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          Self-portrait (1558) by 西蒙·贝宁, hand-painted oil painting reproduction by a master artist
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          西蒙·贝宁

          Self-portrait Hand-painted oil painting reproduction

          尺寸
          9.0 x 6.0 cm

          展开全文

          As the last major master of the Netherlandish tradition, Flemish miniaturist Simon Bening achieved unparalleled fame through exquisite works like his Self-Portrait and Book of Hours, inviting a closer look at his delicate worlds.
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          由我们的艺术家按需定制，为您提供您所选尺寸及画框的布面手工油画。 ( 切换至版画销售渠道 切换至数字图像销售渠道)

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          请输入您需要的宽度和高度，以适配您的画框或墙面。由于作品为手工绘制，若选择不同比例的尺寸，艺术家可能会在画面边缘多画一些或稍作裁剪 —— 由您决定。在开始绘画之前，我们会为您发送一份数字效果图供您确认。本页面上展示的图片并非最终实物 —— 只有效果图才能反映真实结果。

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          可定制示例：将面部替换为客户照片；添加宠物（例如，将猫替换为狗）；在背景中加入隐藏信息；更改背景风景或元素。
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          全球配送（）仅需 3-4 周即可送达，无需等待标准时效的 5 周。（1 November）。品质绝不妥协。

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          总计金额

          ¥ 1826

          Self-portrait

          复制品材质

          复刻品尺寸

          -

          最终结算价

          ¥ 1826

          Written in gold on a red background is an inscription that identifies this miniature as a self-portrait of the famous Bruges illuminator, Simon Bening: "Simon Bennik, the son of Alexander, painted this himself at the age of 75 in 1558."Simon Bening became one of the most famous illuminators of the sixteenth century. He spent his early years in Ghent or Antwerp, probably working under the tutelage of his father, the illuminator Alexander Bening. Simon moved to Bruges permanently in 1517, where over time he headed a large and flourishing workshop. Although Bening was much admired in his day and widely imitated, his artistic personality has yet to be thoroughly studied.This miniature painting has attracted considerable interest in art history as an early self-portrait of an artist. Bening portrays himself, spectacles in hand, seated before a wooden easel. The easel holds a drawing of the Virgin and Child; along its left edge, small ledges hold various painting materials. In representing this imagery Bening allies himself with Saint Luke, the patron saint of painting, who is traditionally shown painting an image of the Virgin - a subject that itself became a conceit for the self-portrait of the artist in the 15th and 16th centuries. Bening portrays himself not in the garb of an artisan, but as a member of the intelligentsia. By inscribing his work with a signature (as the son of Alexander) and a date, he acknowledges his talents and heritage in the distinguished lineage of Bening illuminators in Bruges. The illumination was probably made as an independent work, rather than as part of a book, at a time when autonomous miniatures increasingly came into production. A second version of this miniature is in the Victoria and Albert Museum, London.

          常见问题与解答

          哪些色调与主导色彩定义了“Self-portrait”？

          "Self-portrait" 的色彩基调由以 Espresso (#5f4b34) 为主的 Earthy 色系构成。

          "Self-portrait" 的规格与尺寸是多少？

          西蒙·贝宁 的《Self-portrait》 是一幅尺寸为 9 x 6 cm 的 Portrait 作品。

          西蒙·贝宁 的《Self-portrait》 的色彩浓郁度如何？

          “Self-portrait”的色彩强度为Balanced。强度描述了色彩呈现的浓郁程度。

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