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Enseigne pour une école de harengs
複製画のサイズ
Max Ernst’s “Enseigne pour une école de harengs,” created in 1970, is a deceptively simple lithograph that belies its profound exploration of Surrealist principles. Executed after the painting "Landscape," this piece exemplifies Ernst's masterful manipulation of printmaking techniques to convey complex psychological ideas.
The artwork depicts a starkly contrasting scene: a vast expanse of indigo sky dominated by an enormous, luminous moon—a motif recurrent throughout Ernst’s oeuvre. Against this backdrop, a single, stylized hareng (codfish) is positioned prominently, seemingly instructing or guiding the viewer's gaze. The composition eschews traditional perspective and realism, prioritizing instead emotional resonance over literal representation.
Ernst’s choice of lithograph with relief printing demonstrates his dedication to precision and artistic control. Lithography utilizes a stone surface treated with acid to transfer an image onto paper through capillary action, resulting in tonal variations and subtle textures that contribute significantly to the artwork's atmosphere. The addition of embossed printing enhances these textural qualities, creating a tactile element that invites contemplation.
The hareng itself holds symbolic significance within Surrealist thought—representing fertility, abundance, and perhaps even subconscious desires. Its placement in relation to the moon reinforces themes of nocturnal introspection and dreams. Ernst’s work consistently engages with Freudian psychoanalysis, delving into the realm of unconscious impulses and irrational associations.
"Enseigne pour une école de harengs" emerged from the aftermath of Dadaism—a rebellious artistic movement that rejected logic and embraced absurdity as responses to the horrors of World War I. Ernst’s Surrealist explorations continued throughout his career, pushing boundaries of visual language and challenging conventional notions of beauty. This lithograph stands as a testament to Ernst's enduring contribution to 20th-century art history—a captivating reminder that profound ideas can be conveyed through deceptively understated forms.
This edition is cataloged Spies / Leppien A 22. It was printed by Mathieu AG, Dielsdorf/Zürich and published by manus presse, Stuttgart. The sheet size is 71 x 49 cm. Minor creases in the white margins are present, along with a tiny fracture in the left sheet edge (2mm), otherwise it’s in excellent condition.
You can find more information about this artwork here.
1891 - 1976 , ドイツ
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ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
