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Iberic

Discover Carmen Herrera's 1949 geometric abstract tondo, echoing Cuban modernism with bold reds and oranges; own a piece of postwar avant-garde brilliance.

Discover Carmen Herrera's captivating abstract & minimalist paintings! A late-career sensation, this Cuban-American artist created bold geometric works recognized for their vibrant colors & precision. Explore her legacy and iconic pieces like 'Iberic

Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk opphavsrettslov – Tittel 17.

Denne metoden er i fullt samsvar med opphavsrettslige regler, da den ikke innebærer kopiering eller duplisering av det beskyttede kunstverket. I stedet er det snakk om en kreativ nytolkning – et nytt maleri som er inspirert av originalen, men ikke identisk med den.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Bestill håndmalt reproduksjon Gå til digitalt bilde)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

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Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (10 October)

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Nkr 630

Iberic

Giclée / Kunsttrykk

Format på reproduksjon

-

Totalpris

Nkr 630

Kort om verket

  • Subject or theme: Geometry and Color
  • Title: Iberic
  • Medium: Acrylic on canvas
  • Location: The Metropolitan Museum of Art
  • Influences:
    • Suprematism
    • Bauhaus
  • Movement: Abstraction
  • Artist: Carmen Herrera

Kunstquiz

Det er kun ett riktig svar på hvert spørsmål.

Spørsmål 1:
What is the title of the artwork discussed?
Spørsmål 2:
In what year was Carmen Herrera's *Iberic* painted?
Spørsmål 3:
Which artistic movement profoundly influenced the geometric abstraction seen in *Iberic*?
Spørsmål 4:
What revolutionary painting medium did Carmen Herrera pioneer in her work, as noted in the description?
Spørsmål 5:
The artwork *Iberic* is described as a:

A Symphony of Geometry: The Radiant Spirit of Iberic

In the vast landscape of mid-century abstraction, few works possess the immediate, rhythmic vitality found in Carmen Herrera’s 1949 masterpiece, Iberic. This striking tondo—a circular canvas that defies the traditional rectangular constraints of fine art—serves as a mesmerizing window into the avant-garde soul of postwar Europe. At first glance, the eye is swept into a whirlwind of warm reds, vibrant oranges, and deep, grounding blacks. These colors do not merely sit upon the surface; they dance in an intricate tapestry of interwoven irregular geometric and organic shapes. The painting functions as a lyrical composition, where every curve and sharp edge contributes to a sense of perpetual motion, inviting the viewer to lose themselves in its balanced yet dynamic energy.

The technical brilliance of Iberic lies in Herrera’s pioneering spirit and her mastery of form. During this formative period in Paris, Herrera was deeply immersed in the intellectual currents of the Bauhaus school and Suprematism, movements that championed the reduction of art to its most essential, functional elements. In this work, we see the echoes of those philosophies through a deliberate absence of illusionistic depth. There is no attempt to mimic the three-dimensional world; instead, Herrera focuses on pure visual experience. Her use of what was then a revolutionary medium—early acrylics—allowed for a crispness and a flat, hard-edge clarity that would become her signature. This precision creates a spatial tension where shapes seem to overlap and recede simultaneously, creating a rhythmic pulse that feels both modern and timeless.

A Cultural Intersection: From Havana to the Parisian Avant-Garde

To truly appreciate Iberic, one must understand the profound cultural dialogue that breathed life into its creation. The work is a poignant reflection of Herrera’s unique position as a Cuban artist navigating the sophisticated art circles of Europe. There is an undeniable connection to her contemporary, Wifredo Lam, whose exploration of cultural hybridity and expressive texture served as a vital catalyst for her own experimentation. While Lam often delved into the complexities of colonial identity, Herrera channeled that same transformative energy into the language of pure abstraction. Iberic acts as a bridge between the tropical warmth of her Cuban roots and the rigorous, intellectual geometry of the Parisian modernists.

For the discerning collector or interior designer, this piece offers more than just aesthetic beauty; it provides a sophisticated focal point that commands attention through its structural integrity. The circular format of the tondo brings a unique softness to contemporary spaces, breaking the linear monotony of modern architecture. Whether placed in a minimalist gallery setting or as a bold statement in a curated residential collection, Iberic radiates an aura of intellectual depth and historical significance. It is a work that celebrates the triumph of order over chaos, using a limited palette to achieve an infinite sense of movement, making it an enduring icon for those who appreciate the profound power of geometric abstraction.

Spørsmål og svar

Når og med hvilke materialer ble "Iberic" laget?

"Iberic" ble skapt i 1949 ved bruk av teknikken Acrylic. Materiale og dato beskriver hvordan og når originalen ble laget.

Hvilken kunstner kan "Iberic" tilskrives?

"Iberic" tilskrives Carmen Herrera.

Hvor gammel var Carmen Herrera da "Iberic" ble skapt?

Carmen Herrera laget "Iberic" i en alder av 34. Kunstneren ble født i 1915, og verket er datert 1949.

Hvilken fargeharmoni utviser "Iberic" av Carmen Herrera?

"Iberic" av Carmen Herrera viser en Unified Palette fargeharmoni.

Hvor lys er "Iberic" totalt sett?

Den oppfattede lysstyrken til "Iberic" av Carmen Herrera er brilliant. Den kan tilpasses lysforholdene i det tiltenkte rommet.

Hva er produksjonsåret til "Iberic" av Carmen Herrera?

"Iberic" dateres til 1949. Datoen plasserer verket innenfor Carmen Herrera sin karriere og sin epoke.

Hvilken palett og hvilken følelse forener "Iberic"?

Den Neutrals fargepaletten i "Iberic" av Carmen Herrera harmonerer med dens Reflective emosjonelle tone. Farge er en av måtene et verk formidler følelser på.


Kunstnerbiografi

Early Life and Education

  • Born: Havana, Cuba (May 30, 1915)
  • Died: New York City, USA (February 12, 2022) – aged 106
  • Early artistic training began at age eight with private lessons from Federico Edelmann y Pinto.
  • Attended Marymount School in Paris in 1929, fostering an appreciation for art history and culture.
  • Studied architecture briefly at the Universidad de la Habana (1938-1939), influencing her later geometric style.

Artistic Development and Style

  • Developed a hard-edge, non-objective abstract style during her time in Paris in the late 1940s and early 1950s.
  • Experimented with various materials and techniques, including solvent-based acrylic paints.
  • Her work is characterized by geometric shapes, bold colors, and a focus on formal simplicity.
  • Influenced by movements such as Abstract Expressionism and Minimalism.
  • Explored themes of symmetry, asymmetry, movement, rhythm, and spatial tension in her paintings.
  • Later works incorporated three-dimensional sculptural elements ("estructuras").

Career and Recognition

  • Exhibited in Havana in 1950 but faced a lack of audience receptiveness.
  • Moved to New York City in 1954, where her work initially went largely unrecognized.
  • Despite facing challenges as a Latin woman artist, she continued painting consistently for decades.
  • Gained significant international recognition late in life, starting in the late 1990s.
  • First solo exhibition in New York City after many years was at Lisson Gallery in 2010.
  • Major retrospective, *Carmen Herrera: Lines of Sight*, at the Whitney Museum of American Art (2016-2017) brought her widespread acclaim.

Major Works and Exhibitions

  • Iberic (1949): A notable early work housed at the Metropolitan Museum of Art in New York City.
  • Blanco y Verde series (1959-1971): A significant body of work exploring figure/ground relationships and architectural principles.
  • Days of the Week: Series of seven vivid paintings.
  • Exhibitions at Stanhardt Gallery, numerous galleries in Europe, and major museums worldwide.
  • Public art installations, including Verde, que te quiero verde at the Blanton Museum of Art (2023).

Historical Significance

  • Carmen Herrera is considered a pioneering figure in abstract and minimalist art.
  • Her late-career recognition highlights the challenges faced by women artists and artists from underrepresented backgrounds.
  • Her work demonstrates a commitment to formal rigor, geometric abstraction, and a unique artistic vision.
  • She inspired new generations of artists and continues to be celebrated for her contributions to art history.
Carmen Herrera

Carmen Herrera

1915 - 2022 , Cuba

Kort om kunstneren

  • Full Name: Carmen Herrera
  • Nationality: Cuban-American
  • Date Of Birth: 1915
  • Date Of Death: 2022
  • Place Of Birth: Havana, Cuba
  • Notable Artworks:
    • Iberic
    • Cobalto y Blanco
    • West
  • Artistic Movement Or Style: Abstract, Minimalist