Žymiausias Ary Scheffer tapas yra Marquis De Lafayette (1822), esantis Nacionalinė portretų galerija, Vašingtonas. Kartu su Portrait of the king Louis-Philippe (1835) ir Princess Marie of Orléans (1813–1839) (1837) tai sudaro tris visai visus pažįstančius darbus. Mūsų kataloge yra 227 darbų autoriaus Ary Scheffer; žemiau pateiktos 100 daugiausia visame pasaulyje žiūrimų kūrinių, kiekvieno iš jų – su metai, muziejumi, kuriame jis saugomas, ir paaiškintu, kodėl jis svarbus.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Kiekvieną šio puslapio šedevrą galite užsisakyti kaip muziejoriaus kokybės rankų darbo alievinę reprodukciją arba aukščiausios kokybės meninį spausdiną jūsų pasirinktu dydžiu.
The Marquis De Lafayette gazes out from the canvas, his presence fixed in a moment of quiet dignity. Ary Scheffer captures the man in this 1822 oil on canvas, presenting a likeness that feels immediate and alive. The subject appears with a sense of composed authority, his features rendered with a precision that suggests a deep familiarity with his character. Every brushstroke contributes to a sense of weight and substance…
A single light source strikes the subject from the upper left, carving a profile out of the surrounding gloom. King Louis-Philippe sits in a quiet, heavy stillness. The light catches the stark white of his cravat, a sharp contrast against the deep, ink-like shadows of his coat. His gaze is fixed toward the left, directed at something unseen beyond the frame. There is a gravity in his expression, a stillness…
The portrait presents Princess Marie of Orléans in a three-quarter view, her gaze directed toward the right of the frame. A soft, directional light enters from the upper left, defining the contours of her face and the delicate texture of her skin. She is dressed in a light grey gown, the fabric rendered with fluid, heavy folds that suggest both weight and movement. The composition is vertical and intimate, set…
The Portrait of the Prince de Talleyrand is an oil on canvas portrait painting executed by the Dutch artist Ary Scheffer. Created in 1828, the work depicts Charles Maurice de Talleyrand-Périgord. The subject is presented at the age of seventy-four, capturing the statesman in his later years.
In this work, titled The Death of Saint Louis, the artist Ary Scheffer captures a profound moment of historical and religious significance. Painted about 1817, the canvas depicts the final moments of the French King Saint Louis IX, who lived from 1214 to 1270. The scene is set within a tent on the Libyan coast, a location chosen to reflect the circumstances of the King's passing during the later stages…
A weathered man emerges from a heavy, espresso-toned darkness, his face turned upward toward an unseen light. This is a shepherd, though the title feels more like a state of being than a mere occupation. His skin, etched by years of sun and wind, catches a dramatic glow that carves out the rugged contours of his forehead and cheekbone. A grey beard clings to a jawline set in an expression…
This oil portrait, executed in 1850, presents a man in a three-quarter view, positioned slightly off-center and facing toward the right. The subject is rendered with a focus on the facial features, which are illuminated by a directional light source originating from the upper left. This lighting creates a chiaroscuro effect, casting soft shadows across the right side of the face and neck to establish three-dimensional volume. The subject wears…
This oil on canvas, titled Count Eberhard of Württemberg Mourns next to the Body of his Son, is a significant work by the Dutch-French painter Ary Scheffer. The painting captures a profound historical subject, rendered with the specific emotional weight characteristic of the artist's hand. It was originally presented to the public at the Salon de 1834 in Paris, marking its early recognition within the French art scene.
The Portrait of Madame Edouard Caillard is an oil on canvas work by the artist Ary Scheffer. Created in 1842, this portrait captures the likeness of Madame Edouard Caillard, born Sipière. The subject sits within the frame, a singular figure rendered in the quietude of mid-19th-century portraiture.
The Portrait of Queen Mary Amélie emerges from the shadows of history, a formal and dignified oil on canvas rendered by the hand of Ary Scheffer. Created in 1857, this work captures a moment of quiet authority and poise. The subject of this portrait is Maria Amalia of Naples and Sicily, presented with a serene expression that suggests a deep, internal wisdom. She sits in a state of calm contemplation,…
The composition of this oil on panel painting focuses on the upper bodies and faces of two figures in a tight, intimate close-up. An older man and a…
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The Last Communion of Saint Louis emerges from the brush of Ary Scheffer, a painter who captures a profound moment of spiritual transition. Created in 1823, this work…
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The oil on canvas titled Count Eberhard of Württemberg and his Son was executed by the Dutch-French painter Ary Scheffer. Born in Dordrecht, Netherlands, in 1795, Scheffer later…
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Keturi populiariausi temų motyvai tarp šių šedevrų, su geriausiais kiekvieno pavyzdžiais.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Ary Scheffer darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 105 | Greek Combat (Nestor and Diomedes), Hannibal, to whom on a platter the head of Hasdrubal is brought, Head of an Old Man with Beret on Head |
 Musée de la Vie Romantique |
Paris | 26 | Project for a Triptych, The Storm, Presumed Portrait of Princess Marie d'Orléans |
 Condé muziejus |
Šantili | 5 | Portrait of the king Louis-Philippe, Princess Marie of Orléans (1813–1839), Portrait of the Prince de Talleyrand |
 Amsterdam Museum |
Amsterdamas | 5 | Mary Magdalene at the foot of the cross, Greek Exiles on a Rock, Staring at Their Lost Fatherland, Portrait of a Lady |
 Museum Boijmans Van Beuningen |
Roterdamas | 4 | A Shepherd, Count Eberhard of Württemberg Mourns next to the Body of his Son, Count Eberhard of Württemberg and his Son |
 Opera House |
Versailles | 3 | Georges Mouton, Count of Lobau, Alphonse de Lamartine (1790-1869), poet, François Arago (1786-1853), physicist |
 Wallace Collection |
Londonas | 4 | The Return of the Prodigal Son, The Sister of Mercy |
 Petit Palais |
Paris | 3 | Portrait of Madame Edouard Caillard, Saint Thomas Aquinas Preaching Trust in God During the Storm |
In this work, titled The Death of Saint Louis, the artist Ary Scheffer captures a profound moment of historical and religious significance. Painted about 1817, the canvas depicts…
The Marquis De Lafayette gazes out from the canvas, his presence fixed in a moment of quiet dignity. Ary Scheffer captures the man in this 1822 oil on…
A single light source strikes the subject from the upper left, carving a profile out of the surrounding gloom. King Louis-Philippe sits in a quiet, heavy stillness. The…
A weathered man emerges from a heavy, espresso-toned darkness, his face turned upward toward an unseen light. This is a shepherd, though the title feels more like a…
This oil portrait, executed in 1850, presents a man in a three-quarter view, positioned slightly off-center and facing toward the right. The subject is rendered with a focus…
Marquis De Lafayette (1822), Nacionalinė portretų galerija, Vašingtonas. Toliau yra Portrait of the king Louis-Philippe (1835) ir Princess Marie of Orléans (1813–1839) (1837).
27 metų amžiaus: Marquis De Lafayette sukurta 1822 m. ir Ary Scheffer gimė 1795.
Marquis De Lafayette, Portrait of the king Louis-Philippe, Princess Marie of Orléans (1813–1839), Portrait of the Prince de Talleyrand, The Death of Saint Louis, A Shepherd, Portrait of Zygmunt Krasiński., Count Eberhard of Württemberg Mourns next to the Body of his Son, Portrait of Madame Edouard Caillard ir Portrait of Queen Mary Amélie. Viršuje esančioje reitingo lentelėje nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 227 Ary Scheffer darbų, datuojamų nuo 1807 iki 1857.
Dauguma jų yra Dordrechts Museum (Dordrecht), Musée de la Vie Romantique (Paris) ir Condé muziejus (Šantili). Viršuje esančiame lange muziejai išvardyti po vieni.
1830s laikotarpyje: 35 iš 100 šioje pusėje esančių darbų sukurtos tada, iš jų – Portrait of the king Louis-Philippe.
Pirmasis šioje pusėje yra Head of an Old Man with Beret on Head (1807), paskutinis – Portrait of Queen Mary Amélie (1857).
Man (9), Portrait (4) ir Dark background (4), iš 100 šioje pusėje esančių darbų.
Oil On Canvas: 12 iš 100 šioje pusėje esančių darbų.
Romanticism, kaip rodo šio puslapio paveikslai.
Greek Combat (Nestor and Diomedes), Hannibal, to whom on a platter the head of Hasdrubal is brought ir Head of an Old Man with Beret on Head yra vieni iš 46 šioje puslapyje esamų darbų, kuriuos saugo Dordrechts Museum, Dordrecht.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti kaip muziejoriaus kokybės rankų darbų alievinę kopiją arba aukščiausios kokybės spausdinį pasirinktu jūsų pageidaujamu dydžiu tiesiai iš paties paveikslą puslapio.
