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Giuseppe De Nittis

1846 - 1884

Brevi note biografiche

  • Born: 1846, Barletta, Italia
  • Typical colors: tonalità calde
  • Lifespan: 38 years
  • Room fit: zona giorno
  • Top 3 works:
    • Dodici Studi del Vesuvio
    • Osta käsin maalattu maalaus teoksesta On the Slopes of Vesuvius (III)
    • Femme aux pompons (Woman with Pompoms)
  • Also known as:
    • Barletta
    • Giuseppe Gaetano De Nittis
  • Color intensity:
    • vivido
    • equilibrato
  • Top-ranked work: Dodici Studi del Vesuvio
  • Art period: XIX Secolo
  • Copyright status: Public domain
  • Altro…
  • Emotional tone:
    • tranquillo
    • riflessivo
  • Movements: impressionism
  • Died: 1884
  • Gift suitability:
    • altro/nessuno
    • other-none
  • Nationality: Italia
  • Best occasions:
    • accento cromatico
    • punto focale
  • Mediums: olio su tela
  • Creative periods: mature period
  • Works on APS: 66
  • Museums on APS:
    • Galleria d'Arte Moderna
    • Galleria d'Arte Moderna
    • Galleria d'Arte Moderna
    • Galleria d'Arte Moderna
    • Galleria d'Arte Moderna

Quiz d'arte

Per ogni domanda è presente una sola risposta corretta.

Domanda 1:
Chi è Giuseppe De Nittis?
Domanda 2:
In quale città è nato Giuseppe De Nittis?
Domanda 3:
Quale scuola artistica fondò Giuseppe De Nittis?
Domanda 4:
A quale corrente artistica appartiene principalmente Giuseppe De Nittis?
Domanda 5:
Qual è uno dei suoi soggetti pittorici più importanti?

Giuseppe De Nittis (1846-1884): Italian Painter Bridging Salon Art & Impressionism

  • Early Life and Artistic Beginnings
  • The Macchiaioli Movement and Florentine Influences
  • Parisian Years: Recognition and Impressionist Engagement
  • Return to Italy: Vesuvius Landscapes and Continued Success
  • Legacy and Influence on Later Artists

Early Life and Artistic Beginnings

Giuseppe Gaetano De Nittis was born in Barletta, Apulia, on February 25, 1846, the fourth son of Raffaele De Nittis and Teresa Emanuela Barracchia. His father, a wealthy landowner deeply involved in political activism—particularly opposed to the Bourbon monarchy—was imprisoned for two years due to his outspoken stance. Despite this hardship, Giuseppe persevered in pursuing his artistic ambitions, enrolling at the Reale Istituto di Belle Arti di Napoli in 1861 under the tutelage of Giuseppe Mancinelli and Gabriele Smargiassi. Unlike many of his peers, he eschewed academic conventions, prioritizing independent expression and capturing the immediacy of nature—a characteristic that would define his distinctive style. His early training instilled in him a rebellious spirit and a fascination with plein air painting, foreshadowing his future artistic endeavors.

The Macchiaioli Movement and Florentine Influences

De Nittis’s formative years coincided with the emergence of the Macchiaioli movement—a group of Italian painters who championed a revolutionary approach to art. Inspired by artists like Telemaco Signorini, he embraced this stylistic innovation, experimenting with bold brushstrokes and vibrant color palettes to convey emotion and atmosphere. His association with Signorini fostered a collaborative spirit and exposed him to Florentine artistic currents, where he honed his skills and absorbed the influence of Impressionist techniques. This period solidified De Nittis’s commitment to capturing fleeting moments of light and color—a cornerstone of his oeuvre.

Parisian Years: Recognition and Impressionist Engagement

In 1867, De Nittis relocated to Paris, establishing a contract with the influential art dealer Adolphe Goupil. This move propelled him into the heart of Parisian artistic life, where he encountered fellow artists such as Edgar Degas and Ernest Meissonier. Recognizing the importance of commercial success alongside artistic integrity, he diligently produced genre paintings—primarily portraits and scenes of everyday life—that catered to the tastes of discerning collectors. Notably, De Nittis participated in the inaugural Impressionist exhibition held at Nadar’s studio in 1874, marking a pivotal moment in his career and aligning him firmly with the burgeoning Impressionist movement. His presence at this landmark event cemented his reputation as a visionary artist who dared to challenge artistic conventions.

Return to Italy: Vesuvius Landscapes and Continued Success

Driven by a desire for creative freedom and inspired by the grandeur of the Italian landscape, De Nittis returned to Naples in 1872. He swiftly gained acclaim for his depictions of Mount Vesuvio—capturing its volcanic majesty with breathtaking precision and expressive color. His canvases conveyed not only visual beauty but also palpable emotion—reflecting the artist’s profound connection to his homeland. Throughout the Franco-Prussian War (1870–1871), De Nittis continued to produce artwork, demonstrating unwavering dedication to his craft amidst turbulent times. He achieved considerable success at the Exposition Universelle of 1878, securing a gold medal and receiving the Légion d’honneur—honors that underscored his artistic merit and national significance.

Legacy and Influence on Later Artists

Giuseppe De Nittis died unexpectedly in Saint-Germain-en-Laye on August 21, 1884, at the age of 38—a tragic premature end to a brilliant artistic life. His wife, Léontine Lucile Gruvelle, generously bequeathed his paintings to the town of Barletta, where they are now housed in the Pinacoteca De Nittis—a testament to his enduring legacy. De Nittis’s distinctive style—characterized by bold brushstrokes, vibrant color palettes, and a masterful rendering of light—influenced subsequent generations of artists, particularly Impressionists and Macchiaioli. His unwavering commitment to capturing the essence of nature and conveying emotion continues to inspire painters today.