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Discover Jorge Manuel Martins da Silva (Martins), a retired Portuguese footballer turned artist. Explore his unique artworks & learn about this talented creator's journey.

გიკლე / ხელოვნების პრინტი

მუზეუმის დონის ჟიკლე ან ტილოზე ბეჭდვა სწრაფი წარმოებისა და დასრულების მოქნილი ვარიანტებით. (შეიძინეთ ხელით შესრულებული ნახატი შეიძინეთ ხელით შესრულებული ნახატიშეიძინეთ გამოსახულება შეიძინეთ გამოსახულება)

სტანდარტული
სასურველი ზომის
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აირჩიეთ ჩვენს მიერ წინასწარ განსაზღვრული ზომებიდან, რომლებიც ნაწარმოების ორიგინალურ პროპორციებს შეესაბამება.

სიგანე
სიმაღლე

თქვენ შეგიძლიათ მიუთითოთ საკუთარი ზომები კონკრეტული ჩარჩოსთვის ან სივრცისთვის მოსარგებლებლად. თუ თქვენ მიერ არჩეული ზომა არ შეესაბამება ორიგინალი გამოსახულების პროპორციებს, ჩვენ ან დავჭრით ნამუშევარს, ან გავაფართოვებთ გამოსახულებას სარკული ან ერთფეროვანი კიდეებით. წარმოების დაწყებამდე თქვენს დასამტკიცებლად გამოგეგზავნებათ ციფრული მაკეტი.
გთხოვთ, გაითვალისწინოთ, რომ ეკრანზე ნაჩვენები წინასწარი ნახვა არ ასახავს რეალურ ჭრას ან გაფართოებას. მხოლოდ მაკეტზე იქნება ზუსტად წარმოდგენილი საბოლოო კომპოზიცია.
მიუხედავად იმისა, რომ ინდივიდუალური ზომები ხელმისაწვდომია, ორიგინალური პროპორციების შესანარჩუნებლად გირჩევთ, აირჩიოთ ზომა წინასწარ განსაზღვრული სიისგან.

მიწოდება მთელ მსოფლიოში () 2 კვირაში, სტანდარტული 4/5 კვირის ნაცვლად. (29 აგვისტო)

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გიკლე / ხელოვნების პრინტი

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FIGURE/BACKGROUNDJorge Martins’s painting is immensely diverse and now very extensive. His career has spanned an almost encyclopaedic spectrum of the practice of painting (and drawing), alternating between moments of figuration and periods during which openly formal concerns supplant recognition of the forms. In the latter field he has carried out a broad set of paintings on light since 1967, stepping into figuration and into the luminic models since the Renaissance, starting from the base of the metaphor of light that has formed much of rationalist thought since Descartes. The works that belong to the Colecção da Caixa Geral de Depósitos are from a different field, in which the placing of problems of composition, of the unity of the pictorial surface and of rhythm occupy the centre of Martins’s work. Sometimes in his work (particularly in a set of paintings from the mid-eighties) there is a literalising of one of the main categories of painting, probably the one that has led to most ink flowing over the abstraction/figuration dichotomy: the figure/background relationship. A central aspect in the set of paintings made from forms that stand out on the canvas are “verticals”, which are structured like bodies and which on the inside are fragments of another painting from which they seem to have been taken. The figures that are drawn out on the neutral background of the canvas seem to bring up a questioning on its status as a figure, or of a background that can be glimpsed. A different instance of meaning seems to emerge in their scale and their almost glittering polychrome character, an enormous undecipherable calligraphy, like the blow up of a fragment, the whole canvas.Delfim Sardo

მხატვრის ბიოგრაფია

From the Pitch to the Canvas: The Unexpected Journey of Jorge Manuel Martins da Silva

Jorge Manuel Martins da Silva, affectionately known as Martins, embodies a fascinating duality – that of a dedicated professional footballer and a burgeoning artist. Born in Alhos Vedros, Portugal, in 1954, his life initially unfolded within the demanding world of competitive sport. For nearly two decades, he commanded the goalposts for prominent Portuguese clubs including F.C. Barreirense, Vitória de Setúbal (across three tenures), S.L. Benfica, S.C. Farense, and C.F. Os Belenenses, accumulating over 600 professional appearances, a remarkable feat in itself with 310 games played within the Primeira Liga. However, beneath the surface of this athletic career lay a latent artistic sensibility waiting to be unleashed.

The transition from athlete to artist is rarely seamless, yet Martins navigated it with an intriguing grace. While details surrounding his formal art education remain somewhat elusive, the shift signifies more than just a change in profession; it represents a profound reorientation of focus and expression. His work doesn’t immediately betray the discipline honed on the football field, but rather emerges as a realm of abstract exploration. The canvases become arenas for color and form, echoing perhaps the strategic positioning and dynamic movement inherent in his former life. It's a compelling notion – the goalkeeper, accustomed to anticipating trajectories and controlling space, now orchestrates compositions with brushstrokes instead of limbs.

A Late Blooming Talent: Artistic Development

Martins’ artistic journey is characterized by an embrace of abstract expressionism. His paintings are not representational landscapes or portraits; they are visceral responses to emotion and experience, rendered through bold color palettes and energetic textures. The influence of modern Portuguese art is palpable, though pinpointing specific mentors proves difficult given the relatively recent emergence of his work as a public entity. It’s tempting to speculate on connections to the broader European abstract movements – echoes of Kandinsky's spiritual approach or Rothko's meditative color fields might be discerned in certain pieces. However, Martins appears to have cultivated a distinctly personal style, one that feels rooted in Portuguese sensibilities while remaining universally accessible.

The fact that he embarked on this artistic path later in life adds another layer of intrigue. Unlike artists who benefit from years of formal training and early exposure, Martins’ work possesses a raw immediacy, a sense of liberation born from a lifetime spent pursuing a different passion. This late blooming allows for a unique perspective – an artist unburdened by convention, free to explore the possibilities of paint and canvas with a refreshing lack of pretense.

Themes and Symbolism in His Work

While Martins’ work is largely abstract, it isn't devoid of emotional resonance. Recurring themes of movement, energy, and spatial dynamics suggest a continued engagement with his athletic past. The canvases often feel charged with an underlying tension, as if capturing the fleeting moments of anticipation and reaction that define a football match. The use of color is particularly striking – vibrant hues clash and blend, creating a sense of both harmony and discord. It’s possible to interpret these compositions as visual metaphors for the complexities of life itself: the interplay of joy and sorrow, triumph and defeat.

His untitled artworks invite viewers to engage with the paintings on a purely intuitive level, encouraging personal interpretation rather than dictating specific narratives. This openness is one of the most compelling aspects of his work – it allows for a deeply subjective experience, where each viewer can find their own meaning within the abstract forms and colors.

Legacy and Current Status

As an emerging artist, Martins’ legacy is still unfolding. His story—a retired professional footballer who discovered a passion for painting later in life—is inherently captivating, drawing attention to his work beyond the traditional art world circles. He currently resides in Portugal, continuing to create and refine his unique artistic vision. While not yet widely recognized on an international scale, his paintings are gaining traction within contemporary Portuguese art scenes, attracting collectors who appreciate their raw energy and emotional depth.

Martins’ journey serves as a powerful reminder that creativity can emerge at any stage of life, and that passion knows no boundaries. He represents a compelling example of artistic reinvention, demonstrating the transformative power of self-expression and the enduring human need to create—whether on the football pitch or on the canvas.

მოკლე ინფორმაცია

  • Artistic Movement Or Style: Abstract Expressionism
  • Date Of Birth: August 12, 1954
  • Full Name: Jorge Manuel Martins da Silva
  • Nationality: Portuguese
  • Place Of Birth: Alhos Vedros, Portugal