当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 (
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特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認（承認）をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Enseigne pour une école de harengs
複製画のサイズ
Max Ernst’s “Enseigne pour une école de harengs,” created in 1970, is a deceptively simple lithograph that belies its profound exploration of Surrealist principles. Executed after the painting "Landscape," this piece exemplifies Ernst's masterful manipulation of printmaking techniques to convey complex psychological ideas.
The artwork depicts a starkly contrasting scene: a vast expanse of indigo sky dominated by an enormous, luminous moon—a motif recurrent throughout Ernst’s oeuvre. Against this backdrop, a single, stylized hareng (codfish) is positioned prominently, seemingly instructing or guiding the viewer's gaze. The composition eschews traditional perspective and realism, prioritizing instead emotional resonance over literal representation.
Ernst’s choice of lithograph with relief printing demonstrates his dedication to precision and artistic control. Lithography utilizes a stone surface treated with acid to transfer an image onto paper through capillary action, resulting in tonal variations and subtle textures that contribute significantly to the artwork's atmosphere. The addition of embossed printing enhances these textural qualities, creating a tactile element that invites contemplation.
The hareng itself holds symbolic significance within Surrealist thought—representing fertility, abundance, and perhaps even subconscious desires. Its placement in relation to the moon reinforces themes of nocturnal introspection and dreams. Ernst’s work consistently engages with Freudian psychoanalysis, delving into the realm of unconscious impulses and irrational associations.
"Enseigne pour une école de harengs" emerged from the aftermath of Dadaism—a rebellious artistic movement that rejected logic and embraced absurdity as responses to the horrors of World War I. Ernst’s Surrealist explorations continued throughout his career, pushing boundaries of visual language and challenging conventional notions of beauty. This lithograph stands as a testament to Ernst's enduring contribution to 20th-century art history—a captivating reminder that profound ideas can be conveyed through deceptively understated forms.
This edition is cataloged Spies / Leppien A 22. It was printed by Mathieu AG, Dielsdorf/Zürich and published by manus presse, Stuttgart. The sheet size is 71 x 49 cm. Minor creases in the white margins are present, along with a tiny fracture in the left sheet edge (2mm), otherwise it’s in excellent condition.
You can find more information about this artwork here.
1891 - 1976 , ドイツ
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ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
