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          Unemployed (1888) av Sven Jørgensen, handmålad oljemålning i reproduktion utförd av en mästare
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          Sven Jørgensen

          Unemployed Handmålad oljemålning i reproduktion

          Mått
          130.0 x 159.0cm

          A naturalist painter known for Unemployed. Discover the evocative works of Sven Jørgensen today.
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          Totalt pris

          Skr 3438

          Unemployed

          Reproduktionsmetod

          Storlek på reproduktion

          -

          Slutgiltigt pris

          Skr 3438

          Liknande konstverk

          The Promenade — Paul Cézanne, Post-impressionism
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          Interior, Strandgade 30 — Vilhelm Hammershøi, Symbolism
          Vilhelm Hammershøi Interior, Strandgade 30
          Untitled (5319) — Amedeo Modigliani, Cubism
          Amedeo Modigliani untitled (5319) – Cubism
          Still Life With Apples And Pomegranates — Gustave Courbet, Contemporary Realism
          Gustave Courbet Still Life with Apples and Pomegranates (1871)
          The Cat — Paresh Maity, Symbolism
          Paresh Maity The Cat, 1992, Paresh Maity
          The Artist And The Model — Belgrads Stadsmuseum, Impressionism
          Belgrads Stadsmuseum The Artist and the Model
          Rabbit — Nathan Oliveira, Bay Area Figurative Movement
          Nathan Oliveira Rabbit av Nathan Oliveira, 1964
          Harvest — Ganesh Haloi, Abstract Landscape
          Ganesh Haloi Harvest av Ganesh Haloi, 1981
          Beggar Resting — Giacomo Ceruti, Baroque
          Giacomo Ceruti Beggar Resting (1720)

          Konstnärsbiografi

          Early Life and Artistic Training

          Sven Jørgensen was born on 23 February 1861 in Drammen, Norway. His early years in the country led him toward formal study, beginning with his time at Wilhelm von Hannos drawing school between 1877 and 1879. These formative years provided the foundation for a path that would eventually take him far from his birthplace to the major art centers of Europe.

          The years between 1880 and 1883 saw him studying at the Munich Academy. During this period, he was a student of Ludwig von Löfftz, absorbing the technical rigors of the German tradition. This training shaped his approach to the canvas before he turned his attention toward the light and atmosphere of France. He visited Paris in 1889 and again during the period of 1891–1892. While in Paris, he studied under Léon Bonnat, adding the French influence to his existing technical background.

          Artistic Style and Subject Matter

          After settling in Slagen in 1886, his focus turned toward the quiet, heavy realities of those living on the margins. He looked at the lives of the poor through a naturalistic lens, capturing the weight of their daily existence without embellishment. His compositions often relied on a specific spatial arrangement, frequently placing a few large, singular figures within the frame to command the viewer's attention.

          The influence of François Millet and Pierre Puvis de Chavannes is visible in the way he handled his subjects. There is a certain stillness in his work, a sense of a moment held in place. He did not seek to decorate the hardships of his subjects, but rather to observe them as they were, focusing on the physical presence of the people and the environments they occupied.

          Notable Works and Paintings

          His brush often turned toward the quiet, heavy realities of those living on the margins. In 1888, he painted Unemployed, a work that captures a specific kind of stillness. This focus on the struggles of the working class continued through his later years, seen in the way he handled the figures in The Son in 1894. There is a weight to his subjects, a sense of life being lived in the small, difficult spaces of the everyday.

          The years following his move to Slagen saw him exploring more intimate, domestic, or somber scenes. He produced The Meal in 1895, a piece that looks closely at a shared moment, and The Farewell that same year. These works often feature large, singular figures that command the space around them. By 1896, his subjects took on a more final tone in Death, and in 1897, he turned his attention to a younger subject in A Boy.

          • Vårsprett (1890)
          • Ung pike (1890)
          • På tunet (1892)
          • Søsken (1893)
          • Avskjeden (1895)

          Where to See His Works Today

          Much of his output remains in Norway, held within the National Museum for art, architecture and design. This collection preserves the quiet, heavy atmosphere of his studies of life among the working classes. You can find his oil paintings there, where the textures of the canvas hold the weight of his subjects' daily existence.

          Several of his specific pieces are part of this national collection. The painting Unemployed is held in these archives, alongside The Son. You can also find Springtime and A Meal within the museum's holdings. These works sit in the same space, allowing the viewer to see how he handled light and form across different subjects.

          Sven Jørgensen

          Sven Jørgensen

          1861 - 1940 , Norway

          Kortfakta

          • Artists Who Influenced This Artist:
            • François Millet
            • Pierre Puvis de Chavannes
          • Full Name: Sven Jørgensen
          • Nationality: Norwegian
          • Notable Artworks:
            • The Widow
            • Unemployed
            • The Son
          • Place Of Birth: Drammen, Norway
          • Date Of Birth: 1861
          • Date Of Death: 1940