most Famous Paintings by John Bauer

The painting that made John Bauer famous is Brother St. Martin and the Three Trolls (1913); it hangs in the Nationalmuseum, Stockholm. Joseph Bauer (1849-1921), The Artist's Father, 1909 (1900) and A Forest Troll (1909) follow it in the hearts of collectors and museum visitors. Of the 10 works by John Bauer in our catalogue, these 9 are the most admired, each presented with its date, its museum and what sets it apart.

Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated November 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portrait of John Bauer
John Bauer · 1882 – 1918
Born · died
1882 – 1918, Jönköpings Kristina församling
Works in our catalogue
10
Most famous
Brother St. Martin and the Three Trolls (1913)
Most works at
Nationalmuseum

John Bauer: the ten masterpieces

Brother St. Martin and the Three Trolls (1913) by John Bauer
1

Brother St. Martin and the Three Trolls

1913 · Watercolor · Nationalmuseum, Stockholm

In this 1913 watercolor, we find ourselves within the quiet, heavy atmosphere of a Swedish forest. The scene depicts a hooded monk, Brother St. Martin, encountering three small, gnome-like trolls at the base of a massive, pale tree. There is a palpable sense of stillness here, as if the woods have held their breath to witness this encounter. The composition is asymmetrical, anchored by the verticality of the tree trunk…

Hand-painted oil reproduction from $231 32 × 32 cm
Joseph Bauer (1849-1921), The Artist's Father, 1909 (1900) by John Bauer
2

Joseph Bauer (1849-1921), The Artist's Father, 1909

1900 · Watercolor · Nationalmuseum, Stockholm

An elderly man turns his face away, caught in a quiet profile. He is Joseph Bauer, the father of the artist, rendered in the soft, translucent layers of watercolor. His skin carries the warmth of sienna and ochre, etched with the rugged lines of a life lived. A white collar stands stark against the darker tones of his garment, while a cool blue cap rests upon his head. He does…

Hand-painted oil reproduction from $181 24 × 42 cm
A Forest Troll (1909) by John Bauer
3

A Forest Troll

1909 · Watercolor · Nationalmuseum, Stockholm

A Forest Troll is an artwork by the Swedish painter and illustrator John Bauer. Created about 1909, the piece emerged during a period when Bauer was establishing his unique visual language within the landscape of Nordic mythology. The work reflects the artist's deep connection to the mystical textures of his homeland, a focus that would define his professional output until his death in 1918.

Hand-painted oil reproduction from $181 28 × 36 cm Same size as the original $183 32 × 33 cm Order at original size →
Vill Vallareman (a Fairy Shepherd) (1910) by John Bauer
4

Vill Vallareman (a Fairy Shepherd)

1910 · Illustration · Nationalmuseum, Stockholm

Vill Vallareman (a Fairy Shepherd) is a fresco-secco mural created by the Swedish artist John Bauer. The work emerged around 1910. It captures a moment of quietude within the realm of myth, rendered through the specific textures of the fresco-secco technique.

Hand-painted oil reproduction from $181 33 × 31 cm Same size as the original $188 35 × 35 cm Order at original size →
Title in Swedish: Prinsessan och trollen (En kväll vid midsommartid gingo de med Bianca Maria djupt in i skogen) (1913) by John Bauer
7

Title in Swedish: Prinsessan och trollen (En kväll vid midsommartid gingo de med Bianca Maria djupt in i skogen)

1913 · Acrylic On Canvas · Nationalmuseum, Stockholm

A Vision of Nordic Folklore: John Bauer’s “The Princess and the Trolls” John Bauer's "The Princess and the Trolls," painted in 1913, transcends mere illustration; it embodies a pivotal moment in Swedish artistic expression—a masterful distillation of Art Nouveau aesthetics interwoven with the timeless narratives of Scandinavian folklore. This captivating image, destined for Helena Nyblom’s fairytale anthology “Bland tomtar och troll,” showcases Bauer's unparalleled ability to translate myth into visual…

Hand-painted oil reproduction from $181 32 × 32 cm Same size as the original $2016 250 × 250 cm Order at original size →

The subjects John Bauer painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see John Bauer's paintings

The museum that holds the most of the paintings on this page.

Museum City Works by John Bauer Paintings from this list
Nationalmuseum, StockholmNationalmuseum Stockholm 5 Brother St. Martin and the Three Trolls, Joseph Bauer (1849-1921), The Artist's Father, 1909, A Forest Troll

John Bauer, year by year: the defining paintings

From 1900 to 1915, 16 years of John Bauer's art, year by year, through its finest paintings.

  1. 1900
  2. 1904
  3. 1909
    A Forest Troll (1909) by John Bauer
    Rank 3 / 9

    A Forest Troll

    Age 27 · Nationalmuseum

    A Forest Troll is an artwork by the Swedish painter and illustrator John Bauer. Created about 1909, the piece emerged during a period when Bauer was establishing his…

  4. 1910
    Vill Vallareman (a Fairy Shepherd) (1910) by John Bauer
    #4 of 9

    Vill Vallareman (a Fairy Shepherd)

    Age 28 · Nationalmuseum

    Vill Vallareman (a Fairy Shepherd) is a fresco-secco mural created by the Swedish artist John Bauer. The work emerged around 1910. It captures a moment of quietude within…

  5. 1912
  6. 1913
    Brother St. Martin and the Three Trolls (1913) by John Bauer
    No. 1 of 9

    Brother St. Martin and the Three Trolls

    Age 31 · Nationalmuseum

    In this 1913 watercolor, we find ourselves within the quiet, heavy atmosphere of a Swedish forest. The scene depicts a hooded monk, Brother St. Martin, encountering three small,…

  7. 1913
  8. 1913
  9. 1915

John Bauer's masterpieces: questions and answers

Which painting is John Bauer best known for?Show the answer

Brother St. Martin and the Three Trolls (1913), Nationalmuseum, Stockholm. Next come Joseph Bauer (1849-1921), The Artist's Father, 1909 (1900) and A Forest Troll (1909).

How old was John Bauer when painting Brother St. Martin and the Three Trolls?Show the answer

31 years old: Brother St. Martin and the Three Trolls dates from 1913 and John Bauer was born in 1882.

How many works did John Bauer paint?Show the answer

Our catalogue lists 10 works by John Bauer, dated from 1900 to 1915.

In which museums can I see John Bauer's masterpieces?Show the answer

Most of them are in Nationalmuseum (Stockholm). The table above lists the museums one by one.

When did John Bauer paint the masterpieces?Show the answer

In 1913: 3 of the 9 works on this page date from then, among them Brother St. Martin and the Three Trolls.

What are the first and last famous paintings of John Bauer?Show the answer

The earliest on this page is Joseph Bauer (1849-1921), The Artist's Father, 1909 (1900), the latest Lena Dances with the Knight (1915).

What were John Bauer's favourite subjects?Show the answer

Forest (2) and Profile (2), among the 9 works on this page.

Which technique did John Bauer favour?Show the answer

Watercolor: 3 of the 9 works on this page.

Which masterpieces by John Bauer hang at the Nationalmuseum?Show the answer

Brother St. Martin and the Three Trolls, Joseph Bauer (1849-1921), The Artist's Father, 1909 and A Forest Troll are among the 5 works on this page held by the Nationalmuseum, Stockholm.

Can I own a reproduction of a John Bauer masterpiece?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

The life of John Bauer

The Enchanting Visionary of Swedish Folklore

John Albert Bauer stands as a singular figure in the annals of Swedish art history, a painter and illustrator whose evocative landscapes and fantastical imagery captured the very soul of Nordic mythology. Born in Jönköping, Sweden, in 1882, Bauer’s artistic journey was defined by a profound connection to the mystical textures of his homeland. His early years were marked by a move to Stockholm at the age of sixteen, where he entered the prestigious Royal Swedish Academy of Arts. It was within these hallowed halls that he honed his technical mastery, absorbing the flowing lines and organic elegance of the Art Nouveau movement while developing a style that would eventually become synonymous with the magic of the Scandinavian wilderness.

Bauer’s work is characterized by a seamless blend of realism and imaginative embellishment. He possessed a rare ability to render the natural world—its dense forests, misty lakes, and rugged terrains—with such meticulous detail that they felt tangibly real, yet he infused these scenes with an ethereal light that suggested something far more ancient and supernatural. His palette often utilized soft, atmospheric tones that evoked the quiet mystery of a twilight forest, creating a sense of wonder that drew viewers into realms of myth and legend. This mastery of atmosphere allowed him to bridge the gap between the physical landscape of Sweden and the spiritual landscape of its folklore.

A Legacy of Gnomes and Trolls

The most enduring and beloved contribution to Swedish cultural heritage remains Bauer’s mesmerizing illustrations for Bland Tomtar och Troll (Among Gnomes and Trolls). This anthology of Swedish folklore, compiled by Sven Hedin, found its perfect visual voice through Bauer’s pen. He did not merely draw creatures; he breathed life into them. His depictions of gnomes, trolls, and elves were rendered with a palpable sense of character and weight, making these beings feel like integral inhabitants of the Swedish woods rather than mere fairy-tale abstractions. Through his work, the creatures of legend became recognizable symbols of national identity, deeply embedded in the collective imagination of the Swedish people.

Beyond his legendary illustrations, Bauer’s artistic development was enriched by his travels through Lappland, Germany, and Italy. These journeys exposed him to a diverse array of cultural aesthetics, from the rugged beauty of Sami traditions to the classical influences of the Renaissance. This eclectic background allowed him to infuse his Romantic Nationalist style with a depth that transcended simple illustration. His work often explored themes of human emotion and the relationship between humanity and the untamed natural world, occasionally venturing into portraiture that captured the quiet dignity and introspection of his subjects.

A Life Cut Short, A Legend Sustained

Tragically, the brilliance of John Albert Bauer was extinguished far too soon. His life was cut short in 1918 by a shipwreck, leaving behind a body of work that, while relatively small due to his brief career, remains immensely impactful. Despite the suddenness of his passing, his influence did not fade; instead, it solidified into a lasting legacy that continues to inspire artists, scholars, and dreamers alike. His ability to capture the essence of Romantic Nationalism through the lens of the supernatural ensured that his vision would remain a cornerstone of Scandinavian art.

Today, Bauer’s work is celebrated not just as historical illustration, but as a profound exploration of the human psyche's connection to myth. His ability to weave together the tangible and the fantastic continues to resonate in contemporary art, serving as a reminder of the power of storytelling through imagery. The enchantment he brought to the page remains as potent today as it was over a century ago, ensuring that the gnomes, trolls, and misty landscapes of his imagination will forever haunt and delight the hearts of those who seek the magic within the mundane.