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Bao Shichen, a literatus better known as a seal carver and calligrapher than as a painter, wrote an influential treatise, Paired Oars for the Boat of Art, in support of the bold calligraphic styles found in carved stone monuments (bei) of the Six Dynasties period. Bao"s appreciation of the new aesthetic led others to value contemporary experiments in bei styles by such calligraphers as Deng Shiru (1743–1805).Bao"s calligraphy, still in the style of informal brush-written models (tie), dominates this painting, not only in the form of a long inscription but also in the emblematic use of a conventional image rendered in simply brushed ink line and wash. The inscription is Bao"s commentary on ambition:Some chase fame at court. Some chase gain in the market. He who attains fame returns content; he who attains wealth returns secure. There are so many who never cease to strive. The universe is huge and never-ending, with myriads of people and as many ambitions.Trans. adapted from Ellsworth et al., Later Chinese Painting]But nowhere is the huge universe would Bao"s ambitions be satisfied: he repeated failed the examinations for the jinshi (presented scholar) degree that would have earned him a higher post in government service.

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Biography of Bao Shichen

Bao Shichen (包世臣; 1775—1855) stands as a pivotal figure in late Qing China’s intellectual landscape, renowned primarily for his mastery of calligraphy and his unwavering advocacy for reform amidst the turbulent era. Born into a modest Confucian family in Jiangsu Province, Bao’s early life was marked by perseverance despite repeated failures to gain admittance to the imperial examination system—a cornerstone of social mobility during that period. This relentless pursuit of scholarly distinction fueled his lifelong dedication to intellectual pursuits and shaped his worldview profoundly. His father, a low-ranking officer in the Green Standard Army, instilled in Bao a strong sense of patriotism and military discipline, experiences which would later inform his stance on national defense. Recognizing the importance of education beyond formal credentials, Bao diligently cultivated his knowledge through self-study and mentorship, absorbing the teachings of prominent Confucian thinkers like Hong Liangji who championed pragmatic solutions to China’s pressing challenges. This formative influence instilled in him a conviction that intellectual discourse was crucial for addressing societal ills. Bao Shichen's artistic journey began with an early fascination for calligraphy—a craft he considered not merely decorative but fundamentally intertwined with moral cultivation and the transmission of Confucian ideals. He meticulously studied the techniques of Wei style character formation, recognizing its elegance and precision as embodiments of harmonious aesthetic principles. This dedication to calligraphy extended beyond mere skill; it became a vehicle for expressing his philosophical convictions and engaging in critical reflection on contemporary issues. His prolific output encompassed numerous scrolls featuring landscapes, birds, flowers, and rocks—each piece imbued with symbolic resonance reflecting Bao’s belief in the interconnectedness of nature and human morality. These works exemplify the Wei style's emphasis on simplicity, spontaneity, and profound contemplation—qualities that mirrored his own intellectual temperament. Notably, he penned “Two Riders,” a celebrated landscape scroll that captures the spirit of Confucian virtue through masterful brushwork and compositional balance. Throughout his career, Bao Shichen actively participated in debates surrounding China’s engagement with Western powers, particularly concerning the opium trade. He vehemently opposed the influx of opium into Canton, arguing that it undermined national prosperity and eroded moral integrity. His impassioned advocacy for reform—centered on dismantling bureaucratic inefficiencies and bolstering agricultural productivity—demonstrated his unwavering commitment to revitalizing Qing society. Bao Shichen’s writings served as a catalyst for intellectual ferment and contributed significantly to shaping the discourse surrounding China's future trajectory during a period of immense upheaval. His legacy extends beyond his artistic achievements; he remains an enduring symbol of Confucian integrity and intellectual courage—a testament to the transformative power of scholarship in confronting societal injustices and upholding moral values. Bao Shichen’s contributions to calligraphy and his unwavering defense of reform cemented his place as one of China's most influential thinkers of the 19th century, ensuring that his voice continues to resonate within the annals of Chinese history.

bao shichen

1775 - 1855

Kort om kunstneren

Artistic Movement Or Style: Jinshi Scholarship
Artists Or Movements Influenced By This Artist: ['Wei Style']
Artists Who Influenced This Artist: ['Hong Liangji']
Date Of Death: 1855
Full Name: Bao Shichen
Nationality: Chinese
Notable Artworks:
- Two Riders
- Calligraphy Couplet in Xingshu
- Preface of the Orchid Pavilion
Place Of Birth: China

Two Riders

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