Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Beställ handmålad reproduktion Byt till digital bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver för att passa din ram eller vägg. Ett tryck kan endast beskäras, aldrig göras större än originalbilden, vilket innebär att ett format med en annan proportion leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi påbörjar tryckningen. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
Leverans över hela världen () på 2 veckor istället för standard 4/5 veckor. (21 november)
The Last Consolation
Storlek på reproduktion
Born in Bruges, Belgium, Bruno Van Hollebeke was a painter and draftsperson who received his formal training at the Academy of Fine Arts in Bruges. During his studies, he achieved significant recognition, earning the first prize for composition and the second prize for painting in 1839. His artistic development continued in Antwerp, where he studied under Égide Charles Gustave Wappers and Josephus Laurentius Dyckmans. Throughout his career, he was known for his ability to capture diverse subjects, ranging from portraits and religious scenes to history paintings and genre scenes. His technical skill was such that he was commissioned by the Belgian government to create several works, including the stations of the cross for the Saint-Jacques church in Bruges.
Van Hollebeke was an active participant in the Belgian art scene, exhibiting his work at various triennial exhibitions and the Historical Exhibition of Belgian Art 1830-1880. His notable works include:
In his later years, Van Hollebeke faced blindness and lived without financial resources, eventually becoming a resident of the hospice for the blind in Brussels, where he passed away.
1817 - 1892 , Belgium
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
