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alexander johnston

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Discover Alexander Johnston (1816-1891), a Scottish painter known for genre & history paintings of 19th-century Britain. Explore his portraits and historical scenes.
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Studijų Apie Apaštulą Ir Architektūrinis Eskizas — Leonardas Da Vinčis, Renaissance Art
Leonardas Da Vinčis Studijų apie apaštulą ir architektūrinis eskizas
Study Of A Ballet Dancer (recto); Two Studies Of Dancers (verso) — Hilaire Germain Edgar Dega, Impressionism
Hilaire Germain Edgar Dega Study of a Ballet Dancer (recto); Two Studies of Dancers (verso)
Study Of Hands (various Studies) — Leonardas Da Vinčis, Renaissance
Leonardas Da Vinčis Study of hands (various studies)
Senio Vyro Studija – Vandens Studija — Leonardas Da Vinčis, Renesans
Leonardas Da Vinčis Senio vyro studija – Vandens studija
Study Of A Woman Spinning And Five Studies Of Hands — Antuanas Vato, Rococo
Antuanas Vato Study of a Woman Spinning and Five Studies of Hands
Partial Study Of Two Nude Male Figures, One With Raised Arm, The Other On The Ground And Leg And Arm Studies Of The First One (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Barokis, Early Baroque
Federico Barokis Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)
Cloaked Male Figure And Studies Of His Left Leg; Drapery Studies (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Barokis
Federico Barokis Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
Cloaked Male Figure And Studies Of His Left Leg; Drapery Studies (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Barokis, Baroque
Federico Barokis Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies — Federico Barokis, Baroque Renaissance
Federico Barokis Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies
Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies — Federico Barokis, Baroque Renaissance
Federico Barokis Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies

Autoriaus biografija

Alexander Johnston (1816-1891): A Scottish Painter Bridging Romanticism and Victorian Tradition

Alexander Johnston, born in Edinburgh in 1816, was a pivotal figure in Scottish art during the mid-nineteenth century. His artistic journey began amidst the burgeoning Romantic movement but quickly established him as a staunch defender of classical ideals, resulting in a distinctive oeuvre characterized by meticulous detail and emotionally resonant narratives. The son of an architect, Johnston’s early education instilled within him a disciplined aesthetic sensibility that would profoundly shape his artistic pursuits. At fifteen, he was entrusted to a seal-engraver, providing him with invaluable technical skills – particularly crucial for his prolific involvement in printmaking alongside painting. His formative years at the Trustees' Academy from 1831 to 1834 laid the groundwork for his formal training and introduced him to William Hilton, whose influence championed the revival of academic art principles. Johnston’s admittance into the Royal Academy in 1836 marked a significant turning point, cementing his connection with the artistic elite of London and fostering collaborations that propelled his career forward. Notably, he benefited from an introduction to Sir David Wilkie, a celebrated portraitist who nurtured his talent and encouraged him to explore ambitious subjects. Johnston’s initial foray into painting involved capturing portraits of Dr. Morison's family, showcasing his ability to render likeness with sensitivity and precision – an accomplishment recognized by the Royal Academy in 1836 and 1837. He swiftly gained recognition for his genre paintings, notably “The Mother’s Prayer” (1838) and “Scotch Lovers,” which debuted at the Society of British Artists and established him as a respected artist of his time. His artistic breakthrough arrived in 1840 with "Gentle Shepherd" and "Sunday Morning," pieces that garnered acclaim for their atmospheric depictions and masterful execution, securing commissions from prominent collectors like Bicknell. Johnston’s foray into history painting demonstrated his ambition and commitment to conveying grand narratives. “The Interview of the Regent Murray With Mary Queen of Scots” (1841), purchased by the Edinburgh Art Union, showcased his technical prowess and artistic vision—a piece that would later find its home in the National Gallery. Subsequent commissions included "A Scene From The Lady Of The Lake," illustrating Walter Scott’s epic poem, which garnered a premium from the Liverpool Academy, and “Prince Charles's Introduction To Flora Macdonald After The Battle Of Culloden,” awarded by the Glasgow Art Union—though he declined the honorarium. Throughout his career, Johnston consistently participated in major exhibitions, cementing his reputation as one of Scotland’s foremost artists. His enduring legacy resides not only in his impressive artistic output but also in his contribution to printmaking and engraving. Collaborations with engravers like C. Lightfoot elevated his paintings into powerful visual statements, disseminating them widely across Britain. Johnston's meticulous attention to detail—evident in works such as “Archbishop Tillotson Administering The Sacrament To Lord William Russell” (1845)—reflects the influence of classical art and underscores his unwavering dedication to artistic excellence. Alexander Johnston’s paintings continue to captivate audiences today, serving as testament to a remarkable artist who skillfully blended Romantic emotion with Victorian precision—a true embodiment of his era's artistic spirit.
alexander johnston

alexander johnston

1882 - 1974

Trumpa informacija

  • Artistic Movement Or Style: Romanticism
  • Artists Who Influenced This Artist:
    • William Hilton
    • Sir David Wilkie
  • Date Of Birth: 1816
  • Date Of Death: 1891
  • Full Name: Alexander Johnston
  • Nationality: Scottish
  • Notable Artworks:
    • The Mother's Prayer
    • Sunday Morning
    • Covenanter's Marriage
    • A Scene From The Lady Of The Lake
    • Prince Charles's Introduction To Flora Macdonald
  • Place Of Birth: Edinburgh, Scotland
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