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          Self-Portrait with White Cap (1935) av Max Kaus, handmålad oljemålning i reproduktion utförd av en mästare
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          Max Kaus

          Self-Portrait with White Cap Handmålad oljemålning i reproduktion

          A contemplative oil portrait by Max Ernst from 1935 features expressive textures. Explore this soulful masterpiece today.
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          A German expressionist painter known for his landscapes and portraits. Discover the evocative works of Max Kaus today.
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          Skr 2702

          Self-Portrait with White Cap

          Reproduktionsmetod

          Storlek på reproduktion

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          Slutgiltigt pris

          Skr 2702

          Kortfakta

          • Notable elements or techniques: Impasto, textured brushwork
          • Medium: Oil
          • Artistic style: Late Impressionism or early Expressionism
          • Artist: Max Ernst

          Konstquiz

          Det finns endast ett korrekt svar på varje fråga.

          Fråga 1:
          What is the subject of this oil portrait?
          Fråga 2:
          Which artist painted 'Self-Portrait with White Cap'?
          Fråga 3:
          What color is the background in this painting?
          Fråga 4:
          In what year was this artwork created?
          Fråga 5:
          What is the man holding in his right hand?

          A Moment of Quiet Introspection

          Step closer and observe the man before us. In this 1935 oil portrait, we encounter an elderly figure caught in a moment of profound stillness. He is positioned slightly off-center, his presence felt through a medium close-up that brings us face-to-face with his weathered features. A dark hat sits low upon his brow, and his gaze, framed by spectacles, suggests a mind turned inward. There is a certain dignity in his composure, even as he holds a thin cigarette, the rising wisps of smoke adding a vertical movement to an otherwise stationary scene. The background remains a pale, desaturated greenish-beige, providing a muted stage that allows the darker tones of his suit and the textures of his white beard to emerge with clarity.

          The Language of Texture and Light

          The artist has moved away from precise, clinical lines in favor of a more painterly approach. You can see the physical weight of the paint here; thick, impasto strokes create a tactile surface, particularly where light catches the highlights of the face and the drifting smoke. This heavy application of pigment gives the portrait an almost sculptural quality. The lighting is soft, appearing to descend from the upper left to cast gentle shadows that define the contours of the man's cheek and the structure of his clothing. Through these earthy tones—deep browns, blacks, and grays—the work achieves a sense of weight and character. It is a study in light manipulation, where the focus remains on the emotional gravity of the subject rather than mere anatomical accuracy.

          Frågor och svar

          Upplevs färgerna i "Self-Portrait with White Cap" som starka eller mjuka?

          Färgerna i "Self-Portrait with White Cap" av Max Kaus har en Balanced intensitet.

          Vilken fas i Max Kauss karriär motsvarar årtalet 1935 för "Self-Portrait with White Cap"?

          Med tanke på sitt datum från 1935, tillhör "Self-Portrait with White Cap" Max Kauss Surrealist Period.

          Vilken teknik och vilket årtal gäller för "Self-Portrait with White Cap" av Max Kaus?

          "Self-Portrait with White Cap" skapades år 1935 i Oil On Canvas.

          Liknande konstverk

          Porträtt Av En Man — El Greco, Barock
          El Greco Porträtt av en man, 1600, El Greco
          Porträtt Av En Vitskäggad Man — Tintoretto, Barock
          Tintoretto Porträtt av en vitskäggad man
          Porträtt Av En Gammal Man — El Greco, Barock
          El Greco El Greco: Porträtt av en gammal man
          En Äldre Man Som Sankt Paulus — Rembrandt, Dutch Baroque
          Rembrandt En äldre man som Sankt Paulus – Dutch Baroque
          Portrait Of A Man — Winslow Homer, American Realism
          Winslow Homer Portrait of a Man av Winslow Homer
          Porträtt Av En Äldre Man — Rembrandt, Baroque Dutch
          Rembrandt Porträtt av en äldre man – handmålad oljereplik av Rembrandt
          Portrait Of An Old Man 1 — Rembrandt, Baroque
          Rembrandt Portrait Of An Old Man 1 av Rembrandt
          En Äldre Man Som Sover — Rembrandt, Baroque Painting
          Rembrandt Rembrandt, En äldre man som sover (1629)
          Portrait Of A White-haired Man — Rembrandt, Baroque
          Rembrandt Portrait of a white-haired man
          Symphony In White Number 1, The White Girl — James Mcneill Whistler, Tonalism
          James McNeill Whistler Symphony in White Number 1, The White Girl

          Konstnärsbiografi

          The Life and Art of Max Kaus

          Max Kaus was a German painter, printmaker, graphic artist, and lithographer. Born in Berlin, Germany, his early training took place at the Study Institute of the Decorative Arts Museum in Berlin between 1908 and 1913. During the First World War, he served as a medical orderly and ambulance driver in western Flanders. It was during this time in Ostend that he learned to make lithograph prints, utilizing a printing press constructed from timber recovered from a destroyed railway station. Upon returning to Berlin in 1918, he acquired his own lithography equipment, which became a foundation for much of his subsequent artistic output.

          His career saw significant shifts in subject matter and style. While he was widely recognized for his landscape works—drawing inspiration from travels within Germany, Austria, and northern Italy—he also worked extensively on portraiture. His post-war output was characterized by a shift where form began to dominate content. His later creative years included several distinct categories of work:

          Academic Influence and Legacy

          Beyond his personal practice, Kaus was an influential teacher. He held a professorship teaching landscape art at the Kunstgewerbe- und Handwerkerschule in Berlin, and later served as a professor and head of the department for "Freie Kunst" at the Hochschule für Bildende Künste in Berlin. He also served as the deputy director at the academy.

          Kaus was a member of the German Artists' Association, serving on its executive board and as deputy chair. His surviving works are catalogued and indexed, with his literary estate held at the German National Arts Archive in Nuremberg.

          Max Kaus

          Max Kaus

          1891 - 1977 , Germany

          Kortfakta

          • Artistic Movement Or Style: Expressionism
          • Artists Or Movements Influenced By This Artist: ['Sabine Sieler']
          • Artists Who Influenced This Artist:
            • Erich Heckel
            • Ernst Ludwig Kirchner
          • Full Name: Max Kaus
          • Nationality: German
          • Notable Artworks: ['Portrait of a woman in the mirror']
          • Place Of Birth: Berlin, Germany
          • Date Of Birth: 1891
          • Date Of Death: 1977

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