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Composition

The sculpture’s form evokes primitive sculpture, emphasizing positive/negative space and reflecting Moore's rejection of classical art.

Henry Moore’un ikonik heykelleri - Soyut biçimler ve anne ile çocuk temalarıyla modern İngiliz heykelciliğini yeniden tanımlayan eserleri keşfedin. Dünya genelinde önemli bir miras bıraktı.

Giclée / Sanat Baskısı

Hızlı üretim ve esnek bitiş seçenekleriyle müze kalitesinde giclée veya kanvas baskı.

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

Standard
custom
CM
INCH

Eserin orijinal oranlarıyla uyumlu, önceden belirlenmiş boyutlarımız arasından seçim yapın.

genişlik
yükseklik

Belirli bir çerçeveye veya alana uyması için kendi ölçülerinizi girebilirsiniz. Seçtiğiniz boyut orijinal görüntünün oranlarıyla eşleşmiyorsa, sanat eserini kırpacağız veya görüntüyü aynalanmış ya da düz dolgulu bir kenarlıkla genişleteceğiz. Üretim başlamadan önce onayınız için bir dijital taslak gönderilecektir.
Lütfen ekrandaki önizlemenin gerçek kırpma veya genişletmeyi yansıtmadığını unutmayın. Nihai kompozisyonu yalnızca taslak doğru bir şekilde gösterecektir.
Özel boyutlar mevcut olsa da, orijinal oranları korumak için önceden tanımlanmış listeden bir boyut seçmenizi öneririz.

Dünya Çapında Teslimat (); standart 4/5 hafta yerine 2 haftada. (2 Temmuz)

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Dünya Çapında Ücretsiz Ekspres Kargo
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Yüksek Kaliteli Keten Tuval
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Tam Kapsamlı Nakliye Sigortası
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Gümrük Vergisi İade Garantisi
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Gerçek Renk Uyumu Garantisi
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60 Günlük İade Politikası (Sadece Kusurlu Ürünler İçin)
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%100 Para İade Garantisi
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Toplu Alım İndirimi

Toplam Fiyat

-

reproduction

Composition

Giclée / Sanat Baskısı

Reproduksiyon Boyutu

-

Toplam Tutar

-

Eser Açıklaması

When Henry Moore died in 1986, he left a legacy of primeval public monuments across the world. From Scotland to Saudi Arabia, his bronze and slate-coloured hulks brood over the landscape like monoliths from an earlier era, presiding over our global disasters with a prophetic power. Moore’s sculptures were born out of two world wars and the glories of the machine age, yet their rugged textures and simple forms were inspired by the Yorkshire countryside of his childhood. It was this duality, of nature and modernity, which instilled in the sculptures a timeless quality that has had a lasting universal appeal. It is perhaps because of this that Moore’s relationship with the British Council was a close one throughout his career. The British Council Collection includes sculptures, paintings, prints and sketches by the artist, and for many years his bronze sculpture Large Spindle Piece (1974) sat on a plinth outside their headquarters on The Mall in London.The sculptures featured in this exhibition were all made in the 1930s at a time when Moore was living in Hampstead with his wife, Irina Radetsky. The North London suburb was a playground of the bohemian set and many artists had settled there, including Barbara Hepworth, Ben Nicholson and Naum Gabo, all of whom had an influence on the young Moore. Each of the three sculptures plays a vital role in revealing Moore’s move towards abstraction. He had already rejected tradition, preferring non-Western art over classical figures of the Renaissance and the Graeco-Romans, and Girl with Clasped Hands, made the year after his marriage, is clearly inspired by an ancient Sumerian sculpture he had written about after visiting the British Museum. At the time, Moore had been very influenced by the critic Roger Fry, and in particular Fry’s book Vision and Design (1920), which propounded the theory of significant form. The eyes, hands and breasts of Girl with Clasped Hands evoke primitive sculpture, especially through the positive/negative switch Moore made by drilling holes into the breasts where the nipples should have been.The 1930s were also characterised by Moore’s admiration for Epstein and Brancusi, artists who insisted on direct carving and truth to materials. Moore was fascinated with Surrealism, too, and he even signed the manifesto in 1936. Composition, made in 1933, is an undulating concrete form that appears intent on stretching beyond the capabilities of its rigid medium. Its emerging breasts and nipple, and the yawning cavities, are suggestive of a human form struggling to break free. Moore’s love of Surrealism, coupled with his move towards abstraction, can be seen in this work as a friction between the two opposing forces.In 1934, he visited Spain, and as a consequence was very much affected by the outbreak of the Civil War in 1936. He petitioned Parliament on their non-intervention and even tried to travel to the country as part of a delegation of artists and writers that included Auden and Spender, but he was refused a travel permit by the British government. One of the sculptures to emerge out of this time is Mother and Child, a strange, amorphous form in which two figures appear to be melting into, or emerging out of, one another. Naturally, the work continues to embody Moore’s conflict between the opposing forces of Surrealism and abstraction, but more significantly it is highly charged emotionally, as a response to the outbreak of war in Spain. It was an early indication that this sculptor would become a powerful critic of the Second World War and a sensitive recorder of the plight of the common man caught in the crossfire.(C) Jessica Lack 2009

Benzer Eserler


Sanatçı Özgeçmişi

A Life Sculpted in Form: The World of Henry Moore

Henry Spencer Moore OM CH FBA (30 July 1898 – 31 August 1986) was an English visual artist. He is best known for his semi-abstract monumental bronze sculptures—particularly the reclining figure—which revolutionized modern British sculpture and established him as one of the most influential artists of the twentieth century. His journey from humble beginnings in Castleford, Yorkshire, to international acclaim exemplifies unwavering dedication to artistic exploration and a profound connection to both human form and the natural world.

Early Life and Artistic Beginnings

Henry Spencer Moore was born in Castleford, West Yorkshire, England, on July 30, 1898, the son of Raymond Spencer Moore (1848–1922) and Mary Baker. Growing up amidst the rolling hills of Yorkshire profoundly shaped his aesthetic sensibility, imbuing his work with a sense of organic fluidity reminiscent of his birthplace. His father, a self-taught man with a passion for learning, instilled in him a belief in the transformative power of education, steering him away from the traditional path of a miner towards formal schooling. From an early age, Moore demonstrated an innate talent for modeling clay and carving wood—activities that foreshadowed his lifelong pursuit of sculptural form. Despite facing considerable hardship during his formative years, Moore’s determination to pursue artistic endeavors remained unshaken. He attended Leeds School of Art and subsequently enrolled at the Royal College of Art in London, immersing himself in the study of classical sculpture alongside pioneering movements like Cubism. This exposure to diverse artistic traditions fueled his creative vision and solidified his commitment to pushing boundaries within the realm of visual art.

Influences and Artistic Style

Moore’s artistic education was significantly impacted by encounters with groundbreaking artistic ideas—most notably, pre-Columbian sculptures during a visit to Mexico in 1925. The simplicity and abstraction inherent in these ancient artworks liberated him from representational constraints, inspiring him to explore forms that prioritized gesture and volume over precise anatomical accuracy. This pivotal experience catalyzed the development of his signature sculptural style: semi-abstract monumental bronzes characterized by rounded, organic shapes—often punctuated by voids or apertures—that captured light and space with remarkable subtlety. He drew inspiration from classical sculpture, particularly Michelangelo’s sculptures of David and Pietà, recognizing their mastery of form and expressive power. However, Moore wasn't merely replicating established conventions; he synthesized these influences into something uniquely his own—a style that reflected both the grandeur of antiquity and the dynamism of modernism. His artistic explorations extended beyond sculptural technique to encompass broader philosophical considerations concerning the relationship between art and human experience.

Major Sculptural Achievements

Henry Moore’s prolific output spanned decades, resulting in hundreds of sculptures ranging from intimate maquettes to colossal monumental works that transformed urban landscapes. Among his most celebrated achievements are *Reclining Figure: 1951*, a seminal sculpture embodying the essence of his artistic vision; *Family Group*, a poignant depiction of familial bonds rendered in bronze; and *Shelter Drawings*, a series of evocative sketches documenting Londoners’ resilience during the Blitz—demonstrating Moore's ability to translate sculptural principles into two-dimensional form. His monumental bronzes, notably *Large Torso*, *Drummond Tower*, and *Saint Patrick’s Cathedral*, stand as enduring symbols of artistic innovation and civic pride. These sculptures captivated audiences worldwide, cementing Moore’s legacy as one of the foremost sculptors of his era—a figure whose work continues to inspire artists and viewers alike. His unwavering dedication to exploring form, volume, and spatial relationships ensured that he would remain at the forefront of sculptural discourse throughout his lifetime.

Legacy and Enduring Influence

Henry Moore's impact on twentieth-century art is undeniable. He challenged conventional notions of representation, advocating for abstraction as a means of conveying emotion and capturing the essence of human experience. His sculptures served as catalysts for artistic experimentation and fostered dialogue about the role of art in society—inspiring subsequent generations of sculptors to embrace bold new approaches. Moore’s work continues to resonate with audiences today, prompting contemplation on themes of vulnerability, resilience, and connection to the natural world. He established the Henry Moore Foundation in 1977, ensuring that his artistic legacy would endure through education and the promotion of creativity—a testament to his belief in the transformative power of art and its capacity to enrich human lives. His sculptures stand as enduring monuments to human ingenuity and a profound reminder of the beauty inherent in confronting adversity—solidifying his place among the most revered artists of the twentieth century.
Henry Moore

Henry Moore

1898 - 1986 , İngiltere

Kısa Bilgiler

  • Artistic Movement Or Style: Modernizm, Soyut heykeltıraşlık
  • Artists Or Movements Influenced By This Artist: ['Cubizm']
  • Artists Who Influenced This Artist: ['Michelangelo']
  • Date Of Birth: 30 Temmuz 1898
  • Date Of Death: 31 Ağustos 1986
  • Full Name: Henry Spencer Moore
  • Nationality: İngiliz
  • Notable Artworks:
    • Reclining Figure
    • Aile Grubu
    • Korunaklu Çizimleri
  • Place Of Birth: Castleford, İngiltere
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