Šiame puslapyje rodomas meno kūrinys yra saugomas autorių teisių įstatymais, todėl neturime teisės legaliai kurti ar parduoti jo identiškos reprodukcijos. Ši apsauga užtikrinama remiantis tokiais tarptautiniais susitarimais kaip Bernės konvencija ir pagal nacionalines įstatymų nuostatas, įskaitant tas, kurias nurodo JAV autoriškos teisės įstatymas – 17-asis skyrius.
Šis metodas visiškai atitinka autorių teises, nes jame nėra kūrinio kopijavimo ar dubliavimo. Tai yra kūrybinė reinterpretacija – naujas paveikslas, kurį įkvėpė originalas, tačiau kuris nėra jo identiškas.
Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys. ( Pirkti rankomis tapytą reprodukciją
Perejti prie skaitmeninių vaizdų)
Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.
Įveskite jums reikiamą plotį ir aukštį, kad atvaizdas derėtų prie jūsų rėmo ar sienos. Spausdiną galima tik sumažinti, bet nepadidinti virš originalaus paveikslėlio dydžio, todėl keičiant proporcijas, dalis vaizdo prarandama. Prieš spausdinimą atsiųsime jums skaitmeninį maketą patvirtinimui. Šioje puslapio nuotraukoje matomas pjūvis nėra tikslus – jį rodo tik maketas.
Pristatymas visame pasaulyje () per 2 weeks, o ne įprastas 4/5 savaičių laikotarpis. (24 spalis)
Monstermind
Reprodukcijos dydis
Darbino „Monstermind“, autorius – Rho Jae Oon puslapio Rentgenas veją yra interaktyvus naršyklė, leidžiantis peržiūrėti vienu metu vienąn ਤੋਂ vienas dvylkant optinių vaizdo sluoksnių, įskaitant rentgeno tipo vaizdą.
Originalų kūrinį „Monstermind“ galite pamatyti Nam June Paik Art Center, Jonginas, Güžios Korea muziejuje.
„Monstermind“ linksta į Green to Violet Spectrum atspalvį.
In the heart of Seoul, a city where ancient traditions pulse beneath a neon-lit, hyper-connected skyline, Rho Jae Oon (born 1971) has forged an artistic language that speaks to the very soul of our modern era. His practice is not merely an exploration of new media, but a profound philosophical inquiry into how we perceive reality in an age of infinite digital reproduction. By weaving together the contemplative stillness of Buddhist thought with the frenetic energy of the internet, Oon creates a space where the viewer can pause and reflect on the shifting boundaries between the physical self and the virtual shadow.
Oon’s artistic evolution is deeply rooted in his academic foundations at Seoul National University. There, immersed in the rigorous study of fine arts—ranging from the tactile weight of sculpture to the layered depth of painting—he developed a mastery over form and composition. However, it was his early fascination with experimental cinema and performance art that truly ignited his creative spirit. This cinematic lens would later become his most potent tool, allowing him to approach the canvas and the screen not as static surfaces, but as dynamic stages for montage. Through this technique, he learned to synthesize disparate fragments—web images, textual narratives, and sonic textures—into a cohesive, thought-provoking whole.
At the core of Oon’s work lies a striking duality: the ancient wisdom of Zen Buddhism and the relentless velocity of contemporary digital platforms. He finds a spiritual resonance between the Buddhist concepts of mindfulness and emptiness and the way the digital realm can dissolve established narratives, exposing the hidden biases within our collective consciousness. His breakthrough work, Mulian Sutron, serves as a poignant example of this synthesis. In this filmic meditation, he utilizes the legendary tale of Buddha’s disciple, Mulian, to explore themes of liberation and the struggle to rescue the soul from darkness, using cinematic projections to bridge the gap between mythic past and digital present.
This intersection is perhaps most vividly realized in his explorations of Monstermind. In this conceptual framework, Oon acts as an architect of interfaces, creating platforms that challenge the viewer to recognize the dangers of "transcendent speed." He observes how the rapid-fire delivery of information through social networks can induce a state of unconscious conformity to the myths created by modern establishments. His work serves as a vital warning and a call to enlightenment, urging us to look past the superficial gloss of technology to find the deeper truths buried within the data stream.
The significance of Rho Jae Oon’s contribution to contemporary art lies in his ability to provoke genuine cognitive shifts. He does not simply use technology for its novelty; rather, he appropriates the very tools of our digital existence to critique them. His mastery of the montage technique allows him to recontextualize the debris of the internet—the discarded images and fleeting sounds—giving them new, profound meanings that resonate far beyond their original digital context.
As we navigate an increasingly complex global landscape, Oon’s work remains a crucial touchstone for understanding our place within the machine. His achievements can be summarized through several key artistic pillars:
Through his evocative compositions, Rho Jae Oon continues to challenge us to remain awake in a world of digital distraction, reminding us that even within the most complex technological webs, there is a profound opportunity for spiritual and intellectual liberation.
1971 - , South Korea